Artist
Collette Jacques

Canada

Based in the northern community of Larder Lake, Colette Jacques creates installation and performance works for both gallery and outdoor settings. For the past several years, Colette Jacques’ artistic expression has focused on her aboriginal heritage, which is deeply anchored in Mother Earth and guided by the Great Spirit that is the spirit of sharing, encounters, and love. The artist’s Native roots are evident in her work, whether appearing on the streets of New York City as “Wolf Man” (Homme loup) or offering up a “Cry of the earth” (Cri de la terre) in Brazil. Her performances, with their obsessively recurring sounds and free flowing movements, are hypnotic and lead to a profound spiritual and artistic experience. 

Performance
Territoires de Langue

ARTISTS
Collette Jacques
Suzanne Joly
Stefan St-Laurent
The Two Gullivers

Curated by Paul Couillard

FADO Performance Art Centre, in collaboration with La Galerie du Nouvel-Ontario and the Toronto Free Gallery, is pleased to present Territoires de Langue. For this project, five francophone artists have been invited to undertake interventions that respond to the question: To what extent does language determine experience? The artists will work in two distinct environments, Toronto and Sudbury, spending a week in each location engaging in street actions and public “manoeuvres.” Join us for a bilingual public presentation in which the artists will share the results of their Toronto research through performances and discussions.

Does each of us have a “place,” a spot where we belong? When we enter space, do we become a part of that space, or do we simply confirm our irresistible, insurmountable isolation? To what extent do we become place by being in place? To what extent does a place, by containing us, become us? What does it mean when we bring particular languages to particular surroundings? To what extent does language determine experience? Is the Francophone “Nouvel-Ontario” different from the Anglophone “Northern Ontario,” for example? Does language cut across regional difference? Can it transcend the divide between a large urban centre like Toronto and a more rural northern community like Sudbury?

Performance gestures offer the potential for psychic (that is, emotional, psychological and spiritual) affect, as well as social and physical effect. For this series, five French-language artists will develop site-specific performance gestures for both Toronto and Sudbury, using tactics that explore the idea of “putting in place.” These gestures—whether or not they utilize spoken word—constitute forms of language, ones that are no doubt inflected by the artists’ native tongue. How translatable will these gestures be? How will these artists use the language of performance to make space for themselves, to “belong?

Performance Yellow

This fragrance opens us to the question, has the show started? It's winter, the theatre is colder than the street and the room is filled with people and all their winter smells: wet faux leather, down, too much shampoo, and beer breath. The atmosphere is a trickster. Am I late, am I early?

Top Notes

yellow mandarin, mimosa

Middle Notes

honey, chamomile, salt

Base Notes

narcissus, guaiac wood, piss, beer