FADO is pleased to present Ethel: Bloodline, a performance by Louise Liliefeldt as part of the Public Spaces / Private Places series. In this new work, Liliefeldt weaves together the disparate elements of her personal history into a tableau that plays on the tensions between the public meaning of private symbols and the private meaning of public symbols.

A wooden cross angles up out of the grass as the sun hangs low on the horizon. As you approach, you hear a piano playing, and you notice that the surface of the cross is covered in photographs. This is a language, a series of keys to a personal history, but how do you interpret them, and what do they tell you of the figure who clings to the cross?

Louise Liliefeldt’s work explores notions of beauty and the attempt to slow time through metaphors, symbols and physical actions. Her work is predominantly concerned with the politics of identity, especially as it intersects with issues of gender and race. Other concerns include the cultural conventions of spectatorship and the links between expanded emotional/psychological states and physical experience.

© Louise Liliefeldt, Ethel: Bloodline, 2000. Photo Paul Couillard.