Tag: Amber Helene Müller St. Thomas

Image: © Amber Helene Müller St. Thomas, Care Pack, Pi*llOry part three, 2020. Photo by Natalie Logan.

Canada
www.amberhelenemullerstthomas.com

Amber Helene Müller St. Thomas is a Canadian artist based in Toronto. Their artistic practice is based in developing performative and disruptive actions that include interactive elements of touch and multifarious queer gestures. They primarily work in lens-based media and performance art. They are interested in communal interaction, materiality, tactility, desire, and the potential for objects to function as both symbols of self and surrogates for intimacy.

The murmurs of the hymns sing low,
Fascinations undone by the undulation of each inhalation.
Cracks and purges fall sloppy on feet.
Things fall apart.
Tediously re-sung emerging twills.
Boxes amassed beyond projection,
filled with reserves to last the revelation.

ARTISTS
Amber Helene Müller St. Thomas
[ field ] (Brian Smith & Coman Poon)
Holly Timpener
Johannes Zits
lo bil
Madeleine Lychek
Nicole Lynn Deschaine
Randa Reda
Sadie Berlin
Sheri Osden Nault
Simla Civelek
Tess Martens

Curated by Holly Timpener

Pi*llOry is an event for Queer, BIPOC and Feminist performers to show case their work, focusing on trauma. Pi*llOrists are examining how we personally and politically dismantle heteronormative hegemony and engage in healing that puts an end to the repetition of communal trauma. Pi*llOry’s performers are liberating queer bodies as a primary agency that can harness the transformative power of presence, space, politics, shame and (dis)/ability while refracting their infinite incarnations. Pi*llOry’s artists renounce the binary and traditional gender roles, they not only create new ones for themselves, but give space for others to create their own as well. Through oral, visual and visceral mediums, Pi*llOry explores the depths of fragmented gender/queer identity, pushing beyond labels and classifications. On the edge of complete uncertainty, with only the already structural, limited and bound ways of description and discrimination of queerness, Pi*llOrists arm themselves with the unknown to disrupt inherited historical trauma invoking a lasting communal cultural healing.

Pi*llOry would like to thank FADO for their sponsorship and support of Pi*llOry Part 3 and 4.

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Read Holly Timpener’s publication on the full Pi*llOry series, below!
Publication includes thesis dissertation, plus interviews with artists from the series:

Featuring interviews with Aisha Lesley Bentham, Amber Helene Müller St. Thomas, B Wijshijer, Brian Smith, Claudia Edwards, Coman Poon, David Frankovich, Enok Ripley, Holly Timpener, Johannes Zits, Leena Raudvee, lo bil, lwrds, Madeleine Lychek, Matthew Moir, Nicole Nigro, Racquel Rowe, Raki Malhotra, Randa Reda, Sadie Berlin, Santiago Tamayo Soler, Sheri Osden Nault, Simla Civelek, Sophie Traub, Speranza Spir and Tess Martens.