In 2014, Swedish performance and visual artist Gustaf Broms composed a list of nine questions that he started to circulate to fellow performance artists—many he had a personal connection with and many more he had never even met. The questions covered a range of paired concepts—the bricks and mortar of performance practice (material/object, audience/receiver, sound/silence, time/rhythm, space/emptiness)—and grounded by questions about personal experience, lineage and language.
The impulse to gather this collection arose from a conversation Broms had had with another artist; but what makes this volume first and foremost an artist’s project is that the questions are asked from the specific perspective of Broms’ deep personal understanding that, as a practice, performance resides at the permeable borders between the conscious and subconscious, and the meeting of the concrete world of form and the spiritual realm. For Broms, these are the essential questions. The responses collected are as diverse and wide-ranging as the artists and their own approaches, from the practical, to the abstract to the simply far-flung, in addition to some reassuring and surprising overlapping ideas and connections.
The roster of participants in 9Questions is an impressive array of international performance artists whose work covers a range of performance and performative multi-disciplinary approaches.
Barbara T. Smith
Linda Mary Montano
Macarena Perich Rosas
Monika Günther & Ruedi Schill
Serge Olivier Fokoua
9Questions, an artist project by Gustaf Broms
Published by FADO Performance Art Centre and Centre for Orgchaosmik Studies
Edited by Gustaf Broms and Shannon Cochrane
Translations by Paula Alvarado, Robert Rowley, Nicolas Scrutton, Tomasz Szrama, Jie Wang
Design: Lisa Kiss Design, Toronto
978-0-9730883-4-2 (FADO Performance Art Centre, Canada)
978-91-639-8460-0 (Centre for Orgchaosmik Studies, Sweden)
Cost: $20 (CAN) plus shipping/postage fees (through Paypal)
Email firstname.lastname@example.org to order.
This publication project is partially supported by Stiftelsen Längmanska kulturfonden (Sweden).