In 2016, I was gifted a ton of Joyce Wielandâs marble scraps. A few pieces of it are here with us today.
What gets stored in a shoebox? Deposited into an archive? Shoved into a corner? Catalogued as important? Fever pitched towards a garbage can?
Literally and figuratively centred on a pile of marble scraps that once belonged to Joyce Wieland, Meyerâs The Marble in the Basement untangles issues of power, memory and inheritance by anthropomorphizing a forgotten object from this influential Canadian artistâs domestic archive. Surrounded by Meyerâs chosen family of objects which include a moveable staircase, an insulated football cape, a hooked rug and a hole the size of the tip of a ballpoint pen, Wielandâs marble is the anchor and next of kin, orchestrating the choreography that unfolds.
With a mixture of tenderness, fannish enthusiasm and a keen sense for the absurdities that shape which histories are told, Meyerâs performance invites us to help bear the weight of feminist lives lived and lost.
âGabrielle Moser, Toronto
CREDITS
Curated and Presented by FADO Performance Art Centre
Conceived and performed by Hazel Meyer
Performed with Moe Angelos and Stephen Jackman-Torkoff
Puppet Design by Jamie Shannon
Production Manager is Deb Lim
Lighting Design by Adrien Whan
PERFORMANCES
January 30, 2020 @ 7:00pm
January 31, 2020 @ 7:00pm
February 1, 2020 @ 4:00pm (Q&A to follow)
Hazel Meyer’s The Marble in the Basement is curated and presented by FADO Performance Art Centre as part of Progress, an international festival of performance and ideas. Progress is presented in partnership by SummerWorks and The Theatre Centre, and is collectively curated and presented by a series of Toronto-based companies, operating within a contemporary performance context. This fifth edition of the Festival is curated by Broadleaf Theatre, FADO Performance Art Centre, DLT, RT Collective, SummerWorks, The Theatre Centre, and Why Not Theatre.
© Hazel Meyer, The Marble in the Basement, FADO Performance Art Centre, 2020. Photo Polina Teif.