
Lee Su-Feh (she/they) is a dancer, choreographer, performance-maker and teacher of voice and movement. She splits her time between Kuala Lumpur, Malaysia where she was born and raised; and xʷməθkʷəy̓əm(Musqueam), Sḵwx̱wú7mesh (Squamish), səlilwətaɬ (Tsleil-Waututh) Territories, a.k.a. Vancouver, Canada, where she makes her home. Over the past 35 years, she has created a provocative body of award-winning trans-disciplinary work that interrogates the contemporary body as a site of intersecting and displaced histories and habits. As Artistic Director of battery opera performance, (“fearlessly iconoclastic”, “brainy and bawdy”), she has worked both alone and in collaboration with others. Alongside this trajectory in performance-making, she has pursued a lifelong study and practice of Chinese martial arts, Qigong and Daoism, all of which informs her approach to dance and movement. Since 2010, she has been a student and practitioner of Fitzmaurice Voicework® and is currently a certified Lead Trainer of the work. She is a member of the Advisory Group of the Fitzmaurice Institute and participates actively in the international community of Fitzmaurice Voicework® teachers. Some of her current preoccupations involve creating somatic algorithms, and exploring the relationship between voice and movement.