© Johanna Householder, Legs, Too, 2015. Photo Henry Chan.
USA / Canada
Johanna Householder is a multidisciplinary and performance artist. Her interest in how ideas shape and move through bodies and has led her often collaborative practice in performance art, video, dance and other media. As a member of the feminist performance ensemble, The Clichettes (with Louise Garfield and Janice Hladki), throughout the 1980s she helped establish lip sync as a viable medium for political critique. She has performed across Canada and at international venues for 40 years. She is also writes about performance and with Tanya Mars, she co-edited two books: Caught in the Act: an anthology of performance art by Canadian women (2004), and More Caught in the Act (2016). She is one of the founders of the 7a*11d International Festival of Performance Art, held biannually in Toronto. Householder is professor emeritus at OCADU, where she has taught performance art since 1988.
Pas de Traduction curated by Eric Létourneau
Pas de Traduction is the first in a new series of events by FADO that examines the work of various Canadian performance art communities, defined culturally, regionally, ethnically, or aesthetically.
Melting: Points in a performance by Warren Arcand
Essay by Johanna Householder about the 2006 performance, Melting Points: An Amusement.