MONOMYTHS is conceived and curated by Shannon Cochrane and Jess Dobkin.
Presented by FADO in the context of Art Spin’s in/future.
MONOMYTHS invites a diverse collection of artists, scholars, and activists to revise Joseph Campbell’s conception of the hero’s journey through performance art, lectures, workshops, and other offerings. This new assemblage of non-linear un-narratives proposes a cultural, political and social feminist re-visioning of the world. The MONOMYTHS perception of the universal journey dispels the notion of the lone patriarchal figure on a conquest to vanquish his demons—both inner and outer—in consideration of community, collectivity, and collaboration.
MONOMYTHS Stage 7: Ordeals
PULSE by MC Coble
In MC Coble’s Pulse, the artist climbs the iconic Cinesphere at Ontario Place each day in order to repurpose it as a beacon of protest. A series of Morse Code messages are transmitted from the structure to receivers on the ground positioned throughout Ontario Place island who then relay the message on using their own light source. The transmitted messages are composed of statements and chants used in recent and current protests and fights for civil rights which will be selected from the artist’s archive as well as in collaboration with local community. This collaborative gesture of solidarity merges activist and nautical language to amplify a collective call for action.
Coble’s Pulse fits into the MONOMYTHS journey at Stage 7: Ordeals. During this stage of the journey the heroine has come face to face with their personal challenge. In this moment they either confront death or face their greatest fear. The hope of this stage of the journey is that by confronting their greatest fear and conquering it, they can embark on a new life. Coble’s response to illuminating this stage of the journey suggests the necessity of challenging seemingly inaccessible structures and systems (social, political personal), while insisting on the interdependency of a collective effort by employing the communication of multiple bodies, versus attempting to cross this personal bridge alone. Refraining from a heroic narrative of conquering an iconic structure, the piece lends itself to chance and even possibly, failure.
PULSE is presented in the context of in/future, a festival of art and music, presented by Art Spin in partnership with Small World Music. 100+ transformative experiences re-animating the West Island of Ontario Place during this once-in-a-lifetime festival. 60+ artists including large scale installations, films, and performances. 40+ musical performances on the Small World Music stage.
Thanks to Rui Pimenta and Layne Hinton (Art Spin), Mike Hazleton (Ontario Place), and special thanks to Matthew Languay and Basecamp Climbing for their expertise and support. Thanks to Matt Seto for facilitating the climbing team who are supporting this project.
Real to Reel
As an immaterial practice, performance art’s relationship to archive has always been a fraught one. Using their own documentation from the FADO archive, these five artists activate and challenge the linear narrative of the archive by creating new video works inspired by (or even using) their own documentation material.
Videos by Gustaf Broms (Sweden), Heather Rule (Canada), Margaret Dragu (Canada), MC Coble (USA/Sweden), Simla Civelek (Canada).