Performance
One (Sommes Personnes)

12 artists are invited to present a 12 minute audiovisual sort-of-self-portrait.

One (Sommes Personnes). A self that is one, just one, one amongst many. But that’s still you, still in a room different from anywhere else—the present of presence fully in a here and now deferred by pressing record. Portraiture that eschews the frontal in favour of the partial—the barely there, the fleeting, the merely-passing-by, the a-bit-askew. Staying still, but not stiff. Alive and well, simply at ease with the minutes passing, the unmomentous moment. The room we see might be the One’s home but does not need to be. The person you almost see is One that could be You but is not.

The single-take recordings will be stretched from 12 to 15 minutes (à la Warhol). Eight of the resulting 15 minutes will be presented in groups of four during the first and last hours of the 12 hour event. Each One will be presented on its own, as one, followed by another one, and so on. So, there are four solos in a quartet, times two. The remaining four will be presented at the end of hours 7, 8, 9, and 10.

This edition is presented by FADO. Artist selection done in collaboration by Christof Migone and Shannon Cochrane.

12:00pm EST
One Number One by Tanya Mars
One Number Two by Ronnie Clark
One Number Three by Olga Prokhorova
One Number Four by Liina Kuittinen

5:45pm EST
One Number Five by Nadège Grebmeier Forget

7:45pm EST
One Number Six by Adriana Disman

8:45pm EST
One Number Seven by Alice de Visscher & Evamaria Schaller

9:45pm EST
One Number Eight by Alice de Visscher & Evamaria Schaller

11:00pm EST
One Number Nine by Amélie Laurence Fortin
One Number Ten by Georges Azzaria
One Number Eleven by Jocelyn Robert
One Number Twelve by Caroline Gagné

For programming for the full 12-hours, plus start times for all time zones, click on the project links.

One (Sommes Personnes) is the fourth edition of Different From The One Place Time Mood Mindset You Are In Now, taking up a total of three hours out of the 12-hour event Are (Sommes Sonnes) happening for 12-hours on December 12, 2023. Are (Sommes Sonnes) is part of Christof Migone’s epic 12-year project entitled, You And I Are Water Earth Fire Air Of Life And Death.

Are (Sommes Sonnes) is presented by Avatar and to close their 30th anniversary celebrations.

Artist
Christof Migone

© Christof Migone. Photo Marla Hlady.

Canada
www.christofmigone.com

Christof Migone‘s research delves into language & voice, bodies & performance, intimacy & complicity, sound & silence, rhythmics & kinetics, translation & referentiality, stillness & imperceptibility, structure & improvisation, play & pathos, pedagogy & unlearning, failure & endurance. Current and ongoing investigations: microphone hitting, book flipping, tongue extruding, record releasing, word hyphenating, para-pedagogical positioning, careless curating, noise making, sequitur following, paper passing, interval counting, rhythm repeating, phone licking, machine fingering, playlist compiling, silence listening, dozens of dozens, strobosonoscopics and stroboscopsonics.

Performance
–I (2022)

FADO presents Things I’ve Forgotten by Cindy Baker in the context of –I (2022), an annual 12-hour event, curated and organized by Christof Migone.

This is the third in a series of twelve annual 12-hour events taking place on December 12 from noon to midnight EST (9-21 PST, 11-23 CDT,  17-05 GMT, 18-06 CET,  1-13 CST, 2-14 KST). Each year the event moves through each word of the 12-word phrase you and I are water earth fire air of life and death and activates the word of the year in a myriad of ways. This year the word is ‘I’, consequently the focus is on selfless selves, linked Is, and not-Is. The first year it started with ‘you’, last year ‘and’ came to connect you to anything and everything, this year that point of connection is ‘I’. The porous one. The sole collective.

Things I’ve Forgotten by Cindy Baker is a work that incorporates audio and performance to explore the relationship between trauma, memory and the body. The project is based on a very specific, mostly-forgotten childhood memory; I’m fascinated by the ability of our brains to block out traumatic events from our conscious memory, but their inability to prevent those events from making their mark in ways that impact us into adulthood. I often wonder how much this childhood trauma had a role in the formation of my personality, my physicality, or my disabilities. Through this work and the revisiting of dreams long forgotten, I am attempting to set in motion a process by which I can trigger the emergence of memories long-buried by past trauma while also engaging in an ongoing project of resisting the imperative to demonstrate the output of labour in performance; sometimes rest is part of the work. This experiment in personal betterment and catharsis through the creative process has a long art historical tradition. In my own practice, this type of experiment walks a tightrope between earnestness and cynicism; setting up (usually hilariously futile) challenges to my personal limitations, and attempts to make myself into something that I am not serve to highlight the futility of the search for perfection and the altogether human desire for knowledge

Performance
–AND (2021)

FADO is pleased to present two works by Erika DeFreitas inspired by/with the work of Adrian Piper in the first hour of –AND (2021).

Curated and organized by Christof Migone, -AND (2021) is the second in a series of twelve annual events taking place on December 12, from noon to midnight EST, for 12-hours. This project is realized with the collaboration of multiple artists, venues and partners in Canada, China, Germany, Korea, UK, USA. Each year the event moves through each word of the 12 word phrase, “you and I are water earth fire air of life and death,” and activates the word of the year in myriad ways.

In 2021, the word is ‘and,’ consequently the focus is on repetitions, conjunctions, and duos. Last year it started with ‘you,’ this year we connect you to anything and everything, you are together-with. Or, we get stuck in the very act that ‘and’ opens up, into the enormity that the so-what-next that ‘and’ implies. ‘And’ is all possibilities in a nutshell. A secular litany that follows pi into infinity.

Hour 1: 12:00–1:00pm EST

Seriation #2a: _and (with thoughts of Adrian Piper) (2021)
In this newly commissioned work, DeFreitas creates a score based on Piper’s essay Passing for White, Passing for Black by isolating the word ‘and’ on the pages they appear. DeFreitas then performs this score, reciting the word ‘and’ evenly spaced within the timeframe of 1 minute per page.

Seriation #2: Now (1968)
Soundwork by Adrian Piper; Performed by Erika DeFreitas
DeFreitas was given permission by Piper to perform Seriation #2: Now. The original soundwork consists in 18 minutes of Piper uttering the word “now,” in a measured tone, at shorter and shorter intervals, from one minute to every second. Accompanying the audio are visuals created by DeFreitas to question our presence in the ‘now.’

Performance Yellow

This fragrance opens us to the question, has the show started? It's winter, the theatre is colder than the street and the room is filled with people and all their winter smells: wet faux leather, down, too much shampoo, and beer breath. The atmosphere is a trickster. Am I late, am I early?

Top Notes

yellow mandarin, mimosa

Middle Notes

honey, chamomile, salt

Base Notes

narcissus, guaiac wood, piss, beer