The History of Performance Art in 20 Minutes by Guillaume Désanges

Performance
June 10, 2010Gallery TPW, 56 Ossington Avenue, Toronto7:30 pm

To coincide with the Performance Studies International symposium, FADO Performance Art Centre and Gallery TPW are pleased to present work by French curator and critic Guillaume D√©sanges.

A History of Performance in 20¬†Minutes is a performative lecture presenting a concise history of the¬†representation of the body in art. The performance-lecture aims to divide¬†the history of performance into ten gestures‚ÄĒappearing, receiving, holding back, escaping, aiming, falling, crying, biting, empting oneself¬†and disappearing‚ÄĒall enacted and subjectively discussed.¬†

Accompanying the performance is D√©sanges‚Äô exhibition Child‚Äôs Play (June 10‚Äď19). The¬†work is the outcome of a workshop with seven Romanian children in 2008. The¬†impetus for the workshop was an assertion that the history of performance¬†art be read as a history of silence rather than discourse‚ÄĒa¬†pre-linguistic history of primary gestures. Perhaps the experience of¬†childhood is closest to this impulse in performance/body art. During the¬†workshop, the kids replayed and interpreted more than fifty iconic¬†performances, including gestures from Futurism and Dada to Paul McCarthy¬†and Francis Alys. The resulting videos and drawings embody the immediate¬†energy, humour, and embrace of the experiential experiment that is essential¬†for an understanding of performance and body art.

Presented in partnership with Gallery TPW, for the PSi Conference taking place in Toronto June 9‚Äď12.

© Guillaume Désanges, The History of Performance Art in 20 Minutes, 2010. Photo Shannon Cochrane.


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The History of Performance Art in 20 Minutes by Guillaume Désanges

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Performance Yellow

This fragrance opens us to the question, has the show started? It's winter, the theatre is colder than the street and the room is filled with people and all their winter smells: wet faux leather, down, too much shampoo, and beer breath. The atmosphere is a trickster. Am I late, am I early?

Top Notes

yellow mandarin, mimosa

Middle Notes

honey, chamomile, salt

Base Notes

narcissus, guaiac wood, piss, beer