Tag: Golden Book 1

b. 1952, Canada
www.andrewjamespaterson.com

Andrew James Paterson is an interdisciplinary artist based in Toronto. His work engages in a playful questioning of language, philosophy, ‘community and capitalism’ in a wide range of disciplines, including video, performance, writing, film, and music. He has exhibited nationally and internationally for over four decades. Paterson’s artist’s book Collection Correction was published by Kunstverein Toronto and Mousse of Milan in 2016. His novelette Not Joy Division was published by IMPULSE B in Toronto in 2018. Paterson was awarded a Governor General’s Award for his work in Visual and Media Arts in 2019.

Image © Francesco Gagliardi, Some Reconstructions, 7a*11d International Festival of Performance Art, 2014. Photo Henry Chan.

Italy / Canada

Francesco Gagliardi is a performance artist, writer, and occasional filmmaker based in Toronto. His performance work has been presented internationally in venues including Issue Project Room (Brooklyn, NY), The Ontological-Hysteric Theater and The Stone (NYC), The Wulf and Pieter (Los Angeles), Esorabako (Tokyo), Fondazione Mudima (Milano), FADO Performance Art Centre, Harbourfront Centre, and 7a*11d (Toronto). His film work screened in venues including TIFF Wavelengths, the Torino Film Festival, Images Festival, and it was the subject of a retrospective at Pleasure Dome (Toronto) in October 2017. He teaches in the Department of Philosophy and at the Centre for Drama, Theatre, and Performance Studies, University of Toronto. 

Francesco Gagliardi Interview with Mike Hoolboom

First up in the Golden Book series features Francesco Gagliardi’s performance Film: Rope, presented during Images Festival 2013, with an essay written by Andrew J. Paterson. Film: Rope explores the relationship between cinematic space and the space of live performance, and our ways of interpreting and recollecting the experience of movement within the film frame.

In Dangling that Rope, Andrew James Paterson writes, “In Film: Rope, Gagliardi has accentuated the simultaneous clash and fusion of different disciplines by using as source material a film that has been controversial at a number of different levels: Alfred Hitchcock’s Rope (1948). Rope is something of an anomaly within the Hitchcock canon, as it is directed to appear as if consisting almost entirely of one continuous shot. In this respect it breaks the modernist dictum that film should not appear simply to be recorded theatre. The film eschews montage altogether.”

Golden Book 1: Film; Rope (2013)
Author: Andrew James Paterson
Editor: Chris Gehman
Design: Lisa Kiss
Publisher: FADO Performance Art Centre
Series: Golden Books, 1st
16 pages; 4.24 x 6 inches ; Print Book, English