Yvonne Rainer, a co-founding member of the Judson Dance Theater in 1962, made a transition to filmmaking following a fifteen-year career as a choreographer/dancer (1960-1975). After making seven experimental feature films — Lives of Performers (1972), Privilege (1990), MURDER and murder (1996), among others — she returned to dance in 2000 via a commission from the Baryshnikov Dance Foundation for the White Oak Dance Project (After Many a Summer Dies the Swan). Her dances since then include AG Indexical, with a little help from H.M., RoS Indexical, a Performa07 commission, Spiraling Down, Assisted Living: Good Sports 2, and Assisted Living: Do You Have Any Money? Her dances and films have been shown world wide, and her work has been rewarded with museum exhibitions, fellowships, and grants, most notably two Guggenheim Fellowships, two Rockefeller grants, a Wexner Prize, a MacArthur Fellowship, and retrospective exhibitions at Kunsthaus Bregenz and Museum Ludwig, Cologne (2012), the Getty Research Institute, L.A. and Raven Row, London (2014). A memoir — Feelings Are Facts: a Life — was published by MIT Press in 2006. A selection of her poetry was published in 2011 by Paul Chan’s Badlands Unlimited.
Transmitting Trio A (1966) with Sara Wookey
Led by Sara Wookey, a group of dance and performance artists learn Yvonne Rainer’s seminal work, Trio A (1966). The starting point for this project is the shared conversation between dance and performance artists around the distinctions between repertoire and reenactment, in particular consideration of how these modes of archiving in live art relate to the increasing interest in presenting performance art and choreography in the museum.