Legs, Too
Kate Barry

© Kate Barry, Legs, Too, 2015. Photo Henry Chan.


Kate Barry is currently based on the the unceded, traditional territories of the Coast Salish peoples sḵwx̱wú7mesh (Squamish), sel̓íl̓witulh (Tsleil-Waututh), and xʷməθkʷəy̓əm (Musqueam) nations in Vancouver, Canada.

Barry is a performance artist whose work investigates queerness, subjectivity and embodied practice through painting, drawing and video. She has contributed over 20-years to working in artist-run spaces committed to the exhibition of artwork outside the mainstream. She has performed and exhibited in galleries and festivals throughout Canada and internationally, including the National Gallery of Canada, Vancouver Art Gallery, Open Space (Victoria), 7a*11d Festival of Performance Art (Toronto), World Pride Toronto, and the Rider Project (NYC). In addition, she has self-produced work at the Musee d’Orsay (Paris, France) and Art Gallery of Ontario (Toronto).

From 2011–2014 Kate Barry was a member of the board of directors for FADO Performance Art Centre (Toronto). She was the project manager for More Caught in the Act: An Anthology of Performance Art by Canadian Women (edited by Johanna Householder and Tanya Mars) and she worked as the archival and research associate for the book, Wordless: The Performance Art of Rebecca Belmore. She was as the project lead for the MPCAS, an urban screen launched by grunt gallery in 2019. Currently, she is a sessional faculty at Emily Carr University of Art & Design and serves on the board of directors of the Mutual Aid and Reciprocity Fund (MARFEC) at ECU. From 2013 until 2016, she wrote a popular Blog called Performance Art13 that focused on the Toronto performance art scene from a visual art perspective.

Barry has curated several shows including: PLACE for the MPCAS, grunt gallery, Vancouver, 2019–2020; Nature Lover: Performance for the Camera (Fabulous Fringe Film Festival, Durham Region, 2017); 11:45PM, FADO Performance Art Centre’s Emerging Artist Series (Xpace Gallery, Toronto, 2014): and White Wedding to the Snow: Annie Sprinkle and Beth Stephen’s performance art wedding (Ottawa, Canada, 2010). Kate Barry’s video work is represented by Vtape in Toronto, Canada.

Golboo Amani

© Golboo Amani, Legs Too, 2015. Photo Henry Chan.


Golboo Amani is a Toronto-based interdisciplinary artist, who creates works focused on process and research through a variety of mediums including photography, performance, space intervention, digital media, and participatory practice. She received her BFA at the Emily Carr Institute of Art and Design. Concerned with the configurations of power imbedded within institutional structures of knowledge production, Golboo’s practice centers on pedagogical practices and artist-run counter culture. Through cross-disciplinary collaborative projects, the artist’s recent bodies of work involve facilitating inclusive spaces of agency, organizing sites for generous skill sharing and embodied acts of reclamation.

Legs, Too

Offered as an antidote to Toronto’s annual all-night “art thing” Nuit Blanche, LEGS, TOO is an all-day performance art relay. The form of the event is dictated by a chosen duration (in this case 8-hours), which is then divided equally by the number of performance artists from the local community who invited to participate.

We asked a staggering 116 artists to participate, and 53 decided to join in. For this second iteration of LEGS, TOO, audience will witness a continuous performance work made up of 53 eight-minute performances over the course of 8 hours.

Participating artists are suggested by other participating artists, snowballing a self-organizing event that is disinterested in traditional curation. Founded on a belief in community trust, performative dialogue and artistic self-determinancy, the resulting collective event lets participating artists be responsible not only for the continuous stream of idea- and image-making, but also for the realization of event itself. There is no staff, no coordinator, no stage manager, only artists working together. LEGS has legs. LEGS is a manifestation of the social and performing body through the collective network and expanded community.

The first iteration of LEGS was presented in our sister performance art network in Montréal on February 7, 2015, at Le Cercle Carré. The score and format of the event was initially imagined by an informal collective of artists (including Christian Bujold, Michelle Lacombe, Marie-Claude Gendron, Nadège Grebmeier Forget, Katherine-Josée Gervais and Jean-Philippe Luckurst-Cartier) and was created with the intention of activating and making-visible the often fragmented local performance art community.

(The score) LEGS,

  • is made by local artists (local/provincial) participating on a voluntary basis.
  • is not crafted by a singular artistic direction or selection method, and refuses all curating models (there is a lead organizer who acquires a space and starts the chain of invitations – this is the only entity-driven action).
  • is intergenerational, and the invitation is extended to performance artists at all stages of their careers. It does not however pretend or attempt to be an exhaustive representation of a community.
  • is a minimum of 7 hours and a maximum of 9 hours long; the durational for each work is decided by dividing the total chosen time with the number of participating artists in order to realize a continuous performance relay without pause. The order of the performances is arbitrary.
  • is not performed for the sake of the camera, but is photo documented and live streamed, if possible. Images will be collected by the transmitter, made available to participating artists, and published on a collective LEGS website, where the multiplying manifestations can co-exist.
  • is characterized by the fact that each participating artist is autonomous; there is no technical or material support. Artists are responsible for their own set up and clean up (which is part of their allotted time). No performance will be stopped but artists will begin at their scheduled time.
  • is not financed by any public program or entity and doesn’t generate monetary profit for the organizers or the participants.
  • asks, if desired, for a donation from attending audience who are free to come and go as they please; the collected donations compensate venue rental or documentation, if necessary, and the remainder is spent on refreshments for all.
  • can only be transmitted to/in another community by an individual (or a small group) who has participated in the directly previous edition, and the physical participation of these transmitters in the next event is preferred.
  • is shared through this score and set of principals across the performance art network.

LEGS in Toronto is initiated by FADO Performance Art Centre. The custodians of this iteration are Shannon Cochrane and Adriana Disman. There will be two LEGS transmitters from the authoring collective/performers from the first iteration present in Toronto.

Audience is invited to come and go throughout the day. If you cannot make it, watch the LIVE STREAM.

ARTISTS (in order of appearance)
Nadège Grebmeier Foget (transmitter from Montréal), Katherine-Josée Gervais (transmitter from Montréal), Tiffany Schofield, Adam Filek, Ed Johnson, Shaista Latif, Kate Barry, Emma-Kate Guimond, Katie Kehoe, Holly Timpener, Yan St Onge, Ellen Furey, Johannes Zits, Jonathan Simpson, Fiona Griffiths, lo bil, Anna Sarchami, Adam Herst, Lauren Scott, Eroca Nicols, Andrew James Paterson, Coman Poon, Alisha Mascarenhas, Brianna MacLellan, Alan Peng, Maggie Flynn, Dorothea Rust, Paul Couillard, Clayton Lee, Moynan King, Bojana Videkanic, Carrie Perreault, Johanna Householder, Christopher Willes, claude wittmann, Julian Pivato, Liz Khan, Simon Rabyniuk, Robert Luzar, Marcin Kedzior, Golboo Amani, Liz Peterson, Aliya Pabani, Chad Dembski, Berenicci Hershorn, Teena Lange, Francesco Gagliardi, Zeesy Powers, Jessica Cimó, Alex Beriault, Rosa Mesa, Raki Malhotra, Tanya Mars, Adriana Disman and Shannon Cochrane.

For an archive of the collected events in the LEGS series including the original event in Montréal, and subsequent events in Toronto and Zurich, visit the LEGS website.

Performance Yellow

This fragrance opens us to the question, has the show started? It's winter, the theatre is colder than the street and the room is filled with people and all their winter smells: wet faux leather, down, too much shampoo, and beer breath. The atmosphere is a trickster. Am I late, am I early?

Top Notes

yellow mandarin, mimosa

Middle Notes

honey, chamomile, salt

Base Notes

narcissus, guaiac wood, piss, beer