Performance Club 1 includes the launch of Queer/Play, edited by Moynan King, and a series of performance accompaniments, such as verbatim readings of some of the interviews contained in the book and a new performance by Moe Angelos entitled (what else?) Queer/Play.
In Queer/Play (the performance) Moe Angelos interprets and takes inspiration from the material content of Queer/Play to create a new performance work of their own, playing with the idea of book club.
Verbatim interviews performed by a roster of artists, writers, and performers including:
Aisha Sasha John
Queer/Play is a collection of never before published scripts and interviews from both emerging and established Canadian queer theatre and performance artists, Queer/Play maps a cross section of current performance works found at the intersection of queer life and art, delving into the resulting subcultures and always-changing concepts of identity and performance. In this book, queer is not just something someone is; it’s also something these artists do.
WORKS INCLUDED in Queer/Play:
Graceful Rebellions by Shaista Latif
Lapine-Moi / Rabbit-I and Cerveau Fêlé 101 / Broken Brain 101 by Nathalie Claude
Dirty Plötz by Alex Tigchelaar
Chronicles of a War Child by Jazz Kamal “Nari”
She Mami Wata and The Pussy WitchHunt by d’bi.young anitafrika
The Magic Hour by Jess Dobkin
Trapped! by Hope Thompson
Sister Mary’s a Dyke?! by Flerida Peña
Hiding Words (for you) by Gein Wong
SPIN by Evalyn Parry
Plus interviews by: Alisha Stranges, Erin Hurley, Laine Zisman Newman, Donna-Michelle St Bernard, Mel Hague, Keith Cole, Laura Levin, Tabia Lau, Kim Crosby, Margo Charlton
This is your book club. You are the audience. You decide how many sessions you attend.
It is not a requirement that you have already read the book being clubbed to attend this Performance: Club. But you are more than welcome to! There will be a limited number of discounted books for sale at the door or you can purchase your copy in advance through the Playwrights Canada Press website.