Artist
Amy Hull

Canada

Amy Hull is a Toronto-based dance artist, scholar, and death doula. She is currently a PhD Candidate in Communication and Culture. She holds a MA in Dance and BFA spec. Hons. in Dance, Choreography and Performance. Hull has worked internationally with AVA Dance Company and locally in Toronto with Balancing on the Edge, with which she choreographed A Study in Exile/Home is not a place on a map, with mentor Rebecca Leonard and composer Juro Kim Feliz. Her recent work includes a music video for Buffy Sainte-Marie through the Virtual Creative Native project, an original work choreographed and performed in collaboration with Shannon Pybus for Free Flow Dance Theatreā€™s International Dance Week, and modelling for Kent Monkman.

Ā© Amy Hull. Photo Marlowe Porter.

Performance
not knowing is the most intimate | curated by Shalon Webber-Heffernan

ARTISTS
Amy Hull
Claudia Edwards
Joyce LeeAnn
Sasha Singer-Wilson
Trish Lanns

not knowing is the most intimate explores themes of collective and personal grief, and the ways in which we might connect through shared vulnerability. Inspired by the Buddhist koan, ā€œnot knowing is the most intimate,ā€ the project embraces the uncertainty of our contemporary emotional landscapes, inviting both artists and audiences to move into the discomfort of uncharted waters.

While reading Vanessa Machado de Oliveira’s Hospicing Modernity, I was struck by the idea that domination often involves a deliberate denial of relationships and a suppression of the senses. Drawing on Dwayne Donaldā€™s assertion that sensory atrophy is central to this process – disrupting traditional knowledge systems and relational connectionsā€”I began to consider how deeply this numbness has seeped into the fabric of modern life. What would it mean to counter thisā€”to resist detachmentā€”through intimacy and attunement? This question sits at the heart of this curatorial series, exploring how performance can reawaken connection through embodied presence and shared vulnerability in times of grief.

Bringing together artists whose work grapples with death, mourning, collective grief, climate anxiety, somatics, and rituals of healing, the series unfolds across live performances, an immersive book installation, a sound bath and guided meditation inspired by the tradition of living funerals. It is an experiment in shedding emotional armour – to feel, to connect, to soften. It is an invitation to let grief become a shared language that unites rather than isolatesā€”guiding us beyond knowing and into the realm of embodied presence and relationship.

SCHEDULE of performances

Saturday, May 10
6:30pm: Performance by Sasha Singer-Wilson
8:00ā€“9:30pm: Embracing the Waves of Grief: A Sound Healing Meditation with Trish Lanns**
**Limited number of spots available. Please REGISTER HERE.

Saturday, May 17
Time TBA: Performances by Amy Hull and Claudia Edwards

Performance Yellow

This fragrance opens us to the question, has the show started? It's winter, the theatre is colder than the street and the room is filled with people and all their winter smells: wet faux leather, down, too much shampoo, and beer breath. The atmosphere is a trickster. Am I late, am I early?

Top Notes

yellow mandarin, mimosa

Middle Notes

honey, chamomile, salt

Base Notes

narcissus, guaiac wood, piss, beer