Catherine MacKinnon is a Toronto-based producer, filmmaker and actor. She graduated with a BFA in Film Studies from Ryerson University, School of Image Arts. She is a co-founder and has been the Festival Director of Toronto International Deaf Film and Arts Festival (TIDFAF) since its inception.
She is internationally known for her work in television, film, and documentaries. At the 2003 World Film Festival in Montréal Catherine was nominated for the Kodak’s Best Canadian Student Director Award for her short film, I’m Not From Hear. The film went on to win 5 awards and was screened in several of Canadian Festivals, as well as in United Kingdom, Finland, Russia, and the US. In the fall of 2009, Catherine co-produced her biggest career project to date, entitled The Hammer, based on the biopic of UFC Fighter, Matt “Hammer” Hamill. The Hammer has won 8 festival awards and is currently featured on Netflix.
As a performer, Catherine has appeared in Toronto and LA productions of The Vagina Monologues (in Toronto with Vanessa Vaughan, Rachel McAdams, and Shirley Douglas; and in LA as a fundraiser benefit for the Greater Los Angeles Agency on Deafnes). She has contributed “atmospheric vocals” to the horror flick, Silent Hill and can be seen in Season 5 of Kenny Vs Spenny. Recently, she played the role of ASL Teacher in 7 episodes of Season 1 of Fargo which aired on FX Network and FXX Canada in 2014. Fargo won the an Emmy for Best Outstanding Mini Series and a Golden Globe for Best TV Mini Series or Film.
FADO Performance Art Centre presents Silent Dinner, an 8-hour performance in which a group of people arrive to the theatre space, set up a rudimentary kitchen, and then prep, cook and eat a dinner in shared silence, without communicating in their language of origin, in front of the attending audience. The performance is created with special guest artist Irish performance artist Amanda Coogan who is CoDA (Child of Deaf Adults) and 12 performer/participants who are a combination of Deaf and hearing performers and non-performers from Toronto.
PERFORMERS: Ahmed Muslimani Alexandrose Dayment Amanda Coogan Anselmo DeSousa Catherine MacKinnon Christopher Welsh Keli Safia Maksud Mary Balint Michelle Bourgeois Mikiki Laura Nanni Sage Willow Shannon Cochrane
Conceived by Shannon Cochrane & Amanda Coogan
Silent Dinner is inspired by a choreographic exercise devised by Canadian dance artist Justine Chambers entitled Family Dinner, and American artist Lois Weaver’s well-known public discourse practice, The Long Table. In Weaver’s Long Table (inspired by Marleen Gorris’s film Antonia’s Line, in which the dinner table continually extends to accommodate the growing community of outsiders and eccentrics, until finally the table must be moved out of doors), the rules of engagement allow those sitting at the table to participate in the conversation in whatever way they wish, without limit or restriction to access or content. Using the table as a structure to orchestrate a conversation around, this long table combines community interaction with theatricality. As a form The Long Table, “acknowledges the sometimes uncomfortable side of both private exchange and public engagement, while celebrating the potential for new forms of knowledge-making and -sharing”, while the rules (or rather, the helpful hints as Weaver calls them) state that there can be silence.
In FADO’s Silent Dinner, silence is transformed from a potential born of discomfort or newness, and transformed into the landscape in which indirect communication between people who don’t share the same language is negotiated. The dinner table becomes a meeting place for the intersection of culture and language (hearing and Deaf culture, English and ASL, performance as language) via a performance score employing the everyday activity of sharing a meal. Over the course of the 8-hours of the performance the performers experience, and the audience bares witness to, the many varied and complex layers of communication, compromise, and decision-making that are being performed through construction and deconstruction, art and food, theatre and everyday ritual, the performance of the public and the private. The table functions as both motif (in theatre the table is a prop, in performance it is material) and metaphor for community and connection.
POST-PERFORMANCE Q&A Join us at 9:00pm for coffee, dessert and a post-performance Q&A with the performers of Silent Dinner. ASL interpretation provided.
FADO would like to offer a big THANKS to our friends and colleagues who have helped us and made this project possible, including Signs Restaurant and Rachel Shemuel, Nicka Noble, Jess Shane, Deanna Bradley-Coelho, Kerry Grandfield and Corene Kennedy and the 2nd and 3rd year students of the ASL-English interpreter program at George Brown College, and our team of trained professional ASL-English interpreters Amanda Hyde, Tara Everett, Shelly Nafshi and Silvia Wannam.
This fragrance opens us to the question, has the show started? It's winter, the theatre is colder than the street and the room is filled with people and all their winter smells: wet faux leather, down, too much shampoo, and beer breath. The atmosphere is a trickster. Am I late, am I early?