FADO E-BULLETIN
September 2022

Index

  1. FADO HOSTS COMPASS to re-orient our practice of being together with lo bil
    Dates September 6–9, 12–16 & 17, 2022
    Location Toronto, Canada
  2. FADO PERFORMANCE SERIES On the Table Off the Table
    Dates September 23, 24, 29, 30 & October 1, 2022
    Location Toronto, Canada
  3. FESTIVAL 7A*11D International Festival of Performance Art
    Date September 6–11, 2022
    Location Toronto, Canada
    Source 7a*11d
  4. CALL FOR EXPRESSION OF INTEREST Rhubarb Festival
    Deadline date September 9, 2022
    Location Toronto, Canada
    Source Clayton Lee
  5. EVENT VIVA! Art actions throughout September
    Date various through September, 2022
    Location Montréal, Canada
    Source VIVA!
  6. EVENT FRIISLAND LIVE!
    Date September 9, 2022
    Location Copenhagen, Denmark
    Source Live Art Denmark
  7. CALL FOR ARTISTS IMPROMPTUS presented by PAUSA
    Deadline date unspecified
    Location New York, USA
    Source Franklin Furnace
  8. EVENT Working With Water by Johannes Zits
    Date September 18, 2022
    Location Vancouver, Canada
    Source Johannes Zits
  9. EVENT INTERVAL °12 Performance Art
    Date September 17, 2022
    Location Essen, Germany
    Source Marita Bullmann
  10. EVENT //BUZZCUT// Double Thrills with Les Urbaines
    Date September 21, 2022
    Location Glasgow, Scotland
    Source Buzzcut
  11. EVENT ‘open the door a window’ with Sinead O’Donnell & Kurt Johannessen
    Dates September 25 & 27, 2022
    Location Cologne & Giessen, Germany
    Source asabank
  12. EVENT Open Source Group-Performance
    Date September 30, 2022
    Location Neuwied, Germany
    Source asabank
  13. EVENT Performance Day 5: Sensing Bergman
    Date September 30–October 1, 2022
    Location Stavanger, Norway
    Source PAS
  14. EMPLOYMENT Performance School, Art Institute of Chicago
    Deadline date unspecified
    Location Chicago, USA
    Source Mark Jeffery

  1. FADO HOSTS COMPASS to re-orient our practice of being together with lo bil
    Dates September 6–9, 12–16 & 17, 2022
    Location Toronto, Canada

Facilitated by lo bil and hosted by FADO Performance Art Centre

COMPASS is an on-going participatory research project and an opportunity for performance artists to develop the possibilities of solo practice while in a group setting. Devised by lo bil, COMPASS offers sites for co-presencing while in artistic process and a venue to negotiate the artist-audience exchange.

Each COMPASS session offers artists the space and time to work on their own practices concurrently with other artists. In this, we notice pathways between co-working artists; responses to correlative energetic states that might deepen artistic assemblage; and the integration of action-based witnessing. The aim is to support one another through presence and to find ways to be together in a studio that invites moving in unusual ways but doesn’t impose one way of working. You decide on the space and tone of the atmosphere you need and the degree to which others working around you influence your work. While this is performance-artist-based invitation, there is no imperative to perform for others. Through presence and attending to what you wish to do, you are potentially helping others attend to doing something they wish to do. Artists can use the time and space in any way they wish, however it is important to note that this project makes space for different forms of movement to occur.

COMPASS is a cross between a studio, a gym, a playground, a library and something unknown that welcomes all kinds of action and participation from both artists and visitors.

PART 1
We are seeking artists who wish to spend 2–3 hours between September 6–9 in a process of navigating shared space while engaging in their own performance practice. Each session will be very open for experimental approaches, varying levels of public interaction, and is intended as real-time embodied research. Each artist will discover for themselves the benefits and challenges of working in this way. Artists may choose to attend one or more sessions. Artists are also welcome to drop by during the first week or the final showing to see what’s up and/or to participate in unexpected ways.

Date: September 6–9, 2022
Time: 11:30am–2:30pm, daily
Location: The Commons @ 401, 401 Richmond Street West, 4th floor

PART 2
From September 12–16, a smaller group of artists from the first week will continue to develop the discoveries they have encountered, working towards a public showing. Artists involved in this second week of COMPASS will be paid a small honorarium for their participation. We welcome proposals from artists who cannot be physically present at COMPASS sessions to connect via video call or to offer provocations for public to engage in. All contributions, whether in-person or remote, will be credited.

PUBLIC SHOWING
There will be an open session/public showing of COMPASS on the last day.
Date: September 17, 2022
Time: 1:00pm–4:00pm

Everyone from emerging to established artists are welcome to join. If you would like to join COMPASS for one or more days, send an email with the following information to: lbil@rogers.com with the subject line: COMPASS / FADO. Please include:

  • Your name and contact details
  • Dates you would like to join us between September 5–9
  • Artist statement or description of your art interests
  • Short proposal of how you would like to use the space and time (not knowing is always an option)

lo bil is a cis-gender queer working class white woman, a Toronto-based second-generation Canadian performance artist who experiments with risk-based performance involving spontaneous utterance, sensory impulse, personal risk, and inter-relational proposals with the public. lo will be developing COMPASS through a juried residency at Studio 303 in Montréal in August 2022; teaches performance-based art at Sheridan College; movement for actors at Toronto Film School; and has created guest-artist activations at Toronto Dance Theatre, O Vertigo Creation Center, LeParc Performing Arts Research Cluster, Concordia University, University of Toronto, Toronto Dance Community Love-in and School of the Alternative in North Carolina. lo has performed at festivals including: 7a*11d International Festival of Performance Art, AGO First Thursdays, Luminato (online), Rhubarb!, Summerworks, Fringe, Nuit Blanche, Duration & Dialogue, ps We Are All Here, Pi*llOry, Short & Sweet (Toronto & Guelph), Month of Performance Art-Berlin and LADA DIY (Glasgow).


  1. FADO PERFORMANCE SERIES On the Table Off the Table
    Dates September 23, 24, 29, 30 & October 1, 2022
    Location Toronto, Canada

On the Table Off the Table
A performance series for the start of times
Put together by Shannon Cochrane and Francesco Gagliardi

On the Table Off the Table is a series of commissioned performance works engaging with the table as context, stage, and trope. Aspiring to aesthetic neutrality or demanding attention as a chosen object, the table reappears throughout the history of performance, at times taking center stage, at other times hiding in plain sight. For this series, artists working at the confluence of performance art and a range of diverse practices—from writing to dance, from sound to magic—will create live work in conversation with performance traditions about, around, and on tables. FADO’s first post(?)-pandemic live series, On the Table Off the Table also intends to provide artists and audiences with an opportunity to re-learn together how to inhabit the space of public presentation, rediscovering the solitary workstation as a place of gathering and play.

ARTISTS
Joe Culpepper (USA)
Claudia Edwards (Toronto)
Vanessa Dion Fletcher (Toronto)
Marcin Kedzior (Toronto)
Mathieu Lacroix (Montréal)
Mani Mazinani (Toronto)
Sue Murad (USA)
Jehan Roberson (USA)
Cara Spooner (Toronto)
PLUS limited edition placemats designed by Lisa Kiss, with drawings by Hazel Meyer

Location:
Bachir/Yerex Presentation Space, The Commons @ 401
4th floor, 401 Richmond Street West, Toronto

PERFORMANCE SCHEDULE
September 23 @ 7:00pm: Cara Spooner, Vanessa Dion Fletcher
September 24 @ 7:00pm: Joe Culpepper & Marcin Kedzior, Claudia Edwards
September 29 @ 7:00pm: Sue Murad, Mathieu Lacroix
September 30 @ 7:00pm: Mani Mazinani, NadĂšge Grebmeier Forget
October 1 @ 5:00pm: Jehan Roberson

Jehan Roberson’s performance is co-presented by Hemispheric Encounters, a partnership project supported by the Social Sciences and Humanities Research Council.

DETAILS
All events are free, all are welcome.
Doors open at listed times. Performances will start 30 minutes later.
Mask-wearing for audience is required in the performance space. Exemptions respected.
Performers will not necessarily be masked while performing.
The building is accessible and there are accessible washrooms are located on the 4th floor.

Tell you are coming. REGISTER on EVENTBRITE.


  1. FESTIVAL 7A*11D International Festival of Performance Art
    Date September 6–11, 2022
    Location Toronto, Canada
    Source 7a*11d

Welcome to the 7A*11D International Festival of Performance Art, active in Toronto since 1997. Toronto Performance Art Collective (TPAC) is pleased to announce the 13th edition of our festival, taking place September 6–10, 2022 at the Theatre Centre and various outdoor locations. This long-awaited event, originally scheduled for the fall of 2020, follows a long tradition of bringing together an eclectic mix of innovative live performance works featuring local, national, and international artists.

ARTISTS
Archer Pechawis (Mistawasis First Nation/Toronto)
Jackson 2bears & Janet Rogers (Six Nations)
Jana Omar Elkhatib (Palestine/Canada)
Julie Lassonde (Toronto)
Rita Camacho Lomeli (Toronto)
Jusuf HadĆŸifejzović (Bosnia and Herzegovina)
Keira Boult (Toronto)
keyon gaskin (USA)
Lucky Pierre (USA)
Michelle Lacombe (Québec)
Taiwo Aiyedogbon (Nigeria)

The festival Éminence Grise for 2022: Alain-Martin Richard (QuĂ©bec)
Presented by FADO Performance Art Centre: GeneviÚve et Mathieu (Québec)
Festival writers: Maandeeq Mohamed and Shalon T. Webber-Heffernan

Performance art has always been a somewhat contingent practice, inhabiting a space somewhere in between the artist’s intentions and the accidents of circumstance. If theatre champions the techniques of the ‘as-if’ by rehearsing and simulating imagined worlds, then perhaps we could say that performance art operates more in the terrain of the ‘what-if,’ creating open-ended situations where audience witnesses/participants and artists embark on a shared journey of discovery to ferret out what can and will happen under particular circumstances. Our festival has never been a ‘themed’ event, but after two and half years of a pandemic that seems to have erased whatever certainty we might have had around what constitutes ‘normal’ life, this year’s performances seem particularly infused with—or at least informed by—concerns around contingency, precarity, and speculation. Expect works that prompt, in large and small ways, informed by personal and systemic histories, questions like: What is true? What is just? What is possible? What is impossible?

Covid Protocols
The ways in which we feel it is ‘safe enough’ to gather have been in constant flux over these past two and half years. There’s still no one consensus on the best practices to balance our human need to come together and the very real risks of infection. For this festival, we are following the blanket rules currently in place at our venue, the Theatre Centre. These could and probably will change based on circumstances at the time of the festival. Full details of the theatre’s policy can be found on their website.


  1. CALL FOR EXPRESSION OF INTEREST Rhubarb Festival
    Deadline date September 9, 2022
    Location Toronto, Canada
    Source Clayton Lee

We are currently seeking expressions of interest for the 2023 Rhubarb Festival, Canada’s longest running festival of new and experimental performance. The format of the ‘festival’, at its core, condenses time and experience, allowing for temporary communities to manifest. Over a short period of time, artists and audiences enter into a relationship with each other. Conversation is at the heart of this. As such, this year’s selection process, too, will be grounded in conversation. While the written application outlined below will provide us with context about your practice, we are considering it as merely an entry point to the whole process. We will do our best to meet with and be in conversation with as many applicants as possible. For this reason, we encourage you to apply earlier rather than later. Conversations with artists will be scheduled as applications are received.

We want to work directly with Festival artists to nurture and help grow their artistic impulses, therefore you do not need to apply with a fully formed idea or project. Instead, for the initial application, we want to focus on you and your practice. The subsequent conversation will be an opportunity to imagine what the project may be. Building off the last two festivals (2021’s Book as Festival, Festival as Book and 2022’s Calculus of an infinite rot, part 1), the 2023 Festival will be intentionally smaller in order to be responsive and flexible to our artists’ needs. Embedded in all of this is a continued manifestation of a Rhubarb that—in spite of its constraints of time and resources—is responsive and flexible to an artist’s needs; that balances the inherent legibility of a festival as product while indulging the illegible; and that resists the flattening of identity and the intersections within, ultimately embracing artists’ ability to exist in multitudes.

Selected artists will receive technical, production, promotional and artistic support; and where relevant, travel, per diem, and accommodation support will be provided. As we continue to work to create more equitable and sustainable standards of pay across our sector, we will be working with a per-artist funding model of at least $1,500. Important to note (while not fixed in stone), we intend to prioritize applications from artists who create solo work and those that work in duos.

GUIDELINES
1. ARTISTIC PRACTICE (500 WORDS MAX)
We want to know about you, your practice, and your response to the prompt. Please use all the questions below to guide and organize your thoughts: Describe your artistic practice. What forms and contexts are you interested in? What questions are you thinking about? What is the lineage of your practice? Who has done or has been doing similar things? What are you looking for or what do you need in your artistic practice?

2. SUPPORT MATERIAL
We want a sense of your work. Please send links to archival photos, videos, text, or script samples that you feel are relevant to your body of work. If you are applying with a specific project, please provide links to that, too. Please specify time stamps as needed. We will spend at least 5 minutes going through your support materials.

Selections will be made by Festival Director Clayton Lee.
Deadline: 11:59 pm EDT on Friday, September 9, 2022
APPLICATION

If you have any questions about the festival or your application, prefer alternate methods of submission (different languages, recorded video/audio, etc.) or need support to complete your application, please contact: Clayton Lee, Festival Director

Established in 1979, the Rhubarb Festival is produced by Buddies in Bad Times Theatre and is Canada’s longest-running festival of new performance. For over three decades, Rhubarb has encouraged established artists to take new risks and emerging artists to explore the possibilities of performance in a supportive space. Over the course of its history, Rhubarb has had an immeasurable impact on the local and Canadian cultural landscape by acting as a seeding ground for new work.  A great number of Rhubarb projects have gone on to be further developed and presented in Toronto, across Canada and internationally.


  1. EVENT VIVA! Art actions throughout September
    Date various through September, 2022
    Location Montréal, Canada
    Source VIVA!

Throughout the month of September, VIVA! Art Action presents a program of actions at Place de la CrĂ©ation, a public square temporarily installed on a vacant lot in the Centre Sud borough of Montreal. In the context of this site-specific programming initiative, four artists with relational and durational performance practices were invited to use Place de la CrĂ©ation as an open air performative laboratory in which to create a new work. From the furtive to the participatory, each artist’s respective occupation adopts a unique rhythm and relationship to audience. Some projects invite the public to take part in the creation process, while others unfold unannounced and in the shadows
 Each artist’s process will feed a public action that will be presented during an evening program of performances on September 23. We look forward to seeing you there!

Located at the corner of Parthenais and Ontario, Place de la Création was founded by La Virée des Atelier and the Borough of Ville-Marie. Our activation of this space is part of a larger programming initiative developed by Vaentral and Voies culturelles des faubourgs, in collaboration with several local artists and cultural partners.

PERFORMANCES

The rhythms of plants, between the gravel and the roots by Massimo Guerrera
Contemplative actions, participatory with registration; email info@vivamontreal.org
September 9, 15 & 18 @ 6:00pm–6:30pm

If place-die can be born by Khadija Baker
September 16, 22 & 23 @ 11:00am–1:00pm

Hi Daddy by Danny Gaudreault
September 5­–25, traces of furtive actions can be seen on Instagram

XXX (some executions of exalted outlets) by Katherine Josée Gervais
September 21–24 @ sunset 7:00pm
Public Gathering: September 23 @ 5:00pm–7:00pm
Corner of Parthenais and Ontario East (Frontenac metro) / FREE
Facebook event


  1. EVENT FRIISLAND LIVE!
    Date September 9, 2022
    Location Copenhagen, Denmark
    Source Live Art Denmark

FRIISLAND LIVE!
Friisland, Kattegatvej 39, 2150 Nordhavn
7:00pm–10:00pm / free

PERFORMANCES
Florian Feigl (DE)
Ulla Hvejsel (DK)
Jelili Atiku (NG)

Florian Feigl performs a new work in his 300 series (300 performances performed for each 300 seconds).
Ulla Hvejsel discusses economy and digestion in a performance lecture.
Jelili Atiku presents his practice between performance and political activism.

FRIISLAND was founded in 2021. Our focus is on interdisciplinary investigations of the society and the external reality. We curate and organize talks, lectures, critical writing, documentation and residencies for and about performative practices. We are also open to collaborations with young or established artists and students from the academies.

FRIISLAND is situated in the outer Nordhavn area of Copenhagen, across the future culture center, Tunnelfabrikken. We are engaged in our location in Nordhavn, a new area of Copenhagen being developed these years. We are preparing various projects inside and outside, and in cooperation with existing institutions and businesses in Nordhavn.

FRIISLAND is a project by Live Art Denmark, Ellen Friis and Henrik Vestergaard, who have been devoted to the demonstration, development, discussion and documentation of performative art forms in Denmark and abroad since 2004. The Center is supported by the Danish Arts Foundation: The Council for Visual Arts and The Council for Performing Arts.


  1. CALL FOR ARTISTS IMPROMPTUS presented by PAUSA
    Deadline date unspecified
    Location New York, USA
    Source Franklin Furnace

PAUSA invites artists to submit proposals for consideration in its upcoming live performance program IMPROMPTUS to be presented four Sundays in October in New York City.  The program has as a guiding principle the notion of improvisation where unrehearsed, not studied, and never-before presented performances in public spaces -assigned to each selected artist- will trigger instantaneous somatic relations. IMPROMPTUS is an exploration of the unknown, the discovery of new territories, and the adaptation of one’s work to new geographies. In addition, the one month performance art program is an investigation of artistic perseverance and commitment to Live Action Art while allowing possible unconventional experiences that would prompt artists and audiences to reflect on corporeal expression.

IMPROMPTUS will take place on five Sundays in October (2, 9, 16, 23, 30). Selected artists will be assigned ONE location for the presentation of their work: Governors Island / Inwood Park (MNY) / McCarren Park (BKN) / Flushing Meadows (QNS) / River Park (BRX).

PAUSA PERFORMANCE ART USA is a platform for the presentation of live performance art nationwide and a catalyst for dialogue, exchange, and reflection about performance working with local, national and international guest artists. PAUSA was initiated by Hector Canonge, and had its debut in April 2022 with a mini festival program featuring live performances by NYC artists, and video performances created by artists from Europe, Africa, Asia and the Americas. For its second event, PAUSA featured the international artist Ciro BeltrĂĄn (Chile – Germany) with a pop-up exhibition and a performance at Bronx River Arts Center. In September PAUSA will host the screening of a live streaming performance in NYC. As an artist-run and independent platform, PAUSA cannot cover costs of production, transportation, lodging, food or accommodations for this program.

FACEBOOK


  1. EVENT Working With Water by Johannes Zits
    Date September 18, 2022
    Location Vancouver, Canada
    Source Johannes Zits

The Historic Joy Kogawa House presents:
Working With Water by Johannes Zits
September 18 @ 4:00pm

In this performance Johannes Zits will present a series of actions developed during his residency at the Historic Joy Kogawa house in Vancouver, B.C. His focus during this residency is to gain a greater understanding and appreciation of the sentience of water. For the performance, Zits will enter into a dialogue and engage with this most essential of elements. Through movement, material, processes and text he will celebrate water’s agency, its sense of creativity, connectivity, diversity, difference and affective presence.

“Flow” was coined by Mihaly Csikszentmihalyi in the 1960s to suggest that “The ego falls away. Time flies. Every action, movement, and thought follows inevitably from the previous one. Your whole being is involved, and you’re using your skills to the utmost.”

Johannes Zits’ multi-disciplinary practice focuses on the many meanings engendered by a body, both human and non-human; extending the notion of the performer to include nature itself. Based in Toronto, Canada, Zits has presented work both across Canada and internationally since the mid-80s. 2019 the Copenhagen Contemporary Museum commissioned him to create a performance score for their permanent collection and performed at the International Biennial of Asuncion, Paraguay. In 2020, Johannes was the artist-in-residence at Western University’s McIntosh Gallery in London, Ontario, presenting the exhibition Listening To Trees.


  1. EVENT INTERVAL °12 Performance Art
    Date September 17, 2022
    Location Essen, Germany
    Source Marita Bullmann

INTERVAL °12 Performance Art in Essen, Germany
With Liina Emilia Kuittinen (FIN) & Anette Friedrich Johannessen (NO)

September 17, 2022 / 3:00pm
City Center Essen (Kopstadtplatz)

Since 2013 INTERVAL offers a platform for international performance artists to meet and exchange ideas, strategies and concepts. For this edition two international artists will be invited to INTERVAL°12 to explore the public space in Essen with all its multifaceted diversity and to develop and present site-specific performative work. Come and see Performance Art which will expand the public places with multi-layered, processual, political and poetic images.

Working mainly in the field of performance art, Liina Kuittinen’s background is in the visual arts. Born 1983, her work has been shown in the context of festivals and events but also in galleries and on Instagram. Liina received her MA in fine arts at the Fine Arts Academy in Helsinki, Finland in 2017.

Anette Friedrich Johannessen is a multidisciplinary artist, working with performance, video, drawing and text-based work. She holds a BFA from Camberwell College of Arts, London, and has participated in several festivals, exhibitions and events (both solo and collaboratively) in Europe, USA and Asia. Working from Bergen (Norway), Anette is today artistic director of Performance Art Bergen and is one of the co-organizers of Public performances in Bergen and the district around the city, called Open Sessions. Her artistic practice is highly inspired by Open Sessions, where the main concept is that art in public space is an expression of democratic thought, where art can, and should, be a shared experience.


  1. EVENT //BUZZCUT// Double Thrills with Les Urbaines
    Date September 21, 2022
    Location Glasgow, Scotland
    Source Buzzcut

//BUZZCUT// presents
Double Thrills with Les Urbaines @ CCA Glasgow
7:00pm–11:00pm
PWYC / BSL Interpreted

//BUZZCUT// is excited to invite you to the first of this years Double Thrills, our monthly nights of radical performance and live art running September through November. On this night, we present a line up produced in a collaboration between //BUZZCUT// and Les Urbaines. The Lausanne based festival of emergent aesthetics in visual and sound performance will bring a taste of their festival to Glasgow, with international guests performing alongside Glasgow-based artists throughout the night.

SCHEDULE
19:00 – 19:30 // Welcome + Performance from Sekai Machache (Theatre)
19:30 – 20:45 // Durational wandering: Clarinda Tse (Creative Lab) + Saturn Akin (Clubroom)
20:45 – 21:30 // Tiran (Theatre)
21:30 – 22:00 // Break
22:00 – 23:00 // I-YVE Music set (Theatre)


  1. EVENT ‘open the door a window’ with Sinead O’Donnell & Kurt Johannessen
    Dates September 25 & 27, 2022
    Location Cologne & Giessen, Germany
    Source asabank

Performance art series: ‘open the door a window’
Sinead O’Donnell (Ireland) + Kurt Johannessen (Norway)
September 25 @ 5:30pm
September 27 @ 7:00pm

The International Performance Art Archive DIE SCHWARE LADE | BLACK KIT cordially invites you to Cologne, Germany. In this project, we bring together two outstanding performance artists whose practice is in a special tension with each other. On the one hand, the potential of the performance archive that wants to be created and is waiting to appear. On the other hand, boundless curiosity about the now, what has become.

For each encounter, two performers who have not worked together before or have not met before will come to Cologne for several days. What happens in the encounter? What energies and patterns are at play in performative practice when different performance representations create references to each other, even though the personal intentions of the artists involved and the given situations are diametrical or even contradictory? What and how are these antagonisms that then come together in the performances to form a surprising “event”? This experience, which has been recurring for years, remains without a stringent explanatory model and yet is the decisive spark of cross-border performance art. Physical encounters, from which nets are woven, are the link.

The International Performance Art Archive BLACK KIT | DIE SCHWARZE LADE has been growing for 40 years. It contains information on about 4000 artists and preserves thousands of photos, books, relics and videos. Since 1981, it has also accompanied the comparatively young performance art with festivals, conferences, workshops and lectures. In this way, the ever-hungry archive has developed a supporting network and is inviting ten top international performance artists to Cologne in 2022.


  1. EVENT Open Source Group-Performance
    Date September 30, 2022
    Location Neuwied, Germany
    Source asabank

Invitation to the Open Source Group-Performance
September 30 @ 6:00pm
Neuer Kunstverein Mittelrhein
Rasselsteiner Str. 101, 56564 Neuwied Germany

ARTISTS
SinĂ©ad O’Donnell (UK)
Kurt Johannessen (NO)
Karin Meiner (D)
Boris Nieslony (D)
Evamaria Schaller (AT, D)

With/and Students of the Kunstakademie DĂŒsseldorf
Iezees Abou Hatab
Benjamin Austinat
Lea Babel
Rabea Chatha
Zihan Chen
Laura Jendrossek
Sua Kang
Jule Kupper
Haeun Lee
Viola Pfeffer
Anastasia Trifonenko
Nil Zengin

The Neue Kunstverein Mittelrhein pursues the goal of making contemporary art tangible in a historic factory hall on the former Rasselstein site in Neuwied. The task of the NKVM is to promote young, national and international art and culture, as well as to communicate them in the regional environment.

Organizer and Information: ArtLab / AIM eV. Burgbrohl / Karin Meiner
In collaboration with Neue Kunstverein Mittelrhein NKVM Neuwied / Elmar Hermann


  1. EVENT Performance Day 5: Sensing Bergman
    Date September 30–October 1, 2022
    Location Stavanger, Norway
    Source PAS

Performance Art Stavanger (PAS) Invites five artists to interpret Ingmar Bergman’s cinematic universe in a program titled, Performance Day 5: Sensing Bergman.

ARTISTS/FILMS
Tor Erik BĂže: Scenes from a Marriage
Finn Adrian Jorkjen: Persona
Hans Edward Hammonds: Whispers and Shouts
VeslemĂžy Flotve: Autumn Sonata

PLUS
Anna Berndtson: long durational performance collage referencing 12 films over 12 hours. Anna Berndtson also holds a workshop on September 29 based on exercises practice in her collaboration with Marina Abramovic.

Curated by Anne-Marte Eidseth Rygh
The event is supported by Tou, the Culture Council, Fritt Ord and Stavanger Municipality.

Performance Day 5: Sensing Bergman
TOU
September 30–October 1, 2022
Friday: Program 19.00–22.00
Saturday: Program 12.00–12.00


  1. EMPLOYMENT Performance School, Art Institute of Chicago
    Deadline date unspecified
    Location Chicago, USA
    Source Mark Jeffery

Full Time Tenure Track Hire
Performance School of the Art Institute of Chicago
Fall 2023

The Department of Performance at the School of the Art Institute of Chicago (SAIC) invites applications for a full-time, tenure-track assistant professor position to begin August of 2023. Salary is competitive with peer institutions and commensurate with quality of practice, scholarship and current academic research, extent of teaching experience, and current professional standing.

DEPARTMENT PROFILE
The Department of Performance at SAIC is unique in the United States, bringing a performance and performance studies curriculum to both undergraduate and graduate students in an interdisciplinary art school setting. Building on a foundation of experimentation, the Department of Performance evolves in relation to new developments inside and outside the field of performance, and aims to be responsive to new ways of seeing and understanding the world in the 21st century.

DESCRIPTION OF POSITION
SLIDEROOM APPLICATION

Direct your questions to Mark Jeffrey, Professor and Chair of Performance
saicteach@saic.edu

E-Bulletin Green

This scent is an homage to the future; for things to come. Cut grass, string bean, coriander, and ivy diffuse a smell of ever-green, or the eternal return, however you decide.

Top Notes

cut grass, lovage, coriander

Middle Notes

string bean, fennel

Base Notes

ivy leaves, moss