Image © Francesco Gagliardi, Some Reconstructions, 7a*11d International Festival of Performance Art, 2014. Photo Henry Chan.
Italy / Canada
Francesco Gagliardi is a performance artist, writer, and occasional filmmaker based in Toronto. His performance work has been presented internationally in venues including Issue Project Room (Brooklyn, NY), The Ontological-Hysteric Theater and The Stone (NYC), The Wulf and Pieter (Los Angeles), Esorabako (Tokyo), Fondazione Mudima (Milano), FADO Performance Art Centre, Harbourfront Centre, and 7a*11d (Toronto). His film work screened in venues including TIFF Wavelengths, the Torino Film Festival, Images Festival, and it was the subject of a retrospective at Pleasure Dome (Toronto) in October 2017. He teaches in the Department of Philosophy and at the Centre for Drama, Theatre, and Performance Studies, University of Toronto.
Created by Francesco Gagliardi
Performed by Michael Caldwell, Francesco Gagliardi, Marcin Kedzior and Cara Spooner
Film: Rope explores the relationship between cinematic space and the space of live performance, and our ways of interpreting and recollecting the experience of movement within the film frame.
In Dangling that Rope, Andrew James Paterson writes, “In Film: Rope, Gagliardi has accentuated the simultaneous clash and fusion of different disciplines by using as source material a film that has been controversial at a number of different levels: Alfred Hitchcock’s Rope (1948). Rope is something of an anomaly within the Hitchcock canon, as it is directed to appear as if consisting almost entirely of one continuous shot. In this respect it breaks the modernist dictum that film should not appear simply to be recorded theatre. The film eschews montage altogether.”
Rope (1948) is considered one of Alfred Hitchcock’s most experimental films. Containing only four unmasked cuts, it was shot in single 10 minute takes (the length of a camera roll), tracking in an out of black surfaces (the back of a jacket or a piece of furniture) to create the illusion of even longer continuous shots. This virtuoso technique, which required the constant shifting of stage walls, furniture, and props to make way for the camera, was partly developed by the director in order to convey the illusion of theatrical real time and continuous space.
By paradoxically attempting to re-embody and transpose the movements and positions of the characters in the film in relation to a live audience, Film: Rope perversely exposes and explores the discontinuities and incongruities between cinema and live performance.
April 12, 13, 14 @ 3:00pm
April 16 @ 7:00pm & 8:30pm
FADO ARTIST TALK
April 14 @ 4:30pm
Moderated by Andrew James Paterson
IMAGES ARTIST TALK
April 15 @ 4:00pm
Urban Space Gallery, 401 Richmond Street West
Performance and Media Art: Tools with Which to Deconstruct
With Francesco Gagliardi, Tanya Lukin Linklater and Duane Linklater
Film: Rope is presented by FADO in the context of The Images Festival.
The Images Festival
April 11-20, 2013
This fragrance opens us to the question, has the show started? It's winter, the theatre is colder than the street and the room is filled with people and all their winter smells: wet faux leather, down, too much shampoo, and beer breath. The atmosphere is a trickster. Am I late, am I early?
yellow mandarin, mimosa
honey, chamomile, salt
narcissus, guaiac wood, piss, beer