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FADO E-LIST (almost December 2003)
INDEX
1. Fado presents a GALA PERFORMANCE pARTy AND AUCTION
Saturday 29 November 2003
2. Fado CALL FOR PROPOSALS: FIVE HOLES: LISTEN! (Toronto)
Deadline: January 16, 2004
3. CALL FOR SUBMISSIONS: Centre d'art et de diffusion CLARK (Montreal)
Deadline December 20, 2003; Source: Centre d'art et de diffusion CLARK
4. CALL FOR SUBMISSIONS / Appel de dossiers: "DIS / LOCATION " DARE-DARE (Montreal)
Deadline January 16, 2004; Source: DARE-DARE
5. CALL FOR SUBMISSIONS: LA CHAMBRE BLANCHE Artist-in-Residence Programme (Quebec)
Deadline: February 27, 2004; Source: LA CHAMBRE BLANCHE
6. CALL FOR SUBMISSIONS: LA CHAMBRE BLANCHE Web Art Production Residencies (Quebec)
Deadline: February 27, 2004; Source: LA CHAMBRE BLANCHE
7. EVENT: The Boaters' Café (Toronto)
November 21 - December 7, 2003; Source: Akimbo
8. EVENT: ARTHappens 3 (Kingston)
November 26, 2003; Source: Clive Robertson <cr16@post.queensu.ca>
9. EVENT: Louise Liliefeldt Performance (Toronto)
November 27, 2003; Source: Art Gallery of York University
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1. Fado presents a GALA PERFORMANCE pARTy AND AUCTION
Saturday 29 November 2003
ADVANCE BIDDING
now open for items to be auctioned live at
Fado's GALA PERFORMANCE pARTy AND AUCTION
on Saturday 29 November 2003
The Gladstone Hotel, 1214 Queen Street West, Toronto
Doors at 8 pm, cover $10
Sponsored by CKLN 88.1 FM
A full list of auction items is now online at http://www.performanceart.ca/auction/items.html.
Advance bids can be sent by email to bids@performanceart.ca until 11:59 pm on 28 November 2003.
In this novel art auction, the suave Wayne Baerwaldt will auction performance objects and conceptual works TO BE PERFORMED ESPECIALLY FOR THE SUCCESSFUL BIDDERS by international art icons including Annie Sprinkle, Stelarc, Rirkrit Tiravanija, James Luna, AA Bronson, Rachel Rosenthal, and
Martha Wilson; by Canadian performance legends including Rebecca Belmore, Shawna Dempsey & Lorri Millan, Tanya Mars, Fastwürms, Margaret Dragu, and Daniel Olson; and by rising stars such as Sandy Plotnikoff, Alissa-Firth-Eagland & Zoe Stonyk, and Instant Coffee -- and many more.
Visit http://www.performanceart.ca/auction/items.html for the full list!
To get your party juices flowing, there will be live music by cougarrific hip-hop punk bitches STINK MITT, by the always-edgy SOOK-YIN LEE, and by cult fave BOB WISEMAN. Off-stage, integrated into the crowd, you'll encounter ambient performances by Johanna Householder, Louise Liliefeldt, Kelly Mark, Clive Robertson & Germaine Koh, and Dave Dyment.
Just a few performance items available for auction:
** AA BRONSON*HEALER, a private "healing session" for the winning bidder on the artist's premises in Toronto or New York, involving both conversation and an extended healing massage (sorry, ladies, this on'es for men only!)
** A work by RIRKRIT TIRAVANIJA involving a mysterious set of keys
** A Custom Beautification Package from the CITY BEAUTIFICATION ENSEMBLE, to help the successful bidder in his or her daily fight against the ill effects of grey-nausea
** A poetic mail exchange by REBECCA BELMORE
** DANIEL OLSON's private investigation of the bidder's cultural belongings
And a few performance-objects to be auctioned:
** JAMES LUNA's "Hot Medicine Bag"
** A hilarious video document of MARTHA WILSON as Barbara Bush
** FASTWüRMS' "Skull Sack"
** The obsessive "This Is Me" by CHANDRA BULUCOM
For more info, contact Fado at info@performanceart.ca, telephone (416) 822-3219, or visit our website http://www.performanceart.ca
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2. Fado CALL FOR PROPOSALS: FIVE HOLES: LISTEN! (Toronto)
Deadline: January 16, 2004
CALL FOR PROPOSALS: FIVE HOLES: LISTEN!
FIVE HOLES is an ongoing series examining the significance of the body and the senses. Fado invites artists to submit proposals for LISTEN!, the fourth installment in the series. We seek site-specific performance art projects that focus on the sense of hearing. Approximately seven proposals will be selected for an event to be held in the summer of 2004 in Toronto.
FIVE HOLES: LISTEN! will feature site-specific performance art projects that focus on the act of listening as a way to "place" oneself. This implies a privileging of the audience's experience -- how sound reveals the relationship between one's body and its surroundings -- over the performer's expressive use of sound.
In our culture, sound is most appreciated for its expressivity. Disciplines rooted in sound -- music and spoken language -- place an enormous focus on this particular quality, developing and presenting structures that explore or exploit sound's emotive and expressive nature. But sound as a sense also allows us to place ourselves in an environment. Many animals use sonar, for example, as a positioning mechanism. Inner ear problems can lead not only to hearing loss, but also to vertigo.
Bearing in mind that the FIVE HOLES series focuses on the nature and importance of our bodies (performer and audience) in performance art, the title of this installment recognizes "listening" as a loaded physical act. The term is often used as a powerful metaphor for an active process of seeking spiritual attunement, or for taking stock of one's place in the world. Pauline Oliveros writes, "Listening is noticing and directing attention and interpreting what is heard ... noticing and directing the interaction and relationships of sounds and modes of attention. We hear in order to listen. We listen in order to interpret ourselves and our world and to experience meaning." Curator Paul Couillard is particularly interested in projects that take an adventurous, innovative approach to the act of listening.
Please include 1-page proposal, c.v., and documentation of previous work [slides, NTSC video, CD-ROMs, URLs, etc.]. Press material optional. Only submissions with self-addressed stamped envelope or sufficient funds to cover shipping and packaging will be returned.
Deadline: January 16, 2004
Send proposals to:
Fado
273-B Carlton St.
Toronto, ON
Canada M5A 2L4
info@performanceart.ca
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3. CALL FOR SUBMISSIONS: Centre d'art et de diffusion CLARK (Montreal)
Deadline December 20, 2003; Source: Centre d'art et de diffusion CLARK
Centre d'art et de diffusion CLARK is currently seeking proposals from artists, collectives, curators and programmers for its' 2004 / 2005 programming.
Residency projects are also accepted for the same period.
Deadline : December 20, 2003
- Visual documentation: 15 to 20 clearly identified slides and/or video documentation (NTSC), CD-Roms, DVDs, soundtracks or any other visual document that may serve in assessing your proposal
- A descriptive list of your visual documentation
- A 2-page text (500 word maximum) outlining your artistic concerns and describing your project
- A curriculum vitæ
- A press kit (if any)
- A SASE for the return of your material
For further informations, please visit our web site http://www.clarkplaza.org
click ENGLISH then PROJECT SUBMISSION and TECHNICAL DATA
Responses will be transmitted by mail in Spring 2004.
Appel de dossier
Le Centre d'art et de diffusion CLARK recherche des propositions d'artistes, de collectifs, de commissaires, de programmateurs pour sa programmation 2004 / 2005.
Les demandes de résidence d'artistes seront également prises en compte pour la même période.
Date de tombée : 20 décembre 2003
- De 15 à 20 diapositives clairement identifiées et/ou document vidéographique (NTSC), CD/DVD-ROM, bande sonore sur CD ou tout autre document ou lien Internet utile à l'analyse du dossier
- Une liste descriptive des documents visuels et d'accompagnement
- Un texte de 2 pages maximum (500 mots) comprenant un exposé des orientations artistiques et une description du projet
- Un curriculum vitæ
- Un dossier de presse (s'il y a lieu)
- Une enveloppe affranchie pour le retour du dossier
Pour informations supplémentaires, SVP, visitez notre site web http://www.clarkplaza.org
clquez sur SOUMISSION DE PROJET et DONNÉES TECHNIQUES
Les réponses seront transmises par la poste au printemps 2004
Le Centre d'art et de diffusion CLARK
THE FASHION PLAZA
5455, av. De Gaspé, suite 114
Montréal, Québec, H2T 3B3, Canada
Métro Laurier
Ouvert du mardi au samedi de 12 à 17h
(514) 288-4972
clark@cam.org
www.clarkplaza.org
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4. CALL FOR SUBMISSIONS / Appel de dossiers: "DIS / LOCATION " DARE-DARE (Montreal)
Deadline January 16, 2004; Source: DARE-DARE
2004-05 PROGRAMMING YEAR
DIS / LOCATION: projet d'articulation urbaine
DARE-DARE receives proposals of all kinds: public intervention, performance, manoeuvre, event, or of any other type. They may be of specific or of variable duration, or they may be repeated in time. The centre accepts proposals from artists, collectives and community associations concerned with the research brought forth with the Dis/location.
The centre seeks interdisciplinary projects imbedded in the social and physical realms of the city, its neighbourhoods, its public spaces, its commercial and residential areas, etc. Some projects may act upon or work with the temporary shelter and its lot.
Your submission should include:
A brief text (approx. 250 words) describing your projet, a résumé, a text on your artistic practice, ten slides (numbered) with a descriptive list, audio/video tape (ntsc), DVD, CD-Rom, and any other document essential to the comprehension of your proposal, a stamped, self-addressed envelope for the return of your documentation. The centre does not accept submissions by email or fax.
Mandate:
DARE-DARE, centre de diffusion d'art multidisciplinaire de Montréal supports research and values emerging practices. Its members are interested in the creation contexts and answer a need for exchange and collaboration.
DARE-DARE offers flexibility and openness and is devoted to research, experimentation, risk and critical inquiry. The artist-run centre shows a sustained interest in exploration and in a diversity of modes of presentation.
Context:
DARE-DARE is leaving its premises. The centre's office will move to a temporary shelter in Montréal, located on a vacant space or in an area with potential for unusual occupancy. A Dis/location is taking place.
The annual programming will revolve around the connexion between urbanity and artistic practice, between artists and citizens of a multi-levelled city. The projects presented will deal with the context and the reflexions proposed by the centre's Dis/location: What form do public spaces take? How does the artist interact with the individual and the collectivity?
460, Sainte-Catherine Street West >Space 505<
Montréal (Québec) H3B 1A7 Canada
t:514.878.1088 daredar@cam.org
http://www.cam.org/~daredar
PROGRAMMATION 2004-05
DIS / LOCATION: projet d'articulation urbaine
DATE LIMITE: le 16 janvier 2004
DARE-DARE reçoit des propositions de toute nature, tels des projets d'intervention publique, de performance, de manoeuvre, d'événement ou autre, qu'ils soient ponctuels, de durée variable, ou répétés dans le temps. Le centre accepte des dossiers d'artistes, de collectifs et d'associations communautaires en lien avec la recherche avancée par la Dis/location.
Le centre recherche des pratiques qui s'insèrent directement dans la trame physique et sociale de la ville. Le centre sollicite des projets interdisciplinaires qui impliquent une interaction avec le public et qui s'inscrivent dans les quartiers, les espaces publics, les zones commerciales et résidentielles, etc. Certains projets pourront également se développer spécifiquement autour de l'abri temporaire et du terrain qu'il occupe.
Votre dossier devrait comprendre:
Un court texte (environ 250 mots) décrivant votre projet, un curriculum vitæ, un texte sur votre démarche artistique, un maximum de dix diapositives numérotées et accompagnées d'une description, un maximum d'une bande audio/vidéo (ntsc), cédérom ou DVD, des plans, croquis ou tout autre document essentiel à la compréhension de votre projet, et une enveloppe pré-affranchie pour le retour des documents. Le centre n'accepte pas de dossiers par courriel ou par télécopieur.
Mandat:
DARE-DARE, centre de diffusion d'art multidisciplinaire de Montréal, soutient et valorise l'implication d'artistes aux pratiques émergentes. Ses membres s'intéressent aux contextes de création initiés par les artistes et répondent au besoin de travailler en dialogue, sous le mode de la rencontre, de l'échange, de la collaboration.
Ainsi, DARE-DARE devient un lieu flexible, ouvert, voué à la recherche et à l'éducation. Le centre d'artistes manifeste un intérêt soutenu pour l'exploration et la diversification des modes de présentation et de diffusion des oeuvres et des interventions artistiques.
Mise en situation:
DARE-DARE quitte ses locaux et déménage son bureau dans un abri temporaire placé sur un terrain inoccupé ou offrant un potentiel d'occupation inhabituelle à Montréal. Une Dis/location s'opère.
La programmation annuelle sera axée sur les rapports entre urbanité et pratiques artistiques, entre artistes et citoyens d'une ville plurielle. Les projets acceptés traiteront du contexte de la Dis/location du centre et de la réflexion abordée: comment s'articulent les lieux d'interactions publiques? comment l'artiste interagit-il avec l'individu et la collectivité?
460, rue Sainte-Catherine Ouest >Espace 505<
Montréal (Québec) H3B 1A7 Canada
t:514.878.1088 daredar@cam.org
http://www.cam.org/~daredar
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5. CALL FOR SUBMISSIONS: LA CHAMBRE BLANCHE Artist-in-Residence Programme (Quebec)
Deadline: February 27, 2004; Source: LA CHAMBRE BLANCHE
For Fall 2004 and Winter-Spring 2005
LA CHAMBRE BLANCHE is an artist-run centre devoted to experimentation with installations and in situ practices in visual arts. Its artist-in-residence programme offers not only a working and living space for artists, but also a space in which to experiment with the creative process. In our view a residency is an occasion for an artist to question the nature of the artistic process itself with regard to its development and its reception. It is a laboratory where artists are invited to work within the space of the gallery itself or beyond its walls.
LA CHAMBRE BLANCHE is particularly interested in work that, in the manner of works in progress, use time as a medium. Submitted projects must integrate installation and in situ practices. During the residency, the selected artist will be invited to create a unique and ephemeral piece, in the context of a true in vivo laboratory. The public will thus be invited to follow the creative process of each residency project.
The centre offers
• an in situ residency of six weeks
• lodging at LA CHAMBRE BLANCHE
• $ 1750 (CAN) artist fees
• technical assistance
• half of the transportation cost
• acces to a woodworking shop and a computer lab
• an essay in LA CHAMBRE BLANCHE’s publication.
The proposal must include
• a written description of the project proposed
• a resume (C.V.)
• an artist’s statement
• a portfolio of the artist’s work (slides, CD-ROMs, videos, etc.)
• a SASE to return documents, if desired.
Send your proposal to LA CHAMBRE BLANCHE before February 27th, 2004 with the mention
“Artist-in-Residence Programme” to the following address :
185, rue Christophe-Colomb Est, Québec (Québec) G1K 3S6 CANADA
or by e-mail at info@chambreblanche.qc.ca
Appel de propositions
Programme d’artiste en résidence
Saisons automne 2004 et hiver-printemps 2005
Date limite : 27 février 2004
LA CHAMBRE BLANCHE est un centre d’artistes voué à l’expérimentation des pratiques installatives et in situ en arts visuels. Son programme d’artiste en résidence offre non seulement un lieu de travail et de résidence pour les artistes, mais aussi un espace à investir par un processus de création. Une résidence, telle que nous la concevons, est une occasion offerte à un artiste de mettre en question la nature du travail artistique lui-même quant à son émergence et à sa réception. C’est un laboratoire où des artistes sont invités à travailler soit dans l’espace même du centre ou hors les murs.
LA CHAMBRE BLANCHE s’intéresse tout particulièrement aux oeuvres qui, à la manière des work in progress, utilisent le temps comme médium. Les projets soumis doivent intégrer les pratiques installatives et l’approche in situ. Pendant sa résidence, l’artiste sélectionné est invité à créer une oeuvre unique, éphémère, dans le contexte d’un véritable laboratoire in vivo. En effet, le public est convié à assister au processus de réalisation de chaque projet en résidence.
Le centre offre aux artistes
• une résidence in situ de six semaines
• un logement à LA CHAMBRE BLANCHE
• des droits de 1750 $CAN
• une aide technique
• la moitié des frais de transport de l'artiste
• l’accès à un atelier pour le travail du bois et à un laboratoire informatique
• un texte critique dans la publication annuelle de LA CHAMBRE BLANCHE.
La proposition doit comprendre
• une proposition de projet
• un curriculum vitæ à jour
• un texte décrivant la démarche artistique de l’artiste
• une documentation visuelle couvrant trois années de recherche (diapositives, cédérom, vidéo, etc.)
• une enveloppe de retour pré-affranchie
(timbres canadiens ou coupons-réponses internationaux) sans quoi le dossier sera conservé.
Envoyez votre proposition à LA CHAMBRE BLANCHE avant le 27 février 2004 avec la mention
« Programme d’artiste en résidence » à l’adresse suivante :
185, rue Christophe-Colomb Est, Québec (Québec) G1K 3S6 CANADA
ou par courriel à info@chambreblanche.qc.ca
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6. CALL FOR SUBMISSIONS: LA CHAMBRE BLANCHE Web Art Production Residencies (Quebec)
Deadline: February 27, 2004; Source: LA CHAMBRE BLANCHE
For August 2004 - June 2005
Web art production residencies proposed by LA CHAMBRE BLANCHE since 2001 are open to visual artists as well as media artists, with or without web art experience.
Take over the internet
LA CHAMBRE BLANCHE is looking for projects that explore web media possibilities, such as interactivity, hypertext, sound experiment, image treatment... Projects interested in developing plastic applications of the web are also welcome.
We offer:
• six week access to a Mac-based computer lab (G4) • technical assistance • $500 artist fees • presentation of the final work on our website for six months • lodging • an essay in our annual publication.
Proposal may be submitted by mail or e-mail and must include:
• a written description of the proposed project • a portfolio of the artist’s work (slides, CD-roms, video, URL, etc.) • an artist’s statement • a résumé (C.V.) • a SASE to return documents, if desired.
LA CHAMBRE BLANCHE
185, rue Christophe-Colomb Est, Québec (Québec) G1K 3S6 CANADA
or by e-mail at info@chambreblanche.qc.ca
Appel de propositions
Résidences de production sur le Web
Août 2004 - Juin 2005
Date limite : 27 février 2004
LA CHAMBRE BLANCHE propose aux artistes des résidences de production en art Web depuis 2001. Le programme de résidence de production est ouvert aux artistes tant en arts visuels qu’en arts médiatiques, avec ou sans expérience du médium Web.
Concevoir le cyberespace comme un lieu à investir
LA CHAMBRE BLANCHE s’intéresse aux projets qui visent une exploration des diverses possibilités du médium, telles que l’interacti-vité, l’hypertexte, l’exploration sonore, le traitement de l’image fixe ou en mouvement... Les projets qui cherchent à inscrire une démarche plastique dans le médium Web sont également bienvenus.
Le centre offre :
• l’accès pendant six semaines à un laboratoire informatique en environnement Mac, avec un poste G4 pour la réalisation du projet • une assistance technique personnalisée • des droits de 500 $ • la diffusion de l’oeuvre finale sur notre site Internet pendant six mois • le logement • un texte critique dans notre publication annuelle.
Les propositions peuvent se faire par la poste ou par courriel et doivent comprendre :
• un curriculum vitæ à jour • une documentation visuelle du travail de l’artiste (diapositives, cédérom, vidéo, lien URL, etc.) • un texte décrivant la démarche de l’artiste • un texte décrivant le projet • une enveloppe de retour dûment affranchie si nécessaire (sans quoi le dossier sera conservé).
LA CHAMBRE BLANCHE
185, rue Christophe-Colomb Est
Québec (Québec) G1K 3S6
info@chambreblanche.qc.ca
Jennifer Feschuk
Adjointe aux communications
T: (418) 529-2715 F: (418) 529-0048
www.chambreblanche.qc.ca
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7. EVENT: The Boaters' Café (Toronto)
November 21 - December 7, 2003; Source: Akimbo
En Burk & Allen Morgan
The Boaters' Café
87 Wade Ave. #305, Toronto
November 21 - December 7, 2003
En Burk and Allen Morgan will be opening their current Territory Landscape, entitled The Boaters' Café, for viewing from Nov 21 to Dec 7, 2003 at 87 Wade Ave. #305. (A Territory Landscape is a vision of the world as a harmonious, interconnected, fully-communicative place. There are infinite points of view, each one a different landscape, but the qualities of wholeness are always expressed.) This is the fourth in a series of site-specific installations at this location.
The Boaters' Café is a landscape situated between two worlds, with doorways into both. Visitors to the exhibition are given the option (recommended) to be blindfolded, and are guided down the hallway to one entrance, where the blindfold is removed. Then they can enter and experience the landscape at their leisure, moving through the space or taking a seat at one of the Café tables. Characters who commonly come and go through the other entrance, the one leading to and from the Territory, may at any time show up. The mingling of Café patrons and Territory characters creates the theatre of this place. For the next few years, The Boaters' Café will be the stage set for various plays enacted by The Territory Theatre Company. For now, though, you're welcome just to come and enjoy the atmosphere. The space is entirely lit with hanging candles. Perhaps you will be served tea. Or, if you step up to the Essence Bar, the bartender may mix you a personalized elixir. One never knows, but a visitor who enters through one door may leave through the other, into a world different from the one they knew before they arrived.
There are many in-progress pictures of The Boaters' Café on the website: <http://www.territory.org>www.territory.org There is also an extensive archives of past Territory Landscapes.
For more information, call 416-538-4003, or email <mailto:territory@territory.org>territory@territory.org
87 Wade Ave. #305
(near the Lansdowne subway - 1 block north of Bloor and 1 block west of Lansdowne)
Toronto, Ont. M6H 1P5
416-538-4003
Hours: Thursdays, Fridays, Saturdays 7-10 pm
(except there will be no showing on Saturday Nov 29)
Sundays 1-5 pm
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8. EVENT: ARTHappens 3 (Kingston)
November 26, 2003; Source: Clive Robertson <cr16@post.queensu.ca>
ARTHappens 3
PERFORMANCE ART
MODERN FUEL (Artist-Run Centre)
20a Queen St. Kingston
Ontario, Canada
613 548 4883
Wednesday November 26th, 7.00 pm
Jessie Bass-West
Traven Benner
Sarah Bury
Leilani dela Cruz
Andrea Doggett
Brett Dunlop
Dale Ebsary
Mary Finlayson
JR Hunter
Christine Kim
Marzenna Kubik
Sarah Massie
Erin Skalski
Shintaro Yamakawa
Produced by Clive Robertson with Julie Fiala and the support of the Department of Art, Queen’s University
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9. EVENT: Louise Liliefeldt Performance (Toronto)
November 27, 2003; Source: Art Gallery of York University
The Art Gallery of York University is pleased to present
a live performance by Louise Liliefeldt
with
Celina Carroll on berimbau
Leslie Peters on video
Thursday November 27th, 7pm
Vari Hall Rotunda
York University, 4700 Keele Street, Toronto
In conjunction with the exhibition
what It feels like for a girl
3 December 2003-1 February 2004
"Over the last ten years my work has been a series of endurance-based tableau.
I created performances where I push my body to a place where my mind must take
over and become responsible for the duration of one particular action (more
often than not in stasis). For the most part I was physically exhausted but
through the power of mind over matter the body held its place, literally. I had
the idea that my mind and body were working together but there came a time when
I realized they were not. I was more uncomfortable than I let on and in truth
preferred to be. I chose to be uncomfortable. It is a certain level of comfort
that I am looking for now and in this Untitled work at York University, I
produce a number of actions where the mind and body must work together.
Responsibility for both physical and psychological states is vital to realizing
who we are and so in a sense these actions are more honest. I've come to many
realizations in the recent past about who and what I am and the actions in this
work are manifestations of this awareness. This performance is about
psychological process realized through physical actions. They are metaphors for
how I feel and perhaps in some cases what makes me feel the way I do."
Louise Liliefeldt, November 2003
Louise Liliefeldt is a performance artist and painter based in Toronto. Her
performances have been presented across Canada as well as in the U.S., Poland,
Turkey, and Wales. Liliefeldt's work is predominately concerned with the
politics of identity especially as it intersects with issues of gender and
race. Other concerns include the cultural conventions of spectatorship and
the links between expanded emotional/psychological states and physical
experience. Her work is often presented in a public setting where she installs
herself and creates environments using self made-objects and sometimes video
projections. Louise Liliefldt has worked collectively with filmmaker Midi
Onodera, video and performance artist Istvan Kantor, curator and performance
artist Paul Couillard, painter Michael Caines, and sound recordist and
performance artist W.A. Davison. She is a co-founder and collective member of
7a*11d International Festival of Performance Art and a board member of Pleasure
Dome Film and Video.
Celina Carroll has been involved in diverse musical projects for the past 15
years. She has toured extensively as a lead singer and multi-instrumentalist
and was awarded Female Performer of the Year by the Toronto African Music
Association. Celina is currently co-owner of SeeWhySound Studios and performs
with Cameroonian dance band Njacko Backo.
Toronto based artist Leslie Peters has been actively working in video, multi-
channel installation, curating exhibitions and coordinating cultural events
since 1997. Her video works have shown internationally in the UK, France,
Germany, Egypt, Spain, Switzerland, Amsterdam, Poland, and throughout North
America.
what it feels like for a girl runs from 3 December 2003 - 1 February 2004 and
will open with a reception on Wednesday, December 3rd 2003 from 6 - 9 pm at the
Art Gallery of York University, 4700 Keele Street, North Ross Building Suite
N145, York University, Toronto.
For more information or transportation advice contact the agYU:
Tel: 416.736.5169
Fax: 416.736.5985
agyu@yorku.ca
www.yorku.ca/agyu
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Fado is pleased to acknowledge the support of the Canada Council, the Ontario Arts Council, the City of Toronto through the Toronto Arts Council and the Department of Canadian Heritage for their sponsorship of our ongoing activities.
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