Photo David Hawe
trace: evidence or an indication of the former presence or existence of something
Can one man stand amidst his many voices and find herself there? Can a person sing harmony with different parts of theirselves? Can we trace the sound of ourselves as we change? If so, what remains of the original voice? Through an exploration of voice, trace transforms a private story into a performative experience integrating sound, video, installation and live performance. Using archival recordings taken before and during Tristan R. Whiston’s gender transition from female to male, along with recent recordings and live vocals, trace explores the idea that change is constant and we are always becoming someone new.
Throughout the installation are multiple speakers, each playing a single part or element in the immersive soundscape. Audience is invited to contribute to the performance by entering one of the installation’s beach inspired changing huts and, using old-fashioned technology, create their own vocal recording, eliciting an experience of auditory self-reflection.
Video by Leslie Peters
Set elements by Trixie and Beever
Software design by Dafydd Hughes
Photo by David Hawe
Tristan R. Whiston and Moynan King are artists with distinct multi-disciplinary practices. Their shared interest in ideas of identity, gender, communication and the element of time (in both life and art) brought them together as artistic collaborators early their careers.
Co-presented by New Adventures in Sound Art for the Sound Travels Festival of Sound Art
Sound Travels Festival of Sound Art: August 4–31, 2012
New Adventures in Sound Art: www.naisa.ca
August 24 @ 7:00pm–9:00pm
August 25 @ 11:00am–1:00pm and 7:00pm–9:00pm
August 26 @ 2:00pm–4:00pm
Artist talk: August 25 @ 1:00pm