Artist
Simon Rabyniuk

© Simon Rabyniuk, Legs, Too, 2015. Photo Henry Chan.

Canada
http://departmentofunusualcertainties.wordpress.com/

Simon Rabyniuk is a Toronto-based visual artist and member of the urban design collective Department of Unusual Certainties. He creates context sensitive projects exploring urban form as both process and object. His work takes a variety of forms including walking projects, participatory events, performance for video, and sculpture. He has presented work across Canada including as part of the Harbourfront Centre’s Hatch Emerging Performance Series, at Ryerson University’s Modernity Unbound Symposium, and as part of Broken City Labs’ Storefront Residency for Social Innovation. He recently published an article in On Site Magazine’s Migration issue presenting supplementary research for his project Deskilling the Garment Industry.

Through art and design, Simon Rabyniuk, explores everyday things with groups of people. Working across disciplines he seeks to frame questions, experiment with research methods and synthesize observations into images, spaces, and experiences. Cara Spooner, Claude Wittmann, Sylvie Tourangeau and Dawne Carleton introduced him to the potential of dance, performance and presence. As a principal at the research and design studio Department of Unusual Certainties his work has been presented across Canada and abroad.

Performance
Transmitting Trio A (1966) with Sara Wookey

Over the course of a five-day intensive workshop led by Sara Wookey—one of the few dancers authorized by Yvonne Rainer to “transmit” (to use Rainer’s own phrase) her works—a mixed group of dance and performance artists will learn several of Rainer’s dance works, focusing primarily on Trio A (1966). 

Consisting of a four-and-a-half minute sequence of movements that progress without repetition, phrasing, or emphasis and performed without musical accompaniment, Trio A (1966) is largely considered to be one of the originative works of the postmodern dance movement, as well as one of the most influential works in the canon of twentieth-century dance. Rainer’s interest in task-based movement, the ephemeral, the un-spectacular, and rethinking the performer-audience relationship are characteristic concerns of both contemporary dance artists and performance artists.

The starting point for this project is the shared conversation between dance and performance artists around the distinctions between repertoire and reenactment, in particular consideration of how these modes of archiving in live art relate to the increasing interest in presenting performance art and choreography in the museum.

The results of the project are a series of presentations of Trio A (and other works in the Rainer repertoire) in a variety of contexts: a dance studio, a gallery, and a museum; as an open rehearsal, a single iteration, and a rotating relay.

FADO’s Transmitting Trio A (1966) project overlaps with Yvonne Rainer’s visit to Toronto where she will deliver an artist talk (Saturday, March 21, 7:00pm) entitled Where’s the Passion? in the context of the AGO’s Radical Acts Unconference taking place on March 21. In addition, there are other activations to experience: Sara Wookey will be giving a lecture demonstration about Trio A and Gallery TPW will present a discursive series (March 20–28) curated by Jacob Korczynski and Kim Simon. Entitled, “…a container for mere possibilities that have not yet happened, a body in a state of becoming through time, or a structure for the expression of time as it moves both forwards and backwards at once,” the series responds to and thinks alongside the performances initiated by FADO, allowing the opportunity to see Rainer’s dance again within a constellation of conversations, readings and newly commissioned work.

CREDITS
Curated and presented by FADO Performance Art Centre
Directed by Sara Wookey, concieved by Yvonne Rainer
Performed by: Aleesa Cohene, Ame Henderson, Andrea Nann, Francesco Gagliardi, Jon McCurley, Margaret Dragu, Martin Bélanger, Mikiki, Robert Abubo, Shannon Cochrane, Simon Rabyniuk, Sara Wookey
Workshop partners: Dancemakers & Public Recordings
Performance venue partner: AGO
Gallery partner: Gallery TPW

PROGRAM & EVENTS

Lecture Demonstration: Dance is Hard to See: Capturing and Transmitting Movement through Language, Media and Muscle Memory, by Sara Wookey
March 19, 7:30pm @ Dancemakers, Distillery District, 15 Case Goods Lane

Performance: Trio A (1966) by Sara Wookey
March 24, 7:00pm @ Gallery TPW

Open rehearsals: Trio A (1966)
March 22, 4:00–5:00pm @ Dancemakers
March 25, 7:00-8:00pm @ AGO, 317 Dundas Street West
March 28, 12:00-5:00pm @ Gallery TPW, 170 St. Helens Avenue


THANK YOU. This project is possible because of the generous support of Dancemakers (Ben Kamino and Emi Forster) in making the workshop possible. Warm thanks to Public Recordings (Ame Henderson) in conceptualizing the project and helping to assemble the group. Thanks to the AGO (Kathleen McLean and Paola Poletto) for inviting this project into their activities. Thanks to the contribution of Gallery TPW as main host venue, and to curators Jacob Korczynski and Kim Simon for their keen thinking in organizing a series of discursive events in response to the project’s proposal.

Above: Trio A rehearsal with Yvonne Rainer. 2015. Photo by Henry Chan.
Below: Trio A dinner with Yvonne Rainer. 2015. Photo by Henry Chan.

Performance
they perform on friday and on saturday they respond to friday curated by claude wittmann

ARTISTS
Jo SiMalaya Alcampo
Simon Rabyniuk
Yumi Onose

They see us. They perform in front of us. We see them perform. We see them. They feel us. They perform near us. We feel their work. We feel them. Something happens. Something goes through us. Something goes through them. They process the encounter. We process too. We eat. We sleep. We dream. We think. We all come back the next day. We see them. They see us. We see their response to the day before. We see more. Way more. We feel more. They feel more. Way more.

Jo SiMalaya Alcampo, Yumi Onose and Simon Rabyniuk perform on Friday and the next night they present a new work in response to the previous evening’s performance, creating an interrelated series of actions that exist in dialogue with each other. This situation challenges the artists to work directly and immediately with site, a changing and repeating audience and to consider the impact and influence of working side by side over a duration of time.

Performance Yellow

This fragrance opens us to the question, has the show started? It's winter, the theatre is colder than the street and the room is filled with people and all their winter smells: wet faux leather, down, too much shampoo, and beer breath. The atmosphere is a trickster. Am I late, am I early?

Top Notes

yellow mandarin, mimosa

Middle Notes

honey, chamomile, salt

Base Notes

narcissus, guaiac wood, piss, beer