Tag: Jasmyn Fyffe

Canada

Jasmyn Fyffe is a Toronto-based dancer and choreographer. She is the director of Jasmyn Fyffe Dance since 2008 and has produced shows both independently and in collaboration with other choreographers in Montreal, New York, and Toronto. Past works include Into the Roots…Beyond the Leaves (in collaboration with Vivine Scarlett), Gimme One Riddim (in collaboration with Natasha Powell, presented at the Enwave Theatre as part of NextSteps, Harbourfront Centre) and she is the recipient of a Frankie Award (Montréal, 2013) for outstanding choreography/choreographer for Pulse which was presented at the Wave Rising Series, PULSE Dance Conference, Montreal Fringe Festival and Next Stage Theatre Festival (Toronto).

As an independent dancer, Jasmyn has performed in the touring musical UMOJA and has danced for Grammy Award winning artist Nelly Furtado. She has worked with: Gadfly, Hanna Kiel, Vanessa Jane Kimmons, Red Sky Performance, Artists in Motion, Dance Migration, K’aeja d’Dance, KasheDance, Linda Garneau and international music sensation Kirk Franklin. Jasmyn has been commissioned by Dance Ontario, Iona Secondary School, City Dance Corps youth company, Earl Haig Secondary School, Ballet Jorgen, Mayfield Secondary School, Martha Hicks School of Ballet, Pivotal Motion Dance Theatre, York Memorial Collegiate Institute, Wish Opera, Dance Ontario, Cawthra Park Secondary School, Cathedral Productions, Obsidian Theatre, Dramatic Change Youth Theatre, Oakwood Collegiate Institute and Copper Coin Arts Association. 

© Jefferson Pinder, Thoroughbred, 2016. Photo Henry Chan.

MONOMYTHS is conceived and curated by Shannon Cochrane and Jess Dobkin.
The series is presented by FADO in the context of Progress.

MONOMYTHS invites a diverse collection of artists, scholars, and activists to revise Joseph Campbell’s conception of the hero’s journey through performance art, lectures, workshops, and other offerings. This new assemblage of non-linear un-narratives proposes a cultural, political and social feminist re-visioning of the world. The MONOMYTHS perception of the universal journey dispels the notion of the lone patriarchal figure on a conquest to vanquish his demons—both inner and outer—in consideration of community, collectivity, and collaboration.

MONOMYTHS Stage 5: Belly of the Whale
Thoroughbred by Jefferson Pinder
Performed with Ravyn/Jelani Ade-Lam Wngz, Danièle Dennis, Jasmyn Fyffe, Chy Ryan Spain

In Jefferson Pinder’s Thoroughbred, four performers work themselves to exhaustion running on treadmills that are remote controlled by the artist who sits at a single controller. Pinder “skillfully exhumes a corpse of black captivity and subjugation of black bodies in America that started four hundred years ago and brings it into the foreground into our present day experience.” (Fo Wilson, The Evidence of Things Not Seen)

American artist Jefferson Pinder works in video, installation, and performance. His work explores the tangle of representations and misrepresentations, visual tropes, and myths—often referencing historical events and invoking cultural symbolism. His work portrays the black body both frenetically and through drudgery in order to convey relevant cultural experiences. 

SummerWorks, in partnership with The Theatre Centre and a roster of Toronto theatre and performance organizations/presenters and companies including Aluna Theatre, Dancemakers, FADO Performance Art Centre, Summerworks, The Theatre Centre and Volcano Theatre brings the world to Toronto with Progress, an international festival of performance and ideas from January 14–February 7, 2016.

© Jefferson Pinder, Thoroughbred, 2016. Photo Henry Chan.