Tag: Queer/Play

USA
www.thebuildersassocation.org

Moe Angelos is a theatre artist and writer. She is a core member of The Builders Association, an internationally touring, New York-based theatre company that has been making innovative large-scale, media infused performance work since 1994. Recent Builders projects include the critically acclaimed SONTAG: Reborn and Elements of Oz. She’s one of The Five Lesbian Brothers, an Obie-Award winning theatre company whose works include, Oedipus at Palm Springs, Brave Smiles and The Secretaries, and she has been a member of the Wow Café Theater since 1981. She has collaborated with many downtown New York City luminaries including Lisa Kron, Carmelita Tropicana, Anne Bogart, Holly Hughes, Lois Weaver, Kate Stafford, Brooke O’Harra, Half Straddle and The Ridiculous Theatrical Company. She is a Mentor in the Queer/Arts/Mentorship Program in New York City.

Photo David Hawe.

Canada

Originally from East Farnham, Québec, Moynan King is a Toronto-based performer, director, curator, writer and scholar. As an actor she has over forty professional film, theatre and TV credits, most recently roles in the hit CBC series Baroness von Sketch Show, and John Greyson’s silent subway thriller Murder in Passing and his upcoming feature Last Car. She is the author of six plays, the creator of performance installations, including the The Beauty Salon and Mothering, and was the co-creator and director of trace, which toured across Canada in 2015. She has been an artist-in-residence at Studio 303 in Montreal, and Nakai Theatre in Whitehorse. Moynan was co-founder and director of the Hysteria Festival (2003–2009), co-director of the Rhubarb! Festival (2003–2005), and has curated many a cabaret (Cheap Queers; Explain Yourself; Anne Made Me Gay; City of Freaks; Strange Sisters; Hysteria @ Edgy Women). 

King holds a PhD from York University. Her academic writing has been published in journals (Canadian Theatre Review; nomorepotlucks; Canadian Literature), and books (More Caught in the Act; Once More, With Feeling; Compulsive Acts; Toronto Theatre and Performance). She was the editor of Canadian Theatre Review, issue 149, Queer Performance: Women and Trans Artists. 

The sixth in the Golden Book series and essential reading for the performances presented in FADO’s Performance Club series, Performance Club: The Syllabus contains everything you need for your Performance Club 4–6 experience (including that pesky homework).

Designed by Lisa Kiss Design
72 pages

TABLE OF CONTENTS

1. This is a Queer Series
Introduction by Moynan King

2. Queer/Play
By Moe Angelos

3. Three O’Clock
By Cornell Woolrich

4. I Wanted To Be Bisexual But My Father Wouldn’t Let Me
By David Bateman

Golden Book 6: Performance Club 4-6; The Syllabus (2019)
Authors: Intro by Moynan King; texts by Moe Angelos, Cornell Woolrich, David Bateman
Design: Lisa Kiss
Publisher: FADO Performance Art Centre
Series: Golden Books, 6th
72 pages; 8.5 x 11 inches ; Print Book, English

As a proposition for a performance or the framework for an actual book club, FADO’s Performance Club series redefines the historical and contemporary performance art canon, one book club, and one book, article, essay, or anthology at a time. Invited artists perform the role of book club facilitators, leading the audience through a performance of a reading, a reading performance, a performance about a book, or a bookish performance. This series is on-going. Sometimes we pick the book and invite an artist; sometimes we invite an artist and they pick a book. Just like a real book club, we ask the audience to read the suggested material before coming to the performance. But don’t worry, just like a real book club, no one ever does. 

Curated by Shannon Cochrane

Performance Club 1: Queer/Play
The book is edited by Moynan King. The performance is by Moe Angelos.
December 14–15, 2017

Performance Club 2: Valley of the Dolls by Keith Cole
January 20–February 20, 2018

Performance Club 3: 9Questions, an artist project by Gustaf Broms
That time we made our own book (2018).

Performance Club 4: Book Club: snowflakes in the echo chamber by Moe Angelos
September 10, 2019

Performance Club 5: The Talking Grave by Hope Thompson
September 12, 2019

Performance Club 6: Art Immuno Deficiency Syndrome, subtitle; Does This Giacometti Make Me Look Fat? by David Bateman
September 19, 2019

Performance Club 1 includes the launch of Queer/Play, edited by Moynan King, and a series of performance accompaniments, such as verbatim readings of some of the interviews contained in the book and a new performance by Moe Angelos entitled (what else?) Queer/Play.

In Queer/Play (the performance) Moe Angelos interprets and takes inspiration from the material content of Queer/Play to create a new performance work of their own, playing with the idea of book club.

Verbatim interviews performed by a roster of artists, writers, and performers including:
Shannon Cochrane
Amanda Cordner
Sky Gilbert
Darren Gobert
Johanna Householder
Aisha Sasha John
Louise Liliefeldt
Pamila Matharu
Tanya Mars
Susan Wolf
Michaela Washburn

Queer/Play is a collection of never before published scripts and interviews from both emerging and established Canadian queer theatre and performance artists, Queer/Play maps a cross section of current performance works found at the intersection of queer life and art, delving into the resulting subcultures and always-changing concepts of identity and performance. In this book, queer is not just something someone is; it’s also something these artists do.

WORKS INCLUDED in Queer/Play (the book):

Graceful Rebellions by Shaista Latif
Lapine-Moi / Rabbit-I and Cerveau Fêlé 101 / Broken Brain 101 by Nathalie Claude
Dirty Plötz by Alex Tigchelaar
Chronicles of a War Child by Jazz Kamal “Nari”
She Mami Wata and The Pussy WitchHunt by d’bi.young anitafrika
The Magic Hour by Jess Dobkin
Trapped! by Hope Thompson
Sister Mary’s a Dyke?! by Flerida Peña
Hiding Words (for you) by Gein Wong
SPIN by Evalyn Parry
Plus interviews by: Alisha Stranges, Erin Hurley, Laine Zisman Newman, Donna-Michelle St Bernard, Mel Hague, Keith Cole, Laura Levin, Tabia Lau, Kim Crosby, Margo Charlton

This is your book club. You are the audience. You decide how many sessions you attend. 

It is not a requirement that you have already read the book being clubbed to attend this Performance: Club. But you are more than welcome to! There will be a limited number of discounted books for sale at the door or you can purchase your copy in advance through the Playwrights Canada Press website.