Arkadi Lavoie Lachapelle holds a Bachelor in Fine Arts from the University of Québec. Her work has been presented in a variety of contexts, including anonymous and clandestine situations, in Québec, Austria, France, Germany, and Spain. Her artistic research is based on the poetic potential of the object and its symbolic and corporal expression of strength and power; as well as on public participation as a collective energy. Through clandestine poetic actions, ephemeral installations in public space and gallery projects, Lachapelle questions and opposes resistance to situations related to productivist ideology.
FADO Performance Art Centre’s 2014 Emerging Artist series, co-presented with Xpace Cultural Centre.
Anthea Fitz-James (Toronto)
Emma-Kate Guimond (Montréal)
Jessica Karuhanga (Toronto)
Arkadi Lavoie Lachapelle (Montréal)
Rah Eleh (Ottawa)
Durational performance is a mode of live art where the artist works directly with the medium of time. Over the course of hours, days or longer the performer and the audience can experience a physical, mental, spiritual and/or emotional transformation. Durational performance functions to bring the performer and the audience into the moment; time is made palatable and visceral. Artists like Tehching Hsieh, Alastair MacLennan, and most famously, Marina Abramović, demonstrate how durational performance art can use mental and physical endurance to challenge the commoditization of art by offering an experience of art that is ephemeral by nature. 11:45PM will present a collection of durational works, spread out over the course of March, throughout the gallery.
The 2014 Emerging Artists Series was curated by FADO board member Kate Barry, in consultation with Xpace and a committee of local artists (including Xpace Director Amber Landgraff, Videofag founder Jordan Tannahill, theatre artist Audrey Dewyer, and Xpace intern Humboldt Magnussen.
Unraveling the Daughter’s Disease: Secrets, Knitting and the Body by Anthea Fitz-James
March 8 @ 12:00pm–6:00pm
March 9 @ 1:00pm–5:00pm
digestion/liquidation by Emma-Kate Guimond
March 16 @ 12:00pm–8:00pm
The trip, and the fall, and the lost heap of longing by Jessica Karuhanga
March 19–22 @ 1:00pm–5:00pm daily
6 hours 6 minutes 6 seconds by Arkadi Lavoie Lachapelle
March 28 @ 6:00pm–12:06:06am
For this performance, the audience is encouraged to bring with them, or to drop off at the gallery anytime during gallery hours from March 8–28, items from their homes that represent evil to them. Can be any kind of object, from a banal household item to a talisman. Object must be wrapped, so the contents are not known. All objects will be used in the performance.
Ululation by Rah Eleh
March 29 @ 12:00pm–6:00pm
11:45PM / Xpace OPENING
March 8 @ 7:00pm
In Time with a Body: Duration as a Performance Practice
March 13 @ 7:00pm
Performance artist, curator and FADO co-founder Paul Couillard gives an informal lecture on duration as a performance practice. His talk will share insights from his creative work as well as performances by other artists, including a reflection on his 1999 curatorial project TIME TIME TIME, a year-long series of 12 works by various performance artists, each a minimum of 12 hours long.
What Happens After Midnight: Artists Panel
Moderated by Tanya Mars, in conversation with the artists and curator Kate Barry
March 29 @ 6:30pm
This fragrance opens us to the question, has the show started? It's winter, the theatre is colder than the street and the room is filled with people and all their winter smells: wet faux leather, down, too much shampoo, and beer breath. The atmosphere is a trickster. Am I late, am I early?
yellow mandarin, mimosa
honey, chamomile, salt
narcissus, guaiac wood, piss, beer