Francisco-Fernando Granados (he/him) was born in Guatemala and lives in Toronto, Dish With One Spoon Territory. Since 2005, his practice has traced his movement from convention refugee to critical citizen, using abstraction performatively, site-specifically, and relationally to create projects that challenge the stability of practices of recognition. His work has developed from the intersection of formal painterly training, working in performance through artist-run spaces, studies in queer and feminist theory, and early activism as a peer support worker with immigrant and refugee communities in unceded Coast Salish territories. This layering of experiences has trained his intuitions to seek site-responsive approaches, alternative forms of distribution, and the weaving of lyrical and critical propositions. His exhibition ‘who claims abstraction?’ is on view at Simon Fraser University Galleries in Vancouver throughout 2023. Recent projects include ‘refugee reconnaissance,’ a bilingual compilation of performance scores spanning 2005-2013 presented by AXENÉO7 in 2021.
A Score of Scores
In this series, 10 artists perform the interpretation of a performance score, written for them by an artist of their own choosing.
10 artists. 10 score writers.
A score is an old term for 20.
A score of scores.