Book
Golden Book 1: Film; Rope


First up in the Golden Book series features Francesco Gagliardi’s performance Film: Rope, presented during Images Festival 2013, with an essay written by Andrew J. Paterson. Film: Rope explores the relationship between cinematic space and the space of live performance, and our ways of interpreting and recollecting the experience of movement within the film frame.

In Dangling that Rope, Andrew James Paterson writes, “In Film: Rope, Gagliardi has accentuated the simultaneous clash and fusion of different disciplines by using as source material a film that has been controversial at a number of different levels: Alfred Hitchcock’s Rope (1948). Rope is something of an anomaly within the Hitchcock canon, as it is directed to appear as if consisting almost entirely of one continuous shot. In this respect it breaks the modernist dictum that film should not appear simply to be recorded theatre. The film eschews montage altogether.”

Golden Book 1: Film; Rope (2013)
Author: Andrew James Paterson
Editor: Chris Gehman
Design: Lisa Kiss
Publisher: FADO Performance Art Centre
Series: Golden Books, 1st
16 pages; 4.24 x 6 inches ; Print Book, English

Performance
Film: Rope by Francesco Gagliardi

Film: Rope is curated and produced by FADO Performance Art Centre, and presented in the context of 2013 Images Festival.

Created by Francesco Gagliardi
Performed by Cara Spooner, Francesco Gagliardi, Marcin Kedzior and Michael Caldwell

Film: Rope explores the relationship between cinematic space and the space of live performance, and our ways of interpreting and recollecting the experience of movement within the film frame.

In Dangling that Rope, Andrew James Paterson writes, “In Film: Rope, Gagliardi has accentuated the simultaneous clash and fusion of different disciplines by using as source material a film that has been controversial at a number of different levels: Alfred Hitchcock’s Rope (1948). Rope is something of an anomaly within the Hitchcock canon, as it is directed to appear as if consisting almost entirely of one continuous shot. In this respect it breaks the modernist dictum that film should not appear simply to be recorded theatre. The film eschews montage altogether.”

Rope (1948) is considered one of Alfred Hitchcock’s most experimental films. Containing only four unmasked cuts, it was shot in single 10 minute takes (the length of a camera roll), tracking in an out of black surfaces (the back of a jacket or a piece of furniture) to create the illusion of even longer continuous shots. This virtuoso technique, which required the constant shifting of stage walls, furniture, and props to make way for the camera, was partly developed by the director in order to convey the illusion of theatrical real time and continuous space.

By paradoxically attempting to re-embody and transpose the movements and positions of the characters in the film in relation to a live audience, Film: Rope perversely exposes and explores the discontinuities and incongruities between cinema and live performance.

PERFORMANCES
April 12, 13, 14 @ 3:00pm
April 16 @ 7:00pm & 8:30pm

FADO ARTIST TALK
April 14 @ 4:30pm
Moderated by Andrew James Paterson

IMAGES ARTIST TALK
April 15 @ 4:00pm
Urban Space Gallery, 401 Richmond Street West
Performance and Media Art: Tools with Which to Deconstruct
With Francesco Gagliardi, Tanya Lukin Linklater and Duane Linklater

© Francesco Gagliardi, Film: Rope, 2013. Photo Henry Chan.

Performance Yellow

This fragrance opens us to the question, has the show started? It's winter, the theatre is colder than the street and the room is filled with people and all their winter smells: wet faux leather, down, too much shampoo, and beer breath. The atmosphere is a trickster. Am I late, am I early?

Top Notes

yellow mandarin, mimosa

Middle Notes

honey, chamomile, salt

Base Notes

narcissus, guaiac wood, piss, beer