FADO is pleased to present an Artivism workshop with Armando Minjarez
Migration in a Postmodern Society
This workshop is offered for FREE.
Maximum number of participants: 20
Facebook event: www.facebook.com/events/1791339051093352
Artists have historically served as agents of change, risk-takers that cross the threshold from the status quo into the vanguard. The term Artivism has been coined by artists and cultural workers to describe their creative practice aimed at creating long-lasting social change.
This workshop will address the role of an artist as an agent of change in a postmodern western society. Participants will part-take in a process of dissemination and processing of site-specific cultural data, collected by artist Armando Minjarez through a series of interviews with community organizations in Toronto. Some of these community organizations or groups might include immigrants, refugees and native nations.
How can artists introduce vitality, courage and innovation in social change work? The workshop will begin with a short presentation on the key elements of art in social change: Emotional, Visionary, Systemic, Popular and Bold.
Activities will be presented in a dialectic format with group discussions and sharing of personal experiences. Participants are encouraged to bring an open mind and full heart.
Armando Minjarez is a Mexican visual artist and social justice activist. In 2004 he became involved in the national campaign to pass legislation entitled the DREAM ACT (Development, Relief, and Education for Alien Minors), and in the same year became the first undocumented student at Garden City Community College to enroll through the In-State tuition legislation passed in his new home state. His organizing experience has evolved into a multidisciplinary social practice where collaboration and community engagement are guiding themes.
This workshop is offered as a part of the MONOMYTHS series and is presented in the context of Progress Festival. For a full desciption of MONOMYTHS, please click here.
ACCESSIBILITY AT PROGRESS/THEATRE CENTRE
The Theatre Centre is an accessible facility, with barrier-free washrooms and an accessibility lift to facilitate movement between floors. If you are planning a trip to The Theatre Centre and have any questions about accessibility or would like to make any special arrangements, please call our box office at 416-538-0988. We will be happy to make any arrangements to help facilitate an enjoyable visit to The Theatre Centre.
The Theatre Centre sits on the traditional lands of the Anishinaabe, Haudenosaunee and Huron-Wendat peoples.
SummerWorks, in partnership with The Theatre Centre and a roster of Toronto theatre and performance organizations/presenters and companies including Aluna Theatre
, FADO Performance Art Centre, Summerworks
, The Theatre Centre
and Volcano Theatre
brings the world to Toronto with Progress: an International Festival of Performance and Ideas, January 14–February 7, 2016.
MONOMYTHS invites a diverse collection of artists, scholars, and activists to revise Joseph Campbell’s conception of the hero’s journey through performance art, lectures, workshops, and other offerings. This new assemblage of non-linear un-narratives proposes a cultural, political and social feminist re-visioning of the world. The MONOMYTHS perception of the universal journey dispels the notion of the lone patriarchal figure on a conquest to vanquish his demons–both inner and outer–in consideration of community, collectivity, and collaboration.
Joseph Campbell’s influential book, The Hero with a Thousand Faces (1949) prescribes a common pattern to all of the world’s mythic narratives. According to this fundamental structure, the archetypal hero is challenged to embark on a monumental quest. Over the course of the hero’s journey, trials and obstacles must be overcome until a victory is won and the hero returns home with new knowledge about himself and the world. Campbell’s concept of the monomyth (‘one myth’) is a recognizable motif in both ancient mythology and contemporary culture, including film, music, literature, sports, and advertising. A current trend in popular visual culture replaces the male character with a female one, in spite of the fact that our heroine–from the get-go–would make different choices if the conditions, and conditioning, allowed. While each MONOMYTHS stage stands alone, the work of each presenting artist is interdependent and connected. These independent visions, when stitched together through the audience’s collective presence, form an exquisite corpse of a larger experimental narrative.
The year-long MONOMYTHS project is presented in three sections starting in February 2016 and concluding in February 2017. The series is conceived and curated Jess Dobkin and Shannon Cochrane.
Part 1 (February 3–7, 2016)
Stage 1: The Ordinary World/Call to Adventure
Stage 2: Refusal of the Call
Stage 3: Meeting of the Mentor
Stage 4: Crossing the Threshold
Stage 5: Belly of the Whale
Part 2 (May 2016–January 2017)
Stage 6: Tests, Allies, Enemies
Stage 7: Ordeals
Stage 8: Atonement with the Father/State
Stage 9: Apotheosis/Journey to the Inmost Cave
Part 3 (February 15–19, 2017)
Stage 10: The Road Back
Stage 11: Refusal of the Return
Stage 12: Mistress of Two Worlds
Stage 13: Freedom to Live
Stage 14: The Return Home