Artist
Eliza Chandler

Canada

Earning her PhD from the Social Justice and Education department at the University of Toronto in 2014, Eliza Chandler was dually appointed as the Artistic Director at Tangled Art + Disability, an organization in Toronto dedicated to the cultivation of disability arts, and the postdoctoral research fellow in Ryerson University’s School of Disability Studies from 2014-2016. During this time she was the also the founding Artistic Director of Tangled Art Gallery, Canada’s first art gallery dedicated to showcasing disability art and advancing accessible curatorial practice. Chandler is currently an Assistant Professor in the School of Disability Studies at Ryerson University. She is the co-director of a Social Sciences and Humanities Research Council (SSHRC)-funded partnership project, Bodies in Translation: Activist Art, Technology, and Access to Life. This seven-year, multi-partnered research project considers the close relationship between art, accessibility, and social change as it contributes to the development of activist art, aesthetics, curriculum, and accessible curatorial practices across Canada. Chandler sits on the Board of Directors for the Ontario Arts Council and is a practicing disability artist and curator. She recently co-curated the group exhibitionBodies in Translation: Age and Creativity at the Mount Saint Vincent University Art Gallery and recent publications include Disability Arts and Re-Worlding Possibilities, a/b: Auto-Biographic Studies (2018). Chandler regularly give lectures, interviews, and consultations related to disability arts, accessible curatorial practices, and disability politics in Canada.

Performance
MONOMYTHS Stage 3

MONOMYTHS is conceived and curated by Shannon Cochrane and Jess Dobkin.
The series is presented by FADO in the context of Progress.

MONOMYTHS invites a diverse collection of artists, scholars, and activists to revise Joseph Campbell’s conception of the hero’s journey through performance art, lectures, workshops, and other offerings. This new assemblage of non-linear un-narratives proposes a cultural, political and social feminist re-visioning of the world. The MONOMYTHS perception of the universal journey dispels the notion of the lone patriarchal figure on a conquest to vanquish his demons—both inner and outer—in consideration of community, collectivity, and collaboration.

MONOMYTHS Stage 3: Meeting of the Mentor
The Exquisite Course

Performances by Dainty Smith, Tamyka Bullen, Eliza Chandler, Zanette Singh, Ariel Smith, Johnson Ngo

The Exquisite Course, presented by the Feminist Art Gallery (F.A.G.), is an evening of short lectures by feminist and/or queer artists and creative folks from a variety of disciplines, interests, and positions. A mixture of fiction and non-fiction, The Exquisite Course collages real-life stories and performance mythologies around the microphone campfire to stitch together tales of meeting real-life mentors.

The Feminist Art Gallery is a response, a process, a site, a protest, an outcry, an exhibition, a performance, an economy, a conceptual framework, a place, and an opportunity. We host we fund we advocate we support we claim. The Feminist Art Gallery (F.A.G) is our geographical footprint located in Toronto and is run by Allyson Mitchell and Deirdre Logue.

This event will be ASL interpreted.

SummerWorks, in partnership with The Theatre Centre and a roster of Toronto theatre and performance organizations/presenters and companies including Aluna TheatreDancemakers, FADO Performance Art Centre, SummerworksThe Theatre Centre and Volcano Theatre brings the world to Toronto with Progress, an international festival of performance and ideas from January 14–February 7, 2016. 

Performance Yellow

This fragrance opens us to the question, has the show started? It's winter, the theatre is colder than the street and the room is filled with people and all their winter smells: wet faux leather, down, too much shampoo, and beer breath. The atmosphere is a trickster. Am I late, am I early?

Top Notes

yellow mandarin, mimosa

Middle Notes

honey, chamomile, salt

Base Notes

narcissus, guaiac wood, piss, beer