Tag: Mikiki

10 artists. 10 score writers. A score is an old term for ‘twenty’ of something = A Score of Scores.

ARTISTS & SCORE WRITERS
Abedar Kamgari & Naseh Kamgari
Holly Timpener & Enok Ripley
James Knott & Francisco-Fernando Granados
Keith Cole & David Roche
Laura Paolini & Tomasz Szrama
Mikiki & Jan Peacock
Paul Couillard & Elvira Santamaría-Torres
Rita Camacho Lomeli & Alejandro Tamayo
SA Smythe & Autumn Knight
Tanya Mars & Myriam Laplante

Put together by Shannon Cochrane and Francesco Gagliardi

May 12: Performances by James Knott, Tanya Mars
May 13: Performances by Keith Cole, Laura Paolini
May 18: Performances by Paul Couillard, Holly Timpener
May 19: Performances by Mikiki, SA Smythe
May 20: Performances by Rita Camacho Lomeli, Abedar Kamgari

FADO’s spring performance art series invites 10 artists to perform the interpretation of a performance score, written for them by an artist of their own choosing. Artists from across a spectrum of practices grounded in live performance (including cabaret, music, experimental composition, intermedia, video and more) interpret a score designed for them by an array of Canadian and international artists. The duos have chosen to strategize their collaboration in myriad ways—from conspiring together to revealing the final score only moments before the live presentation.

Emerging in the early 1960s in the context of the FLUXUS movement and in conversation with the expanded compositional practices of John Cage and LaMonte Young, “event scores” relied on elements of collaboration, improvisation, and chance to challenge traditional understandings of originality and artistic creation. Often very short, event scores typically consisted of lists of prompts and instructions ranging from the mundane to the elusively abstract and were circulated among fellow artists with an open invitation to interpret and perform them however they wanted. 

A Score of Scores is an experimental back-to-basics platform for artists to create new small-scale work in a spirit of experimentation, collaboration, and agility.

Details & Info

• 2 performances each evening. Free. All welcome.
• Doors open at 7:00pm. Performances will start 15 minutes later (more or less).
• Mask-wearing is encouraged in the performance space. Exemptions respected.
• Building is accessible: ramps at entrances, elevator and accessible/all-gender washrooms.
• Non-alcoholic drinks will be served. Maybe snacks. Please eat your dinner before arriving.

Canada
https://menshealthproject.wixsite.com/mikiki

Mikiki is a performance and video artist and queer community health activist of Acadian/Mi’kmaq and Irish descent from Ktaqmkuk/Newfoundland, Canada.

Mikiki has worked as a high school Sex Educator, a Bathhouse Attendant, Drag Karaoke Hostess, in various capacities in the Gay Men’s Health and HIV response, in Harm Reduction Outreach and HIV testing all over Canada. Mikiki is currently producing a quarter century retrospective of their drag performance art in August 2023 at The Rooms in St. John’s, Newfoundland.

FADO Performance Art Centre presents Silent Dinner, an 8-hour performance in which a group of people arrive to the theatre space, set up a rudimentary kitchen, and then prep, cook and eat a dinner in shared silence, without communicating in their language of origin, in front of the attending audience. The performance is created with special guest artist Irish performance artist Amanda Coogan who is CoDA (Child of Deaf Adults) and 12 performer/participants who are a combination of Deaf and hearing performers and non-performers from Toronto.

PERFORMERS:
Ahmed Muslimani
Alexandrose Dayment
Amanda Coogan
Anselmo DeSousa
Catherine MacKinnon
Christopher Welsh
Keli Safia Maksud
Mary Balint
Michelle Bourgeois
Mikiki
Laura Nanni
Sage Willow
Shannon Cochrane

Conceived by Shannon Cochrane & Amanda Coogan

Silent Dinner is inspired by a choreographic exercise devised by Canadian dance artist Justine Chambers entitled Family Dinner, and American artist Lois Weaver’s well-known public discourse practice, The Long Table. In Weaver’s Long Table (inspired by Marleen Gorris’s film Antonia’s Line, in which the dinner table continually extends to accommodate the growing community of outsiders and eccentrics, until finally the table must be moved out of doors), the rules of engagement allow those sitting at the table to participate in the conversation in whatever way they wish, without limit or restriction to access or content. Using the table as a structure to orchestrate a conversation around, this long table combines community interaction with theatricality. As a form The Long Table, “acknowledges the sometimes uncomfortable side of both private exchange and public engagement, while celebrating the potential for new forms of knowledge-making and -sharing”, while the rules (or rather, the helpful hints as Weaver calls them) state that there can be silence.

In FADO’s Silent Dinner, silence is transformed from a potential born of discomfort or newness, and transformed into the landscape in which indirect communication between people who don’t share the same language is negotiated. The dinner table becomes a meeting place for the intersection of culture and language (hearing and Deaf culture, English and ASL, performance as language) via a performance score employing the everyday activity of sharing a meal. Over the course of the 8-hours of the performance the performers experience, and the audience bares witness to, the many varied and complex layers of communication, compromise, and decision-making that are being performed through construction and deconstruction, art and food, theatre and everyday ritual, the performance of the public and the private. The table functions as both motif (in theatre the table is a prop, in performance it is material) and metaphor for community and connection.

POST-PERFORMANCE Q&A
Join us at 9:00pm for coffee, dessert and a post-performance Q&A with the performers of Silent Dinner. ASL interpretation provided.

VLOG about Silent Dinner

FADO would like to offer a big THANKS to our friends and colleagues who have helped us and made this project possible, including Signs Restaurant and Rachel Shemuel, Nicka Noble, Jess Shane, Deanna Bradley-Coelho, Kerry Grandfield and Corene Kennedy and the 2nd and 3rd year students of the ASL-English interpreter program at George Brown College, and our team of trained professional ASL-English interpreters Amanda Hyde, Tara Everett, Shelly Nafshi and Silvia Wannam.

Curated and presented by FADO Performance Art Centre in association with Progress: an International Festival of Performance and Ideas.

SummerWorks, in partnership with The Theatre Centre and a roster of Toronto theatre and performance organizations/presenters and companies including FADO Performance Art Centre, Buddies in Bad Times, Dancemakers, Why Not Theatre, Video Fag, and Volcano Theatre, brings the world to Toronto with Progress: an International Festival of Performance and Ideas, February 4–15, 2015.

Silent Dinner, FADO Performance Art Centre, 2015. Photo by Henry Chan.