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FADO E-LIST (September, 2003)
INDEX
1. Fado presents Gusztav Uto
Performance and talk, September 9, 2003
2. Fado update
3. CALL FOR PROPOSALS: "wade" (Toronto)
Deadline September 15, 2003; Source: Akimbo
4. CALL FOR SUBMISSIONS: "EXUF" exURBAN FESTIVAL 2004 (Croatia)
Deadline September 15, 2003; Source: BLOK
5. CALL FOR APPLICATIONS: "Eyebeam artist-in-residence program:" (New York, USA)
Deadline: September 15, 2003; Source: Franklin Furnace
6. CALL FOR SUBMISSIONS: "Nourritures (Food)" esse arts + opinions numéro 50 (Montreal)
Deadline: September 15, 2003; Source: esse arts + opinions
7. CALL FOR SUBMISSIONS: "PERSONALITIES, ART, AND WORLD OF THE THIRD KIND" Artpool (Hungary)
Deadline: September 30, 2003; Source: Artpool Art Research center
8. Seeking information on Canadian interdisciplinary artists
Deadline: September 30, 2003; Source: Popstart
9. CALL FOR SUBMISSIONS: "INPORT" video-performance festival (Estonia)
Deadline: October 5, 2003; Source: IAPAO
10. CALL FOR SUBMISSIONS: "eBent'03"International Performance Art Festival of Barcelona (Spain)
Deadline: October 30, 2003; Source: club8
11. e-letter from the Canada Council, Inter-Arts Office (Canada)
12. "Walking Woman 2003" (Vancouver & Richmond, BC)
September 20, 2003; Source: Margaret Dragu
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1. Fado presents Gusztav Uto
Performance, video screening and talk, September 9, 2003
VISA TRAUMA -- Gusztav Uto
September 9, 2003, 7:30 pm
presented in collaboration with BLANK SLATE
Implant
58 Wade Ave, Unit 12
PWYC
TORONTO, Canada ... Fado, working in collaboration with Blank Slate, is pleased to present a performance, video screening and talk by Gusztav Uto, one of Romania's foremost performance artists. This will be the final work in VISA TRAUMA, a series of four actions undertaken by the artist during his visit to Canada (previous actions in Chicoutimi, Montreal and Quebec City, August 2003).
Gusztav Uto presents performance actions combining political and poetic impulses that respond to current and local situations. VISA TRAUMA comes out of the circumstances under which Uto finds himself in Canada. Originally invited to perform as part of SYLVA, a collective of Transylvanian artists formed for this tour, Uto found himself alone after his 5 companions were denied visas by the Canadian embassy in Bucharest. Consequently, these performances speak to this unexpected absence of his colleagues and of the difficulties of communicating across cultural, geographic and administrative borders.
After his performance, Uto will show some video documentation of the ANNART festival in Romania and engage in a discussion with the audience about how art is valued in Romania vs Canada.
This event is presented in collaboration with BLANK SLATE, a new Toronto forum for discussions, critical talks, conferences, workshops and interdisciplinary events blending together science, technology philosophy, politics and art. Fado wishes to acknowledge Le Lieu (Quebec) and Richard Martel for arranging Gusztav Uto's visit to Canada.
About Gusztav Uto
Gusztav Uto is a performance artist who has been making performance actions for many years, presenting his work throughout Europe, Asia and North America. He appeared in Toronto in 1996 as part of Fado's Rencontre Performance festival (in collaboration with Le Lieu). An artist of Hungarian background, he lives in Transylvania (Romania). Uto also worked throughout the 1990s as the organizer of the ANNART festival, an international outdoor performance art festival around a volcanic lake. During this period it was considered one of the most important performance meeting places in Eastern Europe, but lack of funds has made it impossible to produce the festival in recent years.
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2. Fado update
We launch into a busy fall season, beginning with a special guest appearance by Romanian artist Gusztaf Uto. Performance Art Curator Paul Couillard invited Uto to perform after discovering that Uto would be spending a week in Toronto in early September. The two were in contact in August while both were performing at the TraficART Festival in Chicoutimi, Quebec, presented by Séquence Arts Visuels et Médiatiques .
Following this special added presentation, Fado's regualr fall programming begins September 18 -21 with FIVE HOLES: reminiSCENT series. Co-curated by Jim Drobnick and Paul Couillard, the series will feature performances based on smell by Millie Chen and Evelyn Von Michalofski, Shawna Dempsey and Lorri Millan, Cheli Nighttraveller, Helen Paris and Leslie Hill (with guest artist Lois Weaver), and Clara Ursitti. An email with details will be sent out soon, but in the meantime, you can find information about the project on our webstie. Other fall events include Irma Optimist and Pekka Luhta from Finland, who will be presented in Toronto at the TRANZ < - - - > TECH Festival and in Hamilton at the Art Gallery of Hamilton as part of sevenseason (October), as well as Boris Nieslony from Germany (November).
Pessi Parviainen from the Turku Art Academy, in Turku, Finland arrived in early August, and has been digitizing Fado's archives. Expect to see a great deal of archival information, much of it visual, appear on the website in the next few months. Pessi will also be providing technical support for upcoming Fado events until his departure in November.
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3. CALL FOR PROPOSALS: "wade" (Toronto)
Deadline September 15, 2003; Source: Akimbo
Sculpture, performance, theatre, dance, music, installation, interdisciplinary.
wade invites you to create a temporary project for a wading pool in Toronto on the theme of immersive environments.
<http://www.teamproject.ca/wade>www.teamproject.ca/wade for full information.
Queries: <mailto:wade@teamproject.ca>wade@teamproject.ca
the wade collective is:
Christie Pearson: an installation artist and architect whose work revolves around research in world traditions of the public bath.
Sandra Rechico: a visual artist whose work has been exhibited across Canada and abroad.
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4. CALL FOR SUBMISSIONS: "EXUF" exURBAN FESTIVAL 2004 (Croatia)
Deadline September 15, 2003; Source: BLOK
Local Base for Culture Refreshment [BLOK]
Zagreb, Croatia
EXUF is a project with basic tendency to infiltrate art into urban life and intensify communication between inhabitants with their city and its infrastructure.
One of the results of industrialisation process and increasing urbanisation is the construction of one’s “free time” – primarily as the opposition to working time. This firm and mostly unquestionable dichotomy actually hides the fact that, seen from the point of view of fluctuating capital, free time is a unique field. Especially in urban life it is quite planned, controlled and rather tradable. Considering we live in the time of production and consumption of cultural and symbolical goods free time offers the broadest space for consumerism. Who controls our free time? Who makes money on it? In which way cultural – artistic field functions as a market, as a place where goods and “additional values” are produced? What are public spaces and in which way do they function? What about privatised public spaces?
If it became as the consequence of striving for safety and order or escaping from the unpredictable nature, the city has managed to create a paradoxical construction of free time placing it under control. Therefore we are interested in artistic works that deal with the way in which everyday life is structured, rethink free and working time relation and free time annulation, consider the relation between private and public and also specific places of production / consumption of pleasure, fun, leisure or are interested in controlling and segmenting the everyday life.
Since Urban Festival does not want to be the manifestation trading the projects offered at the world market of art and deprived of any socio-cultural context, but the means of probing Zagreb urban context / life, this year we have decided to give up on the three – part festival form. It will be substituted with weekend happenings through one month of “urboscopia”, which refers to four weekends in May (7 – 9 May, 14 – 16 May, 21 – 23 May, 28 – 30 May). Once more we are trying to destruct classical festival form and following that have decided to change the name of this manifestation: EXUF, meaning Ex Urban Festival
APPLYING
Deadline: 15 September 2003
You will be notified about the results by 15 December 2003.
Applications should be sent by e-mail exclusively, while all the extra material should be sent by post.
urbanfestival@urbanfestival.hr
www.urbanfestival.hr
Phone: ++ 385 (0)1 48 56 400
Fax: ++ 385 (0)1 48 55 729
Mobile: ++ 385 (0)91 797 48 43
BLOK
Urban festival
Dobroniçeva 16
HR - 10 000 Zagreb
Croatia
APPLICATION FORM
Name of the project:
Applied by (individual, organisation, group):
Contact person:
Address:
Phone:
Fax:
E-mail:
Web:
Short description of the project concept:
Detailed description of the project realisation (precise and clear). How does the project look like / how is it planned to look?
Technical list – detailed list of all the equipment necessary for the realisation of the project:
Budget – detailed explication of all costs and financial sources:
Cost description: Amount: Financial source:
TOTAL
Extra material:
If the project has already been realised, send us the documentation (video, audio, slides, photo, CD-ROM, floppy (PC formatted), press clipping, etc.).
If the project applied is new or in progress, send us the documentation of one of your previous projects.
Elaborate description of the project can be sent if you consider it necessary.
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5. CALL FOR APPLICATIONS: "Eyebeam artist-in-residence program:" (New York, USA)
Deadline: September 15, 2003; Source: Franklin Furnace
Eyebeam is pleased to announce an open call for the Fall 2003 round of its Artists in Residence (AIR) program. Participants in Eyebeam's AIR program develop multidisciplinary work that ranges from moving image, sound and physical computing works, to technical prototypes, performances, workshops, and public interventions. Residents receive 24/7 studio access, an honorarium, access to cutting-edge tools, expert technical support from Eyebeam staff, production help from apprentices and the option to show work at Eyebeam.
The residencies will begin in early October 2003.
Applications Due
When: Monday September 15, 2003
Where :Eyebeam's Administrative Offices
45 Main Street, 12th Floor
Brooklyn, NY 11201
For an application, instructions, and further information on the artists in residence program please visit http://www.eyebeam.org/artists/index.html
Eyebeam is a not-for-profit new media arts organization established to provide access, education, and support for students, artists, and the general public in the field of art and technology.
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6. CALL FOR SUBMISSIONS: "Nourritures (Food)" esse arts + opinions numéro 50 (Montreal)
Deadline: September 15, 2003; Source: esse arts + opinions
esse arts + opinions invites authors to submit articles for the next issue on the theme of Nourritures (Food) (number 50, to be released in December 2003).
Many social, esthetic, economic and ethical issues revolve around the idea of "food" (ie : all that physically feeds us), which we would like to see developed as much from an artistic perspective as from a social standpoint (and indeed, where the two thrusts may intersect).
As a potential influence on social conventions -- whether rooted in ancient traditions or emerging out of constantly evolving societies -- food continues to find itself at the heart of many debates. Contributing to a societal, cultural and environmental evolution, how may this eventually transform our relationship to our reality? Food as revelatory barometer of social practices, attitudes, and resistance becomes a territory where psychological behaviours become apparent (catharsis, excess, deprivation, etc.).
Whether it's a question of the redistribution of goods, recycling, scavenging or the development of micro-economies within an increasingly globalized planet (where corporate interests control almost all manner of production and marketing of the world's food supply), this feature aims to expose such diverse practices that underline the theme of "Food" Desire, preoccupation with personal representation, battling for the control of means of production, corporeal processing of goods, economic diversity, nutrition, agriculture ú all are potential areas of research, and routes for exploration.
The deadline for receiving submissions is September 15, 2003. Articles should should be between 4 and 10 sheets, for a total of 1000 - 2500 words. Send articles by email as a Word or RTF document to revue@esse.ca
Please indicate your name, postal address, email address and telephone number on the cover page of your submission.
Articles will be read and evaluated by the editorial committee of esse magazine.
For more information please contact Sylvette Babin at s.babin@esse.ca
For more information about esse magazine, please visit our website at <http://www.esse.ca>http://www.esse.ca
APPEL DE TEXTES
Dans le cadre de son prochain dossier (no 50, parution décembre 2003), la revue esse arts + opinions invite les auteurs à se pencher sur le thème des Nourritures.
Les nourritures terrestres sont au centre de ce dossier. Plusieurs enjeux sociaux, esthétiques, économiques et éthiques que nous voulons voir développés tant sur le plan de l&Mac226;art que sur celui de la société en général, deux territoires qui évidemment ne s&Mac226;excluent pas l&Mac226;un l&Mac226;autre. La nourriture se retrouve au c&Mac254;ur de la redéfinition de pratiques sociales et de comportements qui induisent de nouveaux rapports au réel dans les économies libidinales ou artistiques.
Rencontres, résistance, attitudes spécifiques ou comportements psychologiques manifestes (catharsis, excès, privation, etc.) procédés au sein de rituels sacrés, autant de dimensions qui demandent examen.
Qu&Mac226;il soit question de la redistribution de denrées, de récupération, de glanage ou encore de développement de microéconomies sur une planète en cours de mondialisation, et où les consortiums et les nébuleuses contrôlent toutes les opérations de production comme de mise en marché de la nourriture, ce dossier cherche à exposer les pratiques diverses que soulève le thème Nourritures. Convoitise, esthétique de la présentation, lutte pour le contrôle des moyens de production, filtrage par le corps des denrées, diversité économique, nutrition, agro-alimentaire : chacun de ces axes peut être abordé par les auteurs. La nourriture est à considérer comme moyen d&Mac226;échange, comme lieu de rapports de force entre les producteurs, les consommateurs et les compagnies qui détiennent les moyens de production.
La date limite pour la réception des textes est le 15 septembre 2003 (textes entre 4 et 10 feuillets [1 000 à 2 500 mots]). Les documents peuvent être envoyés par courriel en format Word ou rtf à revue@esse.ca. Toutes les propositions seront soumises au comité de rédaction. Un délai de 6 semaines est réservé pour la sélection des textes.
Pour plus de renseignements, contactez Sylvette Babin à s.babin@esse.ca
Pour mieux connaître la revue, visitez notre site au www.esse.ca
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7. CALL FOR SUBMISSIONS: "PERSONALITIES, ART, AND WORLD OF THE THIRD KIND" Artpool (Hungary)
Deadline: September 30, 2003; Source: Artpool Art Research center
PERSONALITIES, ART, AND WORLD OF THE THIRD KIND
an international exhibition event organized by Artpool Art Research Center
7 - 21 November - 2003 - Artpool P60
(Budapest. VI., Paulay Ede utca 60.)
deadline for participation: 30 September 2003.
invitation at:
<http://www.artpool.hu/harmas/oszi/invitation.html>http://www.artpool.hu/harmas/oszi/invitation.html
web documentation of the year 2002 project
PARALLEL REALITIES
5+1=2
at:
<http://www.artpool.hu/ketseg/5+1=2/002.html>http://www.artpool.hu/ketseg/5+1=2/002.html
thank you for your participation
Artpool Art Research center
<http://www.artpool.hu>http://www.artpool.hu
Budapest VI., Liszt Ferenc ter 10.
tel.: +36-1-2680114, fax: +36-1-3210833
Postacim: 1277 Budapest 23, Pf. 52
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8. Seeking information on Canadian interdisciplinary artists
Deadline: September 30, 2003; Source: Popstart
Three interdisciplinary art companies (Bluemouth Inc from Toronto, Vancouverís Radix Theatre and Les Productions Nathalie Derome from Montreal) met at Torontoís Free Fall Festival in October 2002. We were inspired by each otherís work and stimulated by the opportunity to meet other artists classified as ìinterdisciplinary,î and concluded that there exists a real need for a pan-Canadian interdisciplinary artistís network, in order to share ideas, approaches and information regarding our work. And so, Popstart was born.
With Popstart we wish to start a swell of popular support for interdisciplinary art. It is necessary and urgent for artists to organize themselves and to exchange information regarding their artistic practice, as well as the problems and challenges of production and dissemination of interdisciplinary creation, which resemble each other from one end of the country to the other. We dream that this too big country of ours finally becomes navigable for interdisciplinary creation.
Thanks to a grant from the Canada Council for the Arts, we are building a website. In it, we would like to include as many interdisciplinary artists, production companies and artist-run-centres interested in this sector, as possible. We invite you to become a part of our network, and to have the opportunity to promote your work on the Popstart website.
Each organization or individual will have one page and the possibility of a link to their own website, if one exists. If you are interested in participating, we ask that you please send us one photograph to represent you as well as a one-page summary of your work and/or that of your organization ñ in both English and French if possible. Unfortunately, we cannot afford the costs of translation, and prefer to leave you the delicate task of translating your text, in order to ensure its integrity. We ask that you send us this material by September 30th, 2003. Please also do not hesitate to pass this call for submissions along to other artists, who may not be included in our mailing list.
You can contact me for any further information regarding the Pop Start project, by e-mail or by phone. My home base is in Montreal at Les Productions Nathalie Derome. I look forward to hearing from you.
Caroline K¸nzle
Coordonatrice Popstart Coordinator
(514) 529-4000
popstartpop@yahoo.ca
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9. CALL FOR SUBMISSIONS: "INPORT" video-performance festival (Estonia)
Deadline: October 5, 2003; Source: IAPAO
You are invited to take part in INPORT, video-performance and video documentary Festival, in Tallinn, Estonia on the 29. November 2003.
Performance artists all around the world are invited to submit proposals for festival in the following categories:
Video-performance (performances made specally for camera)
Video documentary (video documentations of performances)
Formats accepted: VHS (PAL only), miniDV (PAL only), VCD, DVD
There's no limit of length, but please don&Mac226;t send the masters! There are no official entry forms or entry fees!
Enclosed with the video/videos you must send the following:
Performance artist or group name
Performance title
Performance concept
Performance date, venue, Festival or event where it was first performed
Brief resume of the performance artist
Contact info (e-mail, postal address, etc.)
Deadline: 05.October 2003
No materials will not to be returned, but will be kept in the Festival archive!
Send all materials to:
Gert Hatsukov
Pikk 4-11
Paide
Estonia
All deliveries from international participants must be marked:
"NO COMMERCIAL VALUE &Mac246; FOR CULTURAL PURPOSES ONLY"
If you have any questions, please contact: hatsukovg@art.tartu.ee
With best,
Gert Hatsukov (Festival organizer)
List-Id: International Association of Performance Art Organizers
<apao.smufsa.nu>
List-Unsubscribe: <http://mailman.smufsa.nu/mailman/listinfo/apao>,
<mailto:apao-request@smufsa.nu?subject=unsubscribe>
List-Archive: <http://mailman.smufsa.nu/pipermail/apao>
List-Post: <mailto:apao@smufsa.nu>
List-Help: <mailto:apao-request@smufsa.nu?subject=help>
List-Subscribe: <http://mailman.smufsa.nu/mailman/listinfo/apao>,
<mailto:apao-request@smufsa.nu?subject=subscribe>
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10. CALL FOR SUBMISSIONS: "eBent'03"International Performance Art Festival of Barcelona (Spain)
Deadline: October 30, 2003; Source: club8
eBent'03
(3rd International Performance Art Festival of Barcelona)
Barcelona, December 4 to 13, 2003
club8, difusi&Mac247; de la performance is an independent collective of performance
artists organising eBent'03, a yearly performance art festival in Barcelona,
this year reaching its third edition.
eBent'03 wants to open a space for practice, debate and documentation and
research in performance.
Video performances call.
We understand as video-performances all works in performance art directly
conceived for video with a close relationship between performance and the
video language.
Video-documentary call.
In this section are included all videos considered as a performance
documentation of any artist, or performance events.
All received videos, after curatorial revision, will be screened at C.C.C.B.
(Centro de Cultura Contempor&Mac189;nea de Barcelona) during the festival. Within
the festival, there are two video show sections: the first consists in a
screening of a selection of video tapes received; the second is a section of
video-on-demand, where the festival audience can screen any tape from
club8's video archive. All received videos will remain as part of club8
video archive, and they will also be used for the selection of festival
participants for the next editions.
VHS format preferred, any video system accepted (PAL, NTSC)
Send videos to:
club8, difusi&Mac247; de la performance
Apdo. Correos 22193.
08080 Barcelona
SPAIN
Please include:
Performance artist name and short bio
Performance name
Date and place (with the exception of performances done directly for video)
Contact Address
e-mail, web site, etc.
Deadline for videos: October 30th, 2003
Please contact club8 in:
<mailto:club8performance@yahoo.es>club8performance@yahoo.es
<http://www.telefonica.net/web/club8>http://www.telefonica.net/web/club8
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11. e-letter from the Canada Council, Inter-Arts Office (Canada)
NB : La version française suit la version anglaise.
August 8, 2003
Please circulate
This newsletter is addressed to prospective applicants to the
Inter-Arts Program and to arts organizations with a history in the creation
and/or dissemination of performance art, interdisciplinary work and/or new
artistic practices including artists and community collaborations.
1. Next deadline of the Inter-Arts Program: 15 November 2003
Application Forms and Guidelines for the 15 November 2003
competition of the Inter-Arts Program will be available in early September
2003. Please note that the Inter-Arts Program now includes increased support
for inter-arts festivals and dissemination series grants. To help determine
project eligiblity, see the Guide to Determining Eligibility in the Canada
Council Inter-Arts Program
(http://www.canadacouncil.ca/grants/interarts/guide-e.asp)
2. Off the Radar: Initiatives in Critical Thinking
Off the Radar: Initiatives in Critical Thinking is a new component
of the Inter-Arts program (launched in April 2003) that provides
dissemination grants to enterprising Canadian non-profit arts organizations
and artists' collectives. This grant enables an organization to invite a
facilitator to lead a public discussion about an issue of importance to the
development of critical thinking in performance art, interdisciplinary work
and/or new artistic practices, including artists and community collaboration
activities. The funded activity (workshop, panel discussion, conference,
forum, symposium, etc.) can be a stand-alone event or part of a larger
event. Grants are available up to a value of $5,000. Applications may be
submitted anytime between 1 April 2003 and 31 March 2004 (there is no fixed
deadline for this grant). Events may take place between 1 June 2003 and 31
December 2004 only. The guidelines and application form, as well as examples
of funded projects as they become available, are available from the
Inter-Arts Office or can be downloaded from the Canada Council Web site at
the following location:
www.canadacouncil.ca/grants/interarts/pdf/iag05-e.pdf.
3. Artists and Community Collaboration Fund (ACCF)
The Artists and Community Collaboration Fund (ACCF) is a two-year
investment (2002-2004) that increases the Canada Council for the Arts'
commitment to the diverse artistic activities that bring together
professional artists and the broader community and that give the arts a
stronger presence in everyday life. Artists and community collaboration is
an arts process that actively involves the work of professional artists and
non-arts community members in creative and collaborative relationships. This
fund is delivered through participating programs in all sections of the
Council, including the Inter-Arts Program. For more information, see
http://www.canadacouncil.ca/grants/accf01-e.asp.
4. Peer Assessor and Advisory Committee Nomination
Artists and arts organisations are invited to nominate candidates to
be considered as a peer assessor or an advisory committee member for the
Inter-Arts Program. Please send a CV (résumé) of the candidate with a letter
of introduction to the address below.
5. Research document on funding trends in the Inter-Arts Office
Summary of Funding to the Inter-Arts Office, 1999-2002: A Four-Year
Statistical Overview will be available in the fall of 2003 at
http://www.canadacouncil.ca/artsinfo/research/.
6. For more information
For more information on the program, consult the Guide to
Determining Eligibility in the Canada Council Inter-Arts Program
(http://www.canadacouncil.ca/grants/interarts/guide-e.asp) or contact Claude
Schryer, Inter-Arts Office Coordinator, toll-free at 1-800-263-5588, ext.
4204 or at (613) 566-4414, ext. 4204 or by e-mail at
claude.schryer@canadacouncil.ca. To receive an application form, call
1-800-263-5588, ext. 4062 or (613) 566-4414, ext. 4062 or visit our Web site
at http://www.canadacouncil.ca/grants/interarts/.
Hearing-impaired callers with a TTY machine can contact the Canada
Council at (613) 565-5194.
Claude Schryer
Inter-Arts Office Coordinator
Canada Council for the Arts
1 800 263 5588 X 4204
http://www.canadacouncil.ca/grants/interarts/
The Inter-Arts Office (IAO) serves as a catalyst: it analyses
issues, develops strategies, manages creation and dissemination programs and
encourages dialogue about multidisciplinary arts, interdisciplinary arts and
new artistic practices.
****************************************************************************
************
Courriel du Bureau Inter-arts, Conseil des Arts du Canada
Le 8 août 2003
Pour diffusion
Ce bulletin s'adresse aux candidats potentiels au Programme
Inter-arts et aux organismes artistiques qui présente des antécédents en
création ou en diffusion d'oeuvres de performance, interdisciplinaires ou
issues des nouvelles pratiques artistiques, incluant les collaborations
entre les artistes et la communauté.
1. Prochaine date limite du Programme Inter-arts : 15 novembre 2003
Les formulaires de demandes et les lignes directrices relatifs au
concours se terminant le 15 novembre 2003 dans le cadre du programme
Inter-arts seront disponibles au début de septembre 2003. Veuillez noter que
le Programme Inter-arts propose maintenant un soutien accru aux festivals
ainsi que des subventions de diffusion inter-arts. Pour obtenir plus de
renseignements sur l'admissibilité d'un projet, consultez le Guide pour
déterminer l'admissibilité au Programme Inter-arts du Conseil des Arts du
Canada à l'adresse
http://www.conseildesarts.ca/subventions/interarts/guide-f.asp).
2. Pensée critique : nouveaux courants
Le nouveau volet du Programme Inter-arts, Pensée critique : nouveaux
courants, (lancé en avril 2003) offre des subventions de diffusion aux
collectifs d'artistes et aux organismes artistiques canadiens à but non
lucratif, afin de permettre à un organisme d'inviter un animateur à diriger
un débat public sur une question importante pour le développement de la
pensée critique dans les domaines de la performance, de
l'interdisciplinarité et/ou des nouvelles pratiques artistiques, y compris
les activités de collaboration entre les artistes et la communauté.
L'activité subventionnée (atelier, table ronde, conférence, forum,
symposium, etc.) peut être un événement indépendant ou s'inscrire dans un
événement plus vaste. Le montant des subventions peut atteindre 5 000 $.
Les demandes pourront être soumises en tout temps entre le 1er avril 2003 et
le 31 mars 2004 (aucune date limite n'étant fixée) pour les événements qui
se dérouleront entre le 1er juin 2003 et le 31 décembre 2004 uniquement. Les
lignes directrices et le formulaire de demande, y inclut des exemples de
projets déjà subventionnés (dès que possible), sont disponibles auprès du
Bureau Inter-arts ou peuvent être téléchargés du site Web du Conseil des
Arts, à l'adresse suivante :
www.conseildesarts.ca/subventions/interarts/pdf/iag05-f.pdf.
3. Fonds de collaboration entre les artistes et la communauté (FCAC)
Le Fonds de collaboration entre les artistes et la communauté
(FCAC), fonds attribué pour une durée de deux ans (2002-2004), renforce
l'engagement du Conseil des Arts du Canada envers les diverses activités
artistiques qui réunissent les artistes professionnels et la communauté en
général, et qui accordent aux arts plus d'importance dans la vie de tous les
jours. La collaboration entre les artistes et la communauté constitue un
processus artistique qui engage activement dans des relations de
collaboration et de création les artistes professionnels et les membres des
communautés autres qu'artistiques. Cet appui est offert par certains
programmes participants et ce, dans tous les Services du Conseil, dont le
Programme Inter-arts. Pour de plus amples renseignements consultez le site
Web, à l'adresse suivante :
http://www.conseildesarts.ca/subventions/accf01-f.asp.
4. Proposition de pairs évaluateurs et de membres des comités
consultatifs
Nous invitons les artistes et les organismes artistiques à nous
proposer la candidature de pairs évaluateurs ou de membres de comités
consultatifs pour le Programme Inter-arts. Veuillez nous faire parvenir un
curriculum vitae du candidat ainsi qu'une lettre de présentation à l'adresse
mentionnée ci-dessous.
5. Document de recherche sur les tendances en matière d'aide
financière au Bureau Inter-arts
Dès l'automne 2003, un sommaire de l'aide financière accordée au
Bureau Inter-arts de 1999 à 2002 (survol statistique) sera disponible sur le
site Web, à l'adresse suivante :
http://www.conseildesarts.ca/infoarts/recherche.
6. Renseignements additionnels
Pour obtenir plus de renseignements sur le programme, consultez le
Guide pour déterminer l'admissibilité au Programme Inter-arts du Conseil des
Arts du Canada à l'adresse
http://www.conseildesarts.ca/subventions/interarts/guide-f.asp) ou
communiquez avec Claude Schryer, coordonnateur du Bureau Inter-arts, au 1
800 263-5588 (sans frais), poste 4204 ou au (613) 566-4414, poste 4204, ou
par courriel, à claude.schryer@conseildesarts.ca. Pour recevoir un
formulaire de demande, composez le 1 800 263-5588, poste 4062 ou le (613)
566-4414, poste 4062 ou visitez notre site Web au
http://www.conseildesarts.ca/subventions/interarts.
Les malentendants qui utilisent un ATS peuvent communiquer avec le
Conseil des Arts en composant le (613) 565-5194.
Claude Schryer
Coordonnateur, Bureau Inter-arts
Conseil des Arts du Canada
1 800 263 5588 X 4204
http://www.conseildesarts.ca/subventions/interarts/
Le Bureau Inter-arts (BIA) sert de catalyseur en analysant des
questions, en élaborant des stratégies, en gérant des programmes de
subventions de création et de diffusion et en favorisant le dialogue sur les
arts multidisciplinaires, les arts interdisciplinaires et les nouvelles
pratiques artistiques.
-----------------------------------------------
12. "Walking Woman 2003" (Vancouver & Richmond, BC)
September 20, 2003; Source: Margaret Dragu
Walking Woman is a
parade + tour + fitness + ecological
+ all day audience-participatory
art event
Walking Woman is a rain-or-shine Walk'n'Roll event that is fun for everyone. If you can walk -- or even if you can roll -- with a baby stroller or wheelchair - you can have fun in the Walking Woman event.
Walking Woman is inspired by the work of Canada's most famous artist Michael Snow who created over 200 works using the silhouetted image of the Walking Woman, in two and three dimensions, culminating in 11 stainless steel sculptures for Expo 67.
Walking Woman is a unique tour created and lead by international performance artist Margaret Dragu who shares her fave Richmond spots. Walking Woman is a celebration of urban, suburban & commuter experiences from the perspective of the citizen on foot and with public transportation.
Before the event, be sure to pre-register via email to mdragu@city.richmond.bc.ca. Space is limited!
info: http://www.city.richmond.bc.ca/culture-heritage/artgallery/gallery_index.htm
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Fado is pleased to acknowledge the support of the Canada Council, the Ontario Arts Council, the City of Toronto through the Toronto Arts Council and the Department of Canadian Heritage for their sponsorship of our ongoing activities.
You have received this posting because your name is included on the email
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This list posts approximately twice a month with information of interest to
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