Artist
Gustaf Broms

© Gustaf Broms, Pentagram, 2013. Photo Henry Chan.

b. 1966, Sweden
www.orgchaosmik.org

Gustaf Broms is a Swedish visual artist working in performance, video and photography. His performance work has presented work across Europe, Asia and North America. His practice is engaged with the exploration of the nature of consciousness, the dualistic concept of “I,” as the biological reality of being in the BODY, and being MIND, as the perceived experience of the flow of phenomena. He is a co-founding member of REVOLVE Performance Festival in Uppsala. He was the subject of 2016 film, The Mystery of Life – An Art Apart: Gustaf Broms by Carl Abrahamsson.

To use the time in this predicament as a way to explore the nature of consciousness. Trying to make a translation of the flow of life into a condensed symbol, as a tool for understanding. Spending the last few years looking into the dualistic concept of ‘i’, in terms of association with the idea of BEING NATURE, as the actual biological reality this body goes through, and BEING MIND as a very direct experience of REALITY. Since 2009 I live in the forest of Vendel and work on a series of ‘movements’ that explores why THE DANCING ATOMS OF THIS BODY are not merging with the dancing atoms surrounding it?

Gustaf Broms
Book
9Questions, an artist project by Gustaf Broms

In 2014, Swedish performance and visual artist Gustaf Broms composed a list of nine questions that he started to circulate to fellow performance artists—many he had a personal connection with and many more he had never even met. The questions covered a range of paired concepts—the bricks and mortar of performance practice (material/object, audience/receiver, sound/silence, time/rhythm, space/emptiness)—and grounded by questions about personal experience, lineage and language.

The impulse to gather this collection arose from a conversation Broms had had with another artist; but what makes this volume first and foremost an artist’s project is that the questions are asked from the specific perspective of Broms’ deep personal understanding that, as a practice, performance resides at the permeable borders between the conscious and subconscious, and the meeting of the concrete world of form and the spiritual realm. For Broms, these are the essential questions. The responses collected are as diverse and wide-ranging as the artists and their own approaches, from the practical, to the abstract to the simply far-flung, in addition to some reassuring and surprising overlapping ideas and connections.

The roster of participants in 9Questions is an impressive array of international performance artists whose work covers a range of performance and performative multi-disciplinary approaches.

CONTRIBUTORS
Adina Bar-On
Alastair MacLennan
Andrea Saemann
Antoni Karwowski
Arahmaiani
Artur Tajber
Barbara T. Smith
Bartolomé Ferrando
Boris Nieslony
Brian Connolly
Dorothea Rust
Elvira Santamaria-Torres
Esther Ferrer
Fausto Grossi
Guadalupe Neves
Guillermo Gómez-Peña
Gustaf Broms
He Yunchang
hermann nitsch
Irma Optimist
Jamie McMurry
Jill Orr
Johanna Householder
John Duncan
Kurt Johannessen
Leif Elggren
Linda Mary Montano
Macarena Perich Rosas
Margaret Dragu
Mariel Carranza
Marilyn Arsem
Martha Wilson
Monika GĂŒnther & Ruedi Schill
Myriam Laplante
Nigel Rolfe
Nobuo Kubota
Paul Couillard
Pekka Kainulainen
Rocio Boliver
Roi Vaara
Ron Athey
Serge Olivier Fokoua
Shannon Cochrane
Stelarc
Tanya Mars
Tehching Hsieh
Tomas Ruller
Ulay
Valentin Torrens
Zbigniew Warpechowski
Zhu Ming


9Questions, an artist project by Gustaf Broms

Published by FADO Performance Art Centre and Centre for Orgchaosmik Studies
Edited by Gustaf Broms and Shannon Cochrane
Translations by Paula Alvarado, Robert Rowley, Nicolas Scrutton, Tomasz Szrama, Jie Wang
Design: Lisa Kiss Design, Toronto

ISBN
978-0-9730883-4-2 (FADO Performance Art Centre, Canada)
978-91-639-8460-0 (Centre for Orgchaosmik Studies, Sweden)

This publication project is partially supported by Stiftelsen LĂ€ngmanska kulturfonden (Sweden).

Series
Performance Club

As a proposition for a performance or the framework for an actual book club, FADO’s Performance Club series redefines the historical and contemporary performance art canon, one book club, and one book, article, essay, or anthology at a time. Invited artists perform the role of book club facilitators, leading the audience through a performance of a reading, a reading performance, a performance about a book, or a bookish performance. This series is on-going. Sometimes we pick the book and invite an artist; sometimes we invite an artist and they pick a book. Just like a real book club, we ask the audience to read the suggested material before coming to the performance. But don’t worry, just like a real book club, no one ever does. 

Performance Club 1: Queer/Play
The book is edited by Moynan King. The performance is by Moe Angelos.
December 14–15, 2017

Performance Club 2: Valley of the Dolls by Keith Cole
January 20–February 20, 2018

Performance Club 3: 9Questions, an artist project by Gustaf Broms
That time we made our own book (2018).

Performance Club 4: Book Club: snowflakes in the echo chamber by Moe Angelos
September 10, 2019

Performance Club 5: The Talking Grave by Hope Thompson
September 12, 2019

Performance Club 6: Art Immuno Deficiency Syndrome, subtitle; Does This Giacometti Make Me Look Fat? by David Bateman
September 19, 2019

Series Purple

An ode to FADO's history, Series Purple is composed of a collection of purple fragrance materials dating back to the Roman Empire. Dense, intense, and meandering, this fragrance tells us non-linear stories.

Top Notes

huckleberry, violet

Middle Notes

cassis, lilac, heliotrope

Base Notes

orris root, purple sage, labdanum