Pentagram by Gustaf Broms

September 23–27, 2013Toronto, Canada

FADO Performance Art Centre presents a new durational performance work, Pentagram, by Gustaf Broms. From September 23-27, Broms will perform a series of street actions in public spaces throughout Toronto’s downtown core, each day from 9:00am to 5:00pm, mimicking a “typical” work day.

Monday, September 23
Union Station pedestrian path, 65 Front Street West

Tuesday, September 24
Toronto-Dominion Centre, 66 Wellington Street West

Wednesday, September 25
Bay Street, south of King Street West, near the old Stock Exchange facade

Thursday, September 26
Bay Street, south of Wellington Street

Friday, September 27
Queen’s Park Crescent, south of Bloor Street West

Gustaf Brom’s artistic practice is engaged with the exploration of the nature of consciousness, the dualistic concept of “i”, and the biological reality of the body, in an effort to understand the ‘being mind’ as a direct experience of ‘reality.’ In his practice, he started off working photography and installation, but two work in particular led him to work with the more formless processes of performance. In 1991, Broms burned all of his work, and in doing so realized that the intensity of the action and the remaining ash far outdid anything he had previously made. In 2005, he completed a series of works entitled 5 Faiths for a Brave New World in which he worked with objects that were physically too heavy for the body to move. These two experiences created a longing to explore the formless and led up to the project entitled A Walking Piece made with Trish Littler, in which the two artists spent 18 months walking across Eastern Europe. The result is considered a drawing.

Currently, Broms continues to work with a series of movements that look at concepts of inner/outer and movement/stillness, working with his own body as the tool for examining these processes. The constant question for Broms is, “why are the dancing atoms of this body not merging wit the dancing atoms surrounding it?”

The complicated relationship 
HuMans and the surroundings
/natural / human / species /
must be resolved on a psychological level, 
before any real change can take place ?
do I live with identity restricted to the borders of my skin ?
do I live with the understanding that this is a construct of mind ?
as the water and air flows through my body
 is it at all possible to identify with this vessel ?
The work I am planning for Toronto is my first attempt to
explore the possibilities to aid this change,
using the language of the body as tool.
~Gustaf Broms







Performance Yellow

This fragrance opens us to the question, has the show started? It's winter, the theatre is colder than the street and the room is filled with people and all their winter smells: wet faux leather, down, too much shampoo, and beer breath. The atmosphere is a trickster. Am I late, am I early?

Top Notes

yellow mandarin, mimosa

Middle Notes

honey, chamomile, salt

Base Notes

narcissus, guaiac wood, piss, beer