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Lois Weaver – FADO
The Long Table hosted by Lois Weaver

Join us for a special presentation of the Long Table with Lois Weaver herself, presented in collaboration with Progress and the Rhubarb Festival.

The Long Table is a dinner party structured by etiquette, where conversation is the only course. The project ingeniously combines theatricality and models for public engagement. It is at once a stylized appropriation and an open-ended, non-hierarchical format for participation. Both of these elements–theatrical craft and political commitment–are mutually supporting in this widely and internationally toured work. The (often-feminized) domestic realm here becomes a stage for public thought.

As an experiment in performance as a means of public engagement, the Long Table has been taken up by a vast array of of practitioners in a variety of disciplines as a way to encircle, question, and reflect in a performative, and communal way. Lois Weaver, the originator of the Long Table, hosts this special edition for Progress.

Progress is an international festival of performance and ideas presented in partnership by SummerWorks Performance Festival and The Theatre Centre. The festival is collectively curated and produced by a series of Toronto-based companies, operating within a contemporary performance context. Progress 2018 is curated by: SummerWorks Performance Festival, The Theatre Centre, Anandam Dancetheatre, FADO Performance Art Centre, Little Black Afro Theatre Company, Toronto Dance Community Love-In, and Volcano Theatre.

This event will be ASL Interpreted. All welcome. FREE.

The Long Table hosted by Lois Weaver, 2018. Photo Henry Chan.

Artist
Lois Weaver

USA
www.split-britches.com/lois/

Lois Weaver is an artist, activist and part time professor of Contemporary Performance at Queen Mary, University of London. She was co-founder of Spiderwoman Theater, WOW and Artistic Director of Gay Sweatshop in London. She has been a writer, director and performer with Peggy Shaw and Split Britches since 1980. Works includes: Miss America (2008); Lost Lounge (2009) and RUFF (2012). Split Britches’ collection of scripts, Split Britches Feminist Performance/Lesbian Practice, edited by Sue Ellen Case, won the 1997 Lambda Literary Award for Drama. In 2012, Split Britches was presented with the Edwin Booth Award by City University of New York in honor of their outstanding contribution to the New York City/American Theater and Performance Community.

Her experiments in performance as a means of public engagement (publicaddresssystems.org) include the Long Table, the Library of Performing Rights, the FeMUSEm and her facilitating persona, Tammy WhyNot. Tammy collaborated with senior centers in NYC on What Tammy Needs To Know About Getting Old and Having Sex which premiered at La MaMa ETC, NYC in November 2014. Lois was named a Senior Fellow by the Hemispheric Institute of Performance and Politics in 2014. She is a 2014 Guggenheim Fellow and a Wellcome Trust Engaging Science Fellow for 2016-2018.

Performance
What Tammy Needs To Know About Getting Old And Having Sex by Lois Weaver

FADO Performance Art Centre has a long history of collaborating with Buddies in Bad Times Theatre to present the work of Canadian and international performance artists at the Rhubarb Festival including 2Fik (2011), Sian Robinson Davies (2012), Paul Couillard and Ed Johnson a.k.a Duorama (2014) and Staceyann Chin (2017). 

For the 39th edition of the festival, we are excited to be collaborating once again to bring the work of celebrated feminist performance icon Lois Weaver to the stage at Buddies. Weaver will be developing and presenting a Toronto iteration of her part-chat show, part-concert performance, What Tammy Needs to Know About Getting Old and Having Sex.

Performed in the guise of her alter-ego Tammy WhyNot, a “sixty-five-year-old trailer trash blonde who left Nashville for a career as a performance artist”, the performance is created through a collaborative workshop process with local LGBTQ elders in the week leading up to the performance. What Tammy Needs to Know About Getting Old and Having Sex looks at intimacy, relationships, desire, and sex in people over fifty. No matter your age, Tammy shows us that love, desire, friendship, sexual health, and losing your keys in your handbag are universal concerns. Several iterations of this performance have been developed with a growing community of seniors in the UK and around the world. Sharing their stories and her own, Tammy invites you to quit worrying why
 and start thinking, Why Not?

ABOUT TAMMY WHYNOT
Tammy WhyNot has accompanied Weaver since 1978 as Weaver’s alter-ego, performance partner and research associate. The character was conceived in The Lysistrata Numbah created and performed by Spiderwoman Theatre in 1978 and born again in a caravan under the Brooklyn Bridge in a show called Upwardly Mobile Home, written and performed by the Split Britches Theatre Company in 1984. 

Tammy got her start in show business in the late eighties as a solo artist on the New York downtown performance scene appearing at WOW, PS122, The Club at La MaMa and the Limbo Lounge. Following that, she has mostly appeared in the UK and around the world. 

She made her first international appearance as mistress of ceremonies for Club Girrls at the ICA in 1994. After that she toured the UK with cLUB bENT, presented in association with It’s Queer Up North and Gay Sweatshop. Her London appearances include Saturday nights at Duckies, Club Deviance at the Almeida Theatre, Tammy WhyNot’s X-rated Xmas Xtravaganza at the Oval House and Tammy’s Art and Beauty Salon and East End Collaborations at Queen Mary, University of London. She has also performed in Helsinki, Warsaw, Buenos Aires, Bogota, Rio de Janeiro, Montreal, Sydney, New York and Los Angeles.  

Performance
Five Holes: reminiSCENT

Curated by Jim Drobnick and Paul Couillard

ARTISTS
Cheli Nighttraveller
Clara Ursitti
Helen Paris & Leslie Hill
Millie Chen & Evelyn Von Michalofski
Shawna Dempsey & Lorri Millan

reminiSCENT, is the third instalment in FADO’s performance series, Five Holes, which examines the significance of the body and the senses. 


WORKS INCLUDED IN THE SERIES:

Pull Up To The Bumper by Clara Ursitti
Street intervention: September 18, no set times
Exhibition and limo tour: September 20 @ 6:00-9:00pm
Karen Schreiber Gallery, 302-25 Morrow Avenue, Toronto

On The Scent by Helen Paris & Leslie Hill (with guest artist Lois Weaver)
September 19–21, please register to experience this performance
168 Simcoe Street, Toronto

Untitled by Cheli Nighttraveller
September 20 @ 12:00pm
Berczy Park, Front Street, Toronto

The Seven Scents by Millie Chen & Evelyn Von Michalofski
September 20–21 @ 12:00pm–4:00pm
Harbourfront Centre, 235 Queens Quay West, Toronto

Scentbar by Shawna Dempsey & Lorri Millan
September 20 @ 6:00pm
Karen Schreiber Gallery, 302-25 Morrow Avenue, Toronto

Performance Yellow

This fragrance opens us to the question, has the show started? It's winter, the theatre is colder than the street and the room is filled with people and all their winter smells: wet faux leather, down, too much shampoo, and beer breath. The atmosphere is a trickster. Am I late, am I early?

Top Notes

yellow mandarin, mimosa

Middle Notes

honey, chamomile, salt

Base Notes

narcissus, guaiac wood, piss, beer