Performance
A Score of Scores

10 artists. 10 score writers. A score is an old term for ‘twenty’ of something = A Score of Scores.

ARTISTS & SCORE WRITERS
Abedar Kamgari & Naseh Kamgari
Holly Timpener & Enok Ripley
James Knott & Francisco-Fernando Granados
Keith Cole & David Roche
Laura Paolini & Tomasz Szrama
Mikiki & Jan Peacock
Paul Couillard & Elvira SantamarĂ­a-Torres
Rita Camacho Lomeli & Alejandro Tamayo
SA Smythe & Autumn Knight
Tanya Mars & Myriam Laplante

Put together by Shannon Cochrane and Francesco Gagliardi

FADO’s spring performance art series invites 10 artists to perform the interpretation of a performance score, written for them by an artist of their own choosing. Artists from across a spectrum of practices grounded in live performance (including cabaret, music, experimental composition, intermedia, video and more) interpret a score designed for them by an array of Canadian and international artists. The duos have chosen to strategize their collaboration in myriad ways—from conspiring together to revealing the final score only moments before the live presentation.

Emerging in the early 1960s in the context of the FLUXUS movement and in conversation with the expanded compositional practices of John Cage and LaMonte Young, “event scores” relied on elements of collaboration, improvisation, and chance to challenge traditional understandings of originality and artistic creation. Often very short, event scores typically consisted of lists of prompts and instructions ranging from the mundane to the elusively abstract and were circulated among fellow artists with an open invitation to interpret and perform them however they wanted. 

A Score of Scores is an experimental back-to-basics platform for artists to create new small-scale work in a spirit of experimentation, collaboration, and agility.

May 12: Performances by James Knott, Tanya Mars
May 13: Performances by Keith Cole, Laura Paolini
May 18: Performances by Paul Couillard, Holly Timpener
May 19: Performances by Mikiki, SA Smythe
May 20: Performances by Rita Camacho Lomeli, Abedar Kamgari

Artist
Myriam Laplante

© Myriam Laplante, Fly Me To The Moon, 2018. Photo Adelaide Cioni.

Canada/Italy
www.myriamlaplante.net

Myriam Laplante is a Canadian artist currently based in Bevagna, Italy. She works with performance, installation, video, painting, sculpture, drawing, etc. Her work has been widely exhibited from squats to museums in North America, Europe and Asia. She has been a member of the performance collective Black Market International since 2001.

Performance
Diaspora curated by Sonia Pelletier

FADO is pleased to present Diaspora, a performance art event that examines the experiences of dispersed and exiled populations. The event will feature five performances followed by a public discussion. Diaspora presents artists from various cultures, now living in Canada, whose performances consider their ‘foreignness.’ Developed by Montréˆal curator Sonia Pelletier and touring with support from CALQ, Diaspora features performances modified from an initial event presented in 2003 at Galerie Clark in MontrĂ©al. A fifth project featuring local artist Vessna Perunovich will be included for this Toronto version of Diaspora.

ARTISTS
Kinga Araya
Constanza Camelo
Flutura & Besnik Haxhillari
Myriam Laplante
Vessna Perunovich

Sonia Pelletier writes in consideration of the project:

Performance art [is] surely the most immediately expressive way to depict survival, resistance and the accommodation of differences. This commingling, driven by the artists’ concerns with identity issues, leads us to consider how the precarious state of the artist in a foreign land reverberates on one’s own culture, as well as the status of the artist in general…
   
A major portion of the project is devoted to reflection, with a focus on the identity issues of cultural transformation, hybrid cultures, belonging and cultural transference. …We are also attempting to refashion and re-view the word ‘Diaspora.’ Performative acts convey cultural evidence, but to what extent can one assert one’s belongingness in a world so polarized between Western and non-Western culture? And in the art world, haven’t the concepts of globalization and internationalization gotten confused as well?


Presented in cooperation with Blank Slate with support from the Conseil des art et des lettres du Québec.

Performance Yellow

This fragrance opens us to the question, has the show started? It's winter, the theatre is colder than the street and the room is filled with people and all their winter smells: wet faux leather, down, too much shampoo, and beer breath. The atmosphere is a trickster. Am I late, am I early?

Top Notes

yellow mandarin, mimosa

Middle Notes

honey, chamomile, salt

Base Notes

narcissus, guaiac wood, piss, beer