Originally from Columbia, Constanza Camelo has lived and worked in Québec City and Montréal since 1994. Her early performances examined the hybrid cultural identity of her native culture. More recently, she has turned her attention to notions of private and public space through street actions that inscribe a temporary, utopian territory over the existing landscape.
Diaspora curated by Sonia Pelletier
Performative acts convey cultural evidence, but to what extent can one assert one’s belongingness in a world so polarized between Western and non-Western culture?