Smashing! by Non-Grata

Istvan Kantor presents an Internationally Controversial Performance Art Gala, featuring:
NON GRATA: Storm Generation
Performance Art Network Group from Estonia / New York

PERFORMANCES
3:00pm: Empty parking lot, 163 Sterling Road
7:00pm: The Theatre Centre Pop-up, 1095 Queen Street West

WITH
Burning Iceberg Performance (Noise Band) with Wesley Rickert / Kathleen Reichelt
Solo performance by Jessica Patricia Kichoncho Karuhanga
Jubal Brown (A/VJ Mashup)

“Around the name NON GRATA there have been different hushes and shushes for a long time. Already from the point of view of death of conventionalization of art it has embodied the horrible and unwanted disembodiment of human person, from which the meaninglessness of nowadays art, is pouring out. For those, whose world of arts starts from the point, where the art world ends, NON GRATA has been a liberator, the orphic gap in the seemingly unalterable course, which however betrays us, it is a cure from incest. The main point of the group is ethical – it is the image of primitivism, impersonality and experimenting creativity. The performances of the group take place according to the logic of avoiding codes. The presentations are physical texts, whose ways of orthography and reading are kept within the limits of real actions by the group members. Aesthetical and provocative challenges are represented in places, where the Art World doesn’t work.”
~NONGRATA, Art of the Invisible, Performances 2008-2011

Sponsored by FADO Performance Art Centre. Co-presented with SMASH (store & gallery). Technical support by 253569. Special thanks to the Theatre Centre and Castlepoint.

NON GRATA is an international performance group from Estonia with a floating membership. In Non Grata there have been more than 300 members during the last 12 years from all over the world. The main characteristics is anonymity in group work, ignorance of the local art world and mass media. Group has performed in Asia, Europe, South and North America with street actions, chaotic space and context specific performances, and long lasting ghetto marathons.