USA / Canada
Jess Dobkin has been a working artist, curator, community activist, mentor and teacher for more than 25 years, creating and producing intimate solo theatre performances, large-scale public happenings, socially engaged interventions and performance art workshops and lectures. Her practice extends across black boxes and white cubes, art fairs and subway stations, international festivals, and single bathroom stalls. She creates intimate solo theatre performances, large-scale public happenings, playful subversive interventions and engaging performance art workshops and lectures.
Her creative endeavours have received wide support and recognition, including repeated funding from the Franklin Furnace Fund for Performance Art and the Astraea Foundation, and awards from the Canada Council for the Arts, the Ontario Arts Council, and the Toronto Arts Council. Her work has toured North America, and has been presented at renowned avant-garde venues in New York, including P.S.122, The Kitchen, LaMama, Dixon Place, Judson Memorial Church, and the WOW Cafe. In Toronto, her work has been presented at the Rhubarb! Festival, SPIN Gallery, the Inside/Out Festival, the Hysteria Festival, and other venues. Jess is currently (2022) Curator of the Performing Archives stream of a multi-year SSHRC Partnership Grant entitled, Hemispheric Encounters: Developing Transborder Research-Creation Practices.
Conjuring the Archive by Jess Dobkin
Conjuring the Archive, will invite the audience to create a DEMPSEY AND MILLAN TALIXMXN, an energetic archive of the performances and projects of Shawna Dempsey and Lorri Millan.
Commitment Issues curated by Jess Dobkin
Commitment Issues presents the work of artists who use their bodies as primary source material to investigate qualities and dimensions of commitment – to ideas, to performance, to audience and to the artists themselves.
The Hemispheric Dinner Party Series
This series of dinner parties were made possible by Hemispheric Encounters, a partnership project supported by the Social Sciences and Humanities Research Council and FADO Performance Art Centre.
How Many Performance Artists Does it Take to Eat Brunch?
How Many Performance Artists Does it Take to Change a Light Bulb (For Martha Wilson) will be an attempt to overwhelm the definitions and intersections of performance, documentation, the archive and image reproduction to investigate the nature of performance itself.