Dr. Jeanne Randolph is a psychoanalyst, cultural critic, writer, and performance artist. One of Canada’s foremost cultural theorists, she is the author of the influential book Psychoanalysis & Synchronized Swimming (1991), as well as Symbolization and Its Discontents (1997), Why Stoics Box (2003), Ethics of Luxury (2007), Shopping Cart Pantheism (2015) and My Claustrophobic Happiness (2020). Randolph’s most recent exhibition, Prairie Modernist Noir: The Disappearance of the Manitoba Telephone Booth, happened in May 2020 at Paul Petro Contemporary Art in conjunction with the Scotiabank CONTACT Photography Festival. She is also known for her curation and as an engaging lecturer, performance artist, and musician. Randolph has spoken on topics ranging from the aesthetics of Barbie to the philosophy of Wittgenstein in universities and galleries across Canada, England, Australia, and Spain. Parking Lot Pandemic (2021) is Randolph’s second exhibition at Paul Petro Contemporary Art, where she has also given readings and launched her last two books.