Performance
Our Bodies Keeping Scores

A curatorial project by Jess Dobkin
Presented by FADO Performance Art Centre

With collaboration and support from Hemispheric Encounters: Developing Transborder Research-Creation Practices, York University, and the Queer and Trans Research Lab, Mark S. Bonham Centre for Sexual Diversity Studies, University of Toronto and OCADU University.

ARTISTS
Germaine Liu (Toronto, CA)
Juma Pariri (Abya Yala/São Paulo, Brazil)
Juru (Fortaleza, Brazil)
Karen Finley (New York, USA)
Leslie Ting (Toronto, CA)
María de Lourdes Santana Arcos (Havana, Cuba)
n:u (melissandre varin) (Benin/Birmingham, UK)
Sara Baron-Goodman (Toronto, CA)
Tamar Carter-King (Toronto, CA)
Twysted Miyake-Mugler (Toronto, CA)

Curatorial Impulse

I’m thinking about our bodies: singular, plural, collective, communal, human, and other-worldly; with abandon and abandoned, in power and empowered, possessed and self-possessed, exalting and exalted. Political, primal, passionate. This program of artists reaches into and beyond conversations of trauma carried in the body to explore embodied scores that run parallel and perpendicular to wounding, and to perform the archives of our physical, personal, political, and transcendental bodies. Bodies on the line, bodies transgressing boundaries, bodies keeping scores.

It is also an opportunity for local and international artists to meet, to encounter each other’s work, and to meet Toronto audiences. You are warmly invited to join us in spaces of gathering, sharing, and experimentation with artists, curators, activists, musicians, dancers, scholars, students, and seekers. Together, in our vessels and vibrations, we take shape and shapes. 

I look forward to welcoming you.

Jess Dobkin


PROGRAM

Thursday, November 5
Enoch Turner Schoolhouse, 106 Trinity Street (map)
FREE | Wheelchair accessible | ASL interpretation

Doors 6:30PM | Performances 7:00PM

Performances: Juma Pariri, n:u (melissandre varin)
Food Activation: Sara Baron-Goodman
Music-Composition: Germaine Liu


Friday, November 6
OCADU University, Room 190, 100 McCaul Street (map)
FREE | Wheelchair accessible

Performance: 7:30PM
Followed by talkback with Karen Finley & Jess Dobkin

Performance: Believe by Karen Finley
Music-Composition: Leslie Ting
Food Activation: Sara Baron-Goodman

Finley’s creates a series of artworks illustrating mentors and artists who “believed” in Finley and gave support. These supportive individuals had encounters with Finley–professionally, as friends, as teachers, worked with, met, taught, or collaborated with Finley. There are over a hundred drawings illustrating her story that are projected onto a screen cinematically.  

On stage, Finley sits at a table handling the artwork she created that tells the narrative while a live camera with a bird’s eye view projects Finley’s hands and artwork onto the screen simultaneously in real time. While the images are projected, Finley tells the story of each “believe” encounter. The artworks act as a storyboard creating intimacy, the private made public of supportive relationships. The artwork is projected onto the screen. Some of the artists: Louise Bourgeois, Kathy Acker, Danitra Vance, bell hooks, Sinead O’Connor, Linda Montano, Joan Rivers, David Wojnarowicz, amongst others. 

Finley will end the performance with a dramatic reading. 


Saturday, November 7
The Commons @ 401, 4th floor, 401 Richmond Street West (map)
FREE | Wheelchair accessible

12:30PM
Screening: This is Ballroom by Juru and Vitã
Followed by conversation with Juru, Twysted Miyake-Mugler, Mother Tamar Miyake-Mugler
Limited capacity | RSVP required

4:00PM
Creatives Anonymous with Karen Finley
Creatives Anonymous is a 13-step program that is part sardonic yet serious that is influenced by 12-step programs except that we are not approved or part of a traditional self help group. Join us and share your creative issues!


Sunday, November 8
The Commons @ 401, 4th floor, 401 Richmond Street West
FREE | Wheelchair accessible

11:00AM–3:00PM
Screening: Guajira Synth (performance) by María de Lourdes Santana Arcos

11:00AM–12:30PM
Grief, Loss and Creative Transformation: Writing Workshop with Karen Finley
Limited capacity | RSVP required

1:00–3:00PM
Closing Reception
Food Activation: Sara Baron-Goodman

Artist
n:u (melissandre varin)

© n:u, evil eyes. 2026. Photo Tasmin Drury.

Benin/Birmingham, UK
https://www.atmosphere-maker.org/about

n:u (melissandre varin) has been described as an atmosphere-maker, with a practice rooted in Congolese, Guadeloupean, and Beninese heritages. Building upon cross-border collaborations, they unearth ancestral ceremonies to invite shared moments of freedom. They make performance art works, installations, sculptures, and liberatory infrastructures. They play with unexpected pairings between materials, bodies, and concepts, disrupting colonial binaries and dominant narratives. n:u combines intuitive, embodied-knowledge with an approach grounded by Political Ecology from an MSc in Environment and Sustainable Development from University College of London (UCL).  

Recent presentations of their work include performances and exhibitions at Tate Britain (UK), Lọpọ Lọpọ (Benin), Ikon Gallery (UK), the OFF Dakar Biennale (Senegal), Glasgow Buzzcut (UK), Fierce Festival (UK), Kulturfabrik (Luxembourg), Mimosa House (UK), Kunstal Mechelen (Belgium), PAE Aktionslabor (Germany), Ceremony (UK), Contact Theatre (UK), Tangent Projects (Barcelona), and Eastside Projects (UK).

n:u has received awards from institutions including l’Ambassade de France x l’Institut français du Bénin (programme Inspiration Bénin, au coeur des mondes Africains), Franklin Furnace, and the Henry Moore Foundation. They have held fellowships with Axis, John Feeney Trust, and Hood Futures Studio and serve as a steering group member for CVAN WM in the UK, alongside their role as an invited founding member of Popo Culture in Grand Popo, Benin. They have designed atmospheres and infrastructured unusual ways of working, including with longer-term collaborators Eastside Projects, Ban Workshop, and Future Ritual. n:u’s reparative practice is nourished by friendships, conversations with materials, spirits and ancestors, and homes like Finding Etherea.

Artist Orange

Just as a performance artist uses their body as their medium, this is a fragrance composed entirely of the orange tree: fruit, leaves, bark, roots, and flowers. Artist Orange performs itself.

Top Notes

neroli, blood orange

Middle Notes

fresh orange juice, petit grain

Base Notes

orange twig, orange seed