On September 26, 2021, twenty-six Toronto artists (of a certain generation), on the invitation of Keith Cole, assembled at the Windsor Arms Hotel in Toronto for a High Tea. The guest of honour? Dr. Jeanne Randolph. One of Canada’s foremost cultural thinkers, Randolph is a mercurial character. She is a psychoanalyst, curator, critic, writer, musician, and a performance artist. HIGH TEA with Keith Cole and Jeanne Randolph was, what some theorists or academics might call a work of “social engagement.” For Cole, Randolph and the audience / participants assembled, the jury is out still on whether or not it was even a performance. Perhaps it would be more accurate to think of that afternoon as an event of community (rather than a ‘community event’). The people gathered in the room formed a snapshot of the Toronto arts community from a particular moment, a bit out of focus and dispersed, but collectively felt. Being in the room meant acknowledging the performance of time, of memory and of community. Pinkies up!
Image (above) © Keith Cole, High Tea, 2021. Photo Henry Chan.
Image (below) © Keith Cole, 2021. Image courtesy of the artist.
High Tea with Keith Cole and Jeanne Randolph
Exercise On Experiencing Ephemerality
A performance exercise by Marilyn Arsem, one that she has been compelling her students to complete for decades. The inspiration behind FADO’s Performance Resolution(s) series.
Performance Resolution(s) invited artists to propose performance-based research projects that engaged with the theme of ‘resolution.’ Our inspirations for Performance Resolution(s) are the hope for a better 2021 for all, and a profound performance exercise designed by Marilyn Arsem that we think about from time to time.