Tag: Simla Civelek

© Simla Civelek, White Open, 7a*11d International Festival of Performance Art, 2014. Photo by Henry Chan.

Turkey / Canada
www.simlacivelek.com

Simla Civelek is a performance artist based in Toronto, Canada. Her work has been presented at FADO Performance Art Centre, 7a*11d International Festival of Performance Art, SAVAC, and Nuit Blanche in Toronto; Thompson Rivers University in Kamloops; Circa in Montréal; Art Nomade in Chicoutimi; Regart in Lévis; Glasshouse Art Life Lab in Brooklyn and Experimental Action Performance Art Festival in Houston, USA; and OPEN Performance Art Festival in China, among other venues.

“I don’t want realism, I want magic.” I came across this quote recently, once again, years after reading A Streetcar Named Desire for the first time. Things feel inherently different now. An outside world in turmoil and an inner world with angst, fear, and weariness. Blanche makes more sense, or rather, I understand her need. When I have the cynical question of “why make performance,” I also have the inclination to start from the present moment to find an answer, or rather, to look for an answer. As realism can never be a match for magic.

Simla Civelek

In a sense, the idea for my residency formed in the summer of 2019 in Turkey before the pandemic and before I even knew about the possibility of a residency. While I visited my home city of Istanbul after a 13-year hiatus, I unknowingly germinated the urge to move back there for a year.

Of course, the Covid-19 pandemic put a hold on my half-realized plans. My urge, fortified by powerlessness, transformed into a craving, an itch, a determination to explore the hunger I felt for Turkey.

This year, 2021, started with a concept of making a video in my childhood home in Istanbul. The apartment is uninhabited, complete with old furniture from 80s and 90s, covered with dusty white sheets, with shutdown old windows and blinds, dull musty air and perhaps old spirits. A time capsule from the last lived day of 1994 before our Canadian emigration.

What would be like to go back and record a walk-through of this space, like an audience-less performance, like a home movie of a ghost of a home? The camera as all-seeing eye, from my apartment in Toronto to our apartment in Istanbul, through a distance of 8,196.58 kms?

While I am creating this video in my mind (for now,) walking through the space in my memory, I am also creating actual videos for my day job of auditioning for commercials, film, and TV. Countless of takes for a 30-second footage of pretending to eat a salad or some chips while scolding my imaginary children, acting like a senator or a Middle Eastern engineer, suggesting organic rice to my neighbour, gardening with a surprised look on my face, reading a bowl of cereal like a crystal ball, drinking from a river, thanking the public for being vaccinated and waking up happy in bed…

So now I’m thinking about the absurdity of the correlation of these two notions in video. The manufactured actions of commercial acting and the archival footage of home, stacked together like a building.

There is a video somewhere.

Like the end of Covid, it is unhurried, throbbing, reluctant and eager.

Pi*llOry is an event for Queer, BIPOC and Feminist performers to show case their work, focusing on trauma. Pi*llOrists are examining how we personally and politically dismantle heteronormative hegemony and engage in healing that puts an end to the repetition of communal trauma. Pi*llOry’s performers are liberating queer bodies as a primary agency that can harness the transformative power of presence, space, politics, shame and (dis)/ability while refracting their infinite incarnations. Pi*llOry’s artists renounce the binary and traditional gender roles, they not only create new ones for themselves, but give space for others to create their own as well. Through oral, visual and visceral mediums, Pi*llOry explores the depths of fragmented gender/queer identity, pushing beyond labels and classifications. On the edge of complete uncertainty, with only the already structural, limited and bound ways of description and discrimination of queerness, Pi*llOrists arm themselves with the unknown to disrupt inherited historical trauma invoking a lasting communal cultural healing.

ARTISTS
Sadie Berlin
lo bil
Simla Civelek
Nicole Lynn Deschaine
Madeleine Lychek
Tess Martens
Sheri Osden Nault
[ field ] (Coman Poon & Brian Smith)
Randa Reda
Amber Helene Müller St. Thomas
Holly Timpener
Johannes Zits

Pi*llOry would like to thank FADO for their sponsorship and support of Pi*llOry Part 3 and 4.

Pi*llOry on Instagram
Pi*llOry on Facebook

Created and Performed by Terrance Houle
In collaboration with Simla Civelek

Presented at SummerWorks in partnership with FADO Performance Art Centre

Evoking our colonial and non-colonial histories that exist in the light of night as in the darkness of the day, GHOST DAYS awakens a collaboration with artists, audience, and spirit. Internationally celebrated performance artist Terrance Houle will work in residence overnight at the Theatre Centre throughout the festival, culminating in a final performance that combines video, performance, photography, and music to conjure spirits and ghosts as audience and collaborators.

Terrance Houle is in residence at SummerWorks as part of the SummerWorks Lab–a place for exploration, experimentation, and process, allowing us to support work in early stages and create connections between audiences and artists.

SummerWorks is Canada’s largest curated performance festival of theatre, dance, music, live art and interdisciplinary forms. This year’s 11-day Festival features 52 unique projects, as well our SLIP series of artist workshops, a collection of new performance experiments in the SummerWorks Lab, and nightly parties. Festival runs from August 3–13, 2017.

© Terrance Houle, Friend or Foe #7 (Toronto), 7a11d International Festival of Performance Art, 2014. Photo Henry Chan.

FADO Performance Art Centre is pleased to present an evening of new solo performance works from Alice De Visscher (Belgium) and Simla Civelek (Turkey / Toronto).

This event invites a local artist and an international artist to present new solo performance works created for the same space on the same evening. The artists and the audience come together to experience side by side the work of peers from different parts of the world. Each artist will present two short works in alternating sequence.

PROGRAM
Sesame Blanc by Alice De Visscher
Untitled One by Simla Civelek
Queue De Cheval II by Alice De Visscher
Untitled Two by Simla Civelek

© Alice De Visscher, Sesame Blanc, 2013. Photo Henry Chan.